The purpose of this text is to research dominant/typical images which have been constructed in the process of the perception and representation of the stranger in Balkan literatures, and reciprocally, the images that ...The purpose of this text is to research dominant/typical images which have been constructed in the process of the perception and representation of the stranger in Balkan literatures, and reciprocally, the images that strangers constructs for the Balkan in the same literary context. Under conditions where Balkan literatures have been treated as an alternative history of the Balkan, the author intends to see the role and power of literary work in creation, in changing or rejecting the image for/of the Other/stranger. The analysis covers several areas： the dominant position of image constructions; acts of invention an in（ter）vention; forming and transforming the images of the stranger; the role of stereotypes and prejudice in constructing images; the role of the discursive communities in creating images; and the role of the projective ideology in creating images.展开更多
This paper examines general composition problems in modernist architecture by means of a close analysis of the formal principles and devices at work in two exemplary mid twentieth century projects, De Vore House by Lo...This paper examines general composition problems in modernist architecture by means of a close analysis of the formal principles and devices at work in two exemplary mid twentieth century projects, De Vore House by Louis Kahn （1901-1974） and House II by Peter Eisenman （1932）. The goal of the paper is to inaugurate a larger research project into the design processes and spatial-formal effect at work in modernist architecture. The methodology is primarily visual, and postulates a range of form relationships for the creation and interpretation of works of architecture. Following an introduction to the research problem, an analysis of the case study projects is undertaken according to three themes： plan disposition, ambiguity in wall and column relations, and volume as impacting on movement. A concluding section summarizes the findings and suggests future lines of research. The paper＇s significance lays in its contributions to discussions around architectural practice at a specific moment in modernist architecture＇s mid twentieth century trajectory, to our understanding of a number of formal strategies and their resulting architectural effects, and to scholarship on the practice and theories of Kahn and Eisenman.展开更多
The purpose of this study is to find ＂the new theory＂ in the process of having quality ＂form＂ in architecture field which is usually visualized by the ruler through his ideology of his architectural work which is ...The purpose of this study is to find ＂the new theory＂ in the process of having quality ＂form＂ in architecture field which is usually visualized by the ruler through his ideology of his architectural work which is created by his architects. The study is about an urban design in architectural field related with space-power-knowledge. To reveal the meaning of the architecture objects is need to analyze the architectural object ＂form＂ as the culture-material, and to reveal the meaning of the objects through the hidden things related to the presence of the metaphysical data. To find ＂the new theory＂ used ＂grounded theory research＂, the method is part of qualitative research which refers to Glaser and Strauss. The achievement study is finding the idea of＂architecture stage＂ of the ruler, represented by Soekamo as the first Indonesian President. Through visual observation and spatial experiences in his several architectural works concerning the ＂Project＇s Lighthouse＂ as his architectural work in Jakarta in the 1960s the idea of connectedness was found. He composes his architecture＇s work by inserted the ＂architecture drama analogy＂ as metaphor for representing himself and his ideologist by exploring the Javanese Ancient＇s as the basic design in the modem architecture at that time the east meet west.展开更多
文摘The purpose of this text is to research dominant/typical images which have been constructed in the process of the perception and representation of the stranger in Balkan literatures, and reciprocally, the images that strangers constructs for the Balkan in the same literary context. Under conditions where Balkan literatures have been treated as an alternative history of the Balkan, the author intends to see the role and power of literary work in creation, in changing or rejecting the image for/of the Other/stranger. The analysis covers several areas： the dominant position of image constructions; acts of invention an in（ter）vention; forming and transforming the images of the stranger; the role of stereotypes and prejudice in constructing images; the role of the discursive communities in creating images; and the role of the projective ideology in creating images.
文摘This paper examines general composition problems in modernist architecture by means of a close analysis of the formal principles and devices at work in two exemplary mid twentieth century projects, De Vore House by Louis Kahn （1901-1974） and House II by Peter Eisenman （1932）. The goal of the paper is to inaugurate a larger research project into the design processes and spatial-formal effect at work in modernist architecture. The methodology is primarily visual, and postulates a range of form relationships for the creation and interpretation of works of architecture. Following an introduction to the research problem, an analysis of the case study projects is undertaken according to three themes： plan disposition, ambiguity in wall and column relations, and volume as impacting on movement. A concluding section summarizes the findings and suggests future lines of research. The paper＇s significance lays in its contributions to discussions around architectural practice at a specific moment in modernist architecture＇s mid twentieth century trajectory, to our understanding of a number of formal strategies and their resulting architectural effects, and to scholarship on the practice and theories of Kahn and Eisenman.
文摘The purpose of this study is to find ＂the new theory＂ in the process of having quality ＂form＂ in architecture field which is usually visualized by the ruler through his ideology of his architectural work which is created by his architects. The study is about an urban design in architectural field related with space-power-knowledge. To reveal the meaning of the architecture objects is need to analyze the architectural object ＂form＂ as the culture-material, and to reveal the meaning of the objects through the hidden things related to the presence of the metaphysical data. To find ＂the new theory＂ used ＂grounded theory research＂, the method is part of qualitative research which refers to Glaser and Strauss. The achievement study is finding the idea of＂architecture stage＂ of the ruler, represented by Soekamo as the first Indonesian President. Through visual observation and spatial experiences in his several architectural works concerning the ＂Project＇s Lighthouse＂ as his architectural work in Jakarta in the 1960s the idea of connectedness was found. He composes his architecture＇s work by inserted the ＂architecture drama analogy＂ as metaphor for representing himself and his ideologist by exploring the Javanese Ancient＇s as the basic design in the modem architecture at that time the east meet west.
