The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason fo...The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture展开更多
The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, ...The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, order, and clarity work to achieve a coherent picture space uniting, through the agency of the frame and the space represented with the space occupied by the beholder. The resistance on ＂frame despotism＂ and ＂dismemberment＂ of picture by avant-garde artist exposes the illusory reality created by perspective and verisimilitude, which deconstructs the false aesthetic relationship of frame and picture. Analysis on frame by modernist art builds its art value展开更多
The purpose of this study is to find ＂the new theory＂ in the process of having quality ＂form＂ in architecture field which is usually visualized by the ruler through his ideology of his architectural work which is ...The purpose of this study is to find ＂the new theory＂ in the process of having quality ＂form＂ in architecture field which is usually visualized by the ruler through his ideology of his architectural work which is created by his architects. The study is about an urban design in architectural field related with space-power-knowledge. To reveal the meaning of the architecture objects is need to analyze the architectural object ＂form＂ as the culture-material, and to reveal the meaning of the objects through the hidden things related to the presence of the metaphysical data. To find ＂the new theory＂ used ＂grounded theory research＂, the method is part of qualitative research which refers to Glaser and Strauss. The achievement study is finding the idea of＂architecture stage＂ of the ruler, represented by Soekamo as the first Indonesian President. Through visual observation and spatial experiences in his several architectural works concerning the ＂Project＇s Lighthouse＂ as his architectural work in Jakarta in the 1960s the idea of connectedness was found. He composes his architecture＇s work by inserted the ＂architecture drama analogy＂ as metaphor for representing himself and his ideologist by exploring the Javanese Ancient＇s as the basic design in the modem architecture at that time the east meet west.展开更多
文摘The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture
文摘The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, order, and clarity work to achieve a coherent picture space uniting, through the agency of the frame and the space represented with the space occupied by the beholder. The resistance on ＂frame despotism＂ and ＂dismemberment＂ of picture by avant-garde artist exposes the illusory reality created by perspective and verisimilitude, which deconstructs the false aesthetic relationship of frame and picture. Analysis on frame by modernist art builds its art value
文摘The purpose of this study is to find ＂the new theory＂ in the process of having quality ＂form＂ in architecture field which is usually visualized by the ruler through his ideology of his architectural work which is created by his architects. The study is about an urban design in architectural field related with space-power-knowledge. To reveal the meaning of the architecture objects is need to analyze the architectural object ＂form＂ as the culture-material, and to reveal the meaning of the objects through the hidden things related to the presence of the metaphysical data. To find ＂the new theory＂ used ＂grounded theory research＂, the method is part of qualitative research which refers to Glaser and Strauss. The achievement study is finding the idea of＂architecture stage＂ of the ruler, represented by Soekamo as the first Indonesian President. Through visual observation and spatial experiences in his several architectural works concerning the ＂Project＇s Lighthouse＂ as his architectural work in Jakarta in the 1960s the idea of connectedness was found. He composes his architecture＇s work by inserted the ＂architecture drama analogy＂ as metaphor for representing himself and his ideologist by exploring the Javanese Ancient＇s as the basic design in the modem architecture at that time the east meet west.
