＂Variations＂ is one of the main musical forms in compositional process. Johannes Brahms is one of the most important Romantic composers that used this form. Variations and Fugue on a Theme by Handel, Op. 24, （Op. 2...＂Variations＂ is one of the main musical forms in compositional process. Johannes Brahms is one of the most important Romantic composers that used this form. Variations and Fugue on a Theme by Handel, Op. 24, （Op. 24, 1862） is a piece that Johannes Brahms wrote for solo piano in a highly creative style, which was classically arranged. Brahms took the theme from an aria in George Frederic Handel＇s Harpsichord Suite in B-flat major, HWV 434 （1733）. In Handel＇s work, the original theme was turned into five variations. With the purpose of exploring chromatic possibilities after the piano was developed from harpsichord, Brahms made 25 magnificent variations with an extensive fugue in his work. The purpose of this work is to prepare an explanatory document for pianists who intend to perform this piece and who are not familiar with such work. Also, it is hoped that piano performers will find explanatory points in this composition （e.g., stylistic characteristics） through comparisons with his other variations and start performing it more frequently展开更多
Cultural capital is usually regarded as a mechanism of influence on personality. Coleman contributed to this study largely, although Bourdieu introduced the concept of a theoretical understanding of capital varieties....Cultural capital is usually regarded as a mechanism of influence on personality. Coleman contributed to this study largely, although Bourdieu introduced the concept of a theoretical understanding of capital varieties. He was interested in the convergence of social, cultural, and economic capital. The authors propose to focus on the cultural capital of both the qualitative characteristics of the state of society. The problem is that in the presence of cultural capital as a funded system of values in the form of works of art and science, society degrades morally. Any cultural capital based on traditional religious values. This does not mean the broadcasting of religious themes in works of art, although it excludes, but rather a philosophical position of artists and researchers, through which the public receives the interpretation of events, their assessment of a certain value-regulatory system of coordinates. This element is the spiritual capital of the company and is a fundamental element of cultural capital. Qualitative state of society, its morality depends on the amount of spiritual capital, which he occupies in the field of cultural capital. A striking example of how the degradation and spiritual revival of capital in society can serve as the processes that took place during the last century.展开更多
文摘＂Variations＂ is one of the main musical forms in compositional process. Johannes Brahms is one of the most important Romantic composers that used this form. Variations and Fugue on a Theme by Handel, Op. 24, （Op. 24, 1862） is a piece that Johannes Brahms wrote for solo piano in a highly creative style, which was classically arranged. Brahms took the theme from an aria in George Frederic Handel＇s Harpsichord Suite in B-flat major, HWV 434 （1733）. In Handel＇s work, the original theme was turned into five variations. With the purpose of exploring chromatic possibilities after the piano was developed from harpsichord, Brahms made 25 magnificent variations with an extensive fugue in his work. The purpose of this work is to prepare an explanatory document for pianists who intend to perform this piece and who are not familiar with such work. Also, it is hoped that piano performers will find explanatory points in this composition （e.g., stylistic characteristics） through comparisons with his other variations and start performing it more frequently
文摘Cultural capital is usually regarded as a mechanism of influence on personality. Coleman contributed to this study largely, although Bourdieu introduced the concept of a theoretical understanding of capital varieties. He was interested in the convergence of social, cultural, and economic capital. The authors propose to focus on the cultural capital of both the qualitative characteristics of the state of society. The problem is that in the presence of cultural capital as a funded system of values in the form of works of art and science, society degrades morally. Any cultural capital based on traditional religious values. This does not mean the broadcasting of religious themes in works of art, although it excludes, but rather a philosophical position of artists and researchers, through which the public receives the interpretation of events, their assessment of a certain value-regulatory system of coordinates. This element is the spiritual capital of the company and is a fundamental element of cultural capital. Qualitative state of society, its morality depends on the amount of spiritual capital, which he occupies in the field of cultural capital. A striking example of how the degradation and spiritual revival of capital in society can serve as the processes that took place during the last century.
