The definition and connotation of Information Architecture(IA)is briefly described.Its impact on the evolution of information service is discussed from the theoretical and practical aspects.It’s believed that IA coul...The definition and connotation of Information Architecture(IA)is briefly described.Its impact on the evolution of information service is discussed from the theoretical and practical aspects.It’s believed that IA could be used to stimulate the requirement for the development of new technologies and new applications,to serve as a starting point for exploring the new direction of knowledge management and knowledge based information service,to provide a framework for improving the quality and structure of LIS professionals,and to serve as a model for remolding information science.展开更多
一、IA的提出与内涵诠释
Information Architecture,简称IA,是近年来国内外信息科学与计算机等领域共同关注的前沿课题,通常译名为"信息构筑"、"信息构筑体系"、"信息构筑学".1976年,职业建筑师出身的 Ri...一、IA的提出与内涵诠释
Information Architecture,简称IA,是近年来国内外信息科学与计算机等领域共同关注的前沿课题,通常译名为"信息构筑"、"信息构筑体系"、"信息构筑学".1976年,职业建筑师出身的 Richard Saul Wurman先生在主题为"信息构筑"(The Architecture of Information)的美建筑师联合会会议上,最早创造性提出了IA概念,并阐述了信息建筑师的定义;1989年,Wurman在<信息忧虑>一书中,正式提出IA定义,明确其核心思想是"让信息可理解"和"把复杂变清晰",认为其是将技术、图像设计和写作/新闻学三者合一.展开更多
G87 20003296军事体育的理论建设与体系构筑之探析=Discussion on theory development and systemconstruction of military sports(刊,中,A)/林建棣,黎维修,邹承英,陈南生,王蓉//上海体育学院学报.-1999.-23(2).-35-39参7(MYL)
This paper analyzes compositional strategies of Russian avant-garde architecture from the 1920s and 1930s through the study of the work of Ivan Leonidov （1902-1959）, one of the leading and most prolific architects o...This paper analyzes compositional strategies of Russian avant-garde architecture from the 1920s and 1930s through the study of the work of Ivan Leonidov （1902-1959）, one of the leading and most prolific architects of this movement. In this study, Leonidov＇s work is located within its predominant architectural context, and his work is interpreted not only as a reaction against the domineering principles of classicism, but as an evolution and selective continuation of key concepts directly translated from architectural academism. The issues of the use of pure forms--a radical stance at odds with the commonly accepted morphologies of that era--associated with the principles of displaced symmetry, or disorder, are closely looked at and evaluated against both their architectural and political values within the context of post-revolutionary Russia. It is argued that the characteristic of weightlessness in his large-scale planning proposals is revelatory of a particular desire to invade space with political presence, thus demanding to reconsider the relation between space and architectural objects. Parallels are also drawn from French Revolutionary architecture, and from the work of Claude-Nicolas Ledoux in particular, whose search for purity and autonomy in architectural morphology preceded that of Soviet architecture. As Leonidov＇s legacy mainly consists of drawings of buildings that never got built, his influence can often be felt in the work of other architects which until today have drawn formal elements and compositional strategies from his relatively vast volume of un-built work.展开更多
文摘The definition and connotation of Information Architecture(IA)is briefly described.Its impact on the evolution of information service is discussed from the theoretical and practical aspects.It’s believed that IA could be used to stimulate the requirement for the development of new technologies and new applications,to serve as a starting point for exploring the new direction of knowledge management and knowledge based information service,to provide a framework for improving the quality and structure of LIS professionals,and to serve as a model for remolding information science.
文摘一、IA的提出与内涵诠释
Information Architecture,简称IA,是近年来国内外信息科学与计算机等领域共同关注的前沿课题,通常译名为"信息构筑"、"信息构筑体系"、"信息构筑学".1976年,职业建筑师出身的 Richard Saul Wurman先生在主题为"信息构筑"(The Architecture of Information)的美建筑师联合会会议上,最早创造性提出了IA概念,并阐述了信息建筑师的定义;1989年,Wurman在<信息忧虑>一书中,正式提出IA定义,明确其核心思想是"让信息可理解"和"把复杂变清晰",认为其是将技术、图像设计和写作/新闻学三者合一.
文摘G87 20003296军事体育的理论建设与体系构筑之探析=Discussion on theory development and systemconstruction of military sports(刊,中,A)/林建棣,黎维修,邹承英,陈南生,王蓉//上海体育学院学报.-1999.-23(2).-35-39参7(MYL)
文摘This paper analyzes compositional strategies of Russian avant-garde architecture from the 1920s and 1930s through the study of the work of Ivan Leonidov （1902-1959）, one of the leading and most prolific architects of this movement. In this study, Leonidov＇s work is located within its predominant architectural context, and his work is interpreted not only as a reaction against the domineering principles of classicism, but as an evolution and selective continuation of key concepts directly translated from architectural academism. The issues of the use of pure forms--a radical stance at odds with the commonly accepted morphologies of that era--associated with the principles of displaced symmetry, or disorder, are closely looked at and evaluated against both their architectural and political values within the context of post-revolutionary Russia. It is argued that the characteristic of weightlessness in his large-scale planning proposals is revelatory of a particular desire to invade space with political presence, thus demanding to reconsider the relation between space and architectural objects. Parallels are also drawn from French Revolutionary architecture, and from the work of Claude-Nicolas Ledoux in particular, whose search for purity and autonomy in architectural morphology preceded that of Soviet architecture. As Leonidov＇s legacy mainly consists of drawings of buildings that never got built, his influence can often be felt in the work of other architects which until today have drawn formal elements and compositional strategies from his relatively vast volume of un-built work.
