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论“学者型作家”与“作家型学者” 被引量:6
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作者 房伟 《福建师范大学学报(哲学社会科学版)》 CSSCI 北大核心 2019年第6期124-129,171,共7页
文章梳理了文学史上"学者型作家"与"作家型学者"的不同形态,剖析了现代大学文学教育的若干弊病,并结合当下"创意写作"学科的发展,提出"学术/创作"之间良性互动关系要注意的三个问题:一是要在&q... 文章梳理了文学史上"学者型作家"与"作家型学者"的不同形态,剖析了现代大学文学教育的若干弊病,并结合当下"创意写作"学科的发展,提出"学术/创作"之间良性互动关系要注意的三个问题:一是要在"杂家"意义上,通过学术研究,拓展作家的眼界,增强创作的思想深度与广度;二是要警惕"头巾气"对创作的妨碍,不能让理念压倒感性体验,也不能让学问限制了文学想象力;三是从研究角度讲,对文学创作规律的尊重,有利于学者打破学科壁垒和学术偏见,养成"文学的同情",在文学审美能力的基础上,促进学术的进步。 展开更多
关键词 学者作家 作家型学者 大学文学教育 创意写作
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论潘年英的文学创作 被引量:1
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作者 谢美英 《作家》 北大核心 2009年第2期203-204,共2页
潘年英身为一个作家型学者,我们不但要关注其人类学思想,更要看到他作为一个作家的存在。在写作方面,他有自己的创作特点和风格:语言简洁、朴实;内容真实、充满情感与现实性;他立足于自己的民族文化——侗族文化;基本基调是一种淡淡的... 潘年英身为一个作家型学者,我们不但要关注其人类学思想,更要看到他作为一个作家的存在。在写作方面,他有自己的创作特点和风格:语言简洁、朴实;内容真实、充满情感与现实性;他立足于自己的民族文化——侗族文化;基本基调是一种淡淡的忧伤。 展开更多
关键词 潘年英 侗族文化 作家型学者
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The Abbreviated Symbol of Living Forms, Unit and Growth
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作者 Humberto Ortega-Villasenor Genaro Quinones Trujillo 《Fudan Journal of the Humanities and Social Sciences》 2016年第3期465-491,共27页
This essay is written in the form of a mosaic. It intersperses simple language, primary and secondary quotes within text, footnotes and epigraphs from classical thinkers and cutting-edge researchers. It invites reader... This essay is written in the form of a mosaic. It intersperses simple language, primary and secondary quotes within text, footnotes and epigraphs from classical thinkers and cutting-edge researchers. It invites readers, be they casual or experienced, to a certain play of irony and fantasy in their reflection on the main thrust of the argument. The essay is divided into two parts. The first seeks to introduce the readers to some of the main concerns of frontier science and the Philosophy of Science at the beginning of this millennium: the Universe Models proposed by scientists from fields related to Physics and Mathematics in their eagerness to explain more and more discoveries and to lay out a solid new scientific paradigm. We are convinced that the leap between sidelines and insides--when confronting straightforward style with systematic contrast--does not lessen the rigor of research, and serves to lighten the density of the topic by projecting nuances and resonance onto the logos and its concatenation. It may also serve to vivify field and figure, in order to recreate the fertile delight that generally comes from a good reading of deep intertext.In the second part, we attempt to subtly demonstrate a fortunate discovery: the validity and solidity of the laws of Nature, upheld on the basis of their abstract mathematical expression (the Number Phi (φ), the goldennumber or golden section), which despite having faded into oblivion, buried under centuries of disuse in the fields of Aesthetics and Art, has proven to be useful as a critical instrument and a template for concrete solutions that we wish to share. We believe that this Model may serve not only to answer some of the scientific issues that we have referred to, but to redirect the discussion itself, and break the logjam of many frontier forums that place conditions on the application of the Models pro- duced over the last century. Having glimpsed those realms where analysis and common sense come together for addressing one of the most salient issues of our time, we chose to close the essay by offering practical, concrete findings on the topic of Models, which not only specialists in the field may find useful, but also any reader, especially educators, who are charged with sharing these findings with the present and future generations. 展开更多
关键词 Universe models Scientific paradigm Mathematical expression Number Phi
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