The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason fo...The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture展开更多
The term geopoetics has a wide interpretation. It is defined as a project of the cultural activity aimed at creating and changing territorial myths and research path, which considers the interaction between literary c...The term geopoetics has a wide interpretation. It is defined as a project of the cultural activity aimed at creating and changing territorial myths and research path, which considers the interaction between literary creativity and geographical space. Defining this term, it is possible to introduce a geopoetical analysis diagram based on three interconnected positions： the writer＇s personality, the universe of an artwork and its characters. The Last Novik--A historical novel by Lazhechnikov analysis example presented on a diagram reveals the relationship between time and space in the literary work, as well as the author＇s interaction with the described events.展开更多
Let Un be the unit polydisc of ?n and φ=(φ1, ?, φ n ) a holomorphic self-map of Un. As the main result of the paper, it shows that the composition operator C is compact on the Bloch space β(Un) if and only if for ...Let Un be the unit polydisc of ?n and φ=(φ1, ?, φ n ) a holomorphic self-map of Un. As the main result of the paper, it shows that the composition operator C is compact on the Bloch space β(Un) if and only if for every ε > 0, there exists a δ > 0, such that $$\sum\limits_{k,1 = 1}^n {\left| {\frac{{\partial \phi _l }}{{\partial z_k }}(z)} \right|} \frac{{1 - |z_k |^2 }}{{1 - |\phi _l (z)|^2 }}< \varepsilon ,$$ whenever dist(φ(z), ?U n )<δ.展开更多
文摘The objective of this paper is to demonstrate that the processual aspect of literary works of art deserves much more attention than it normally receives by readers, critics, and theorists. The most important reason for this is seen in the fact that texts since the advent of print culture have been disseminated and passed on in written form and that in the medium of writing the processual character of language is only insufficiently taken care of by a cultural convention of arranging and approaching the presented signs in an particular sequence. Whereas in an oral culture the dynamic processuality of a speech or recitation was directly experienced by the listeners, the spatial arrangement of signs in writing enables and even entices readers and critics to read this or that part of a written text in a sequence of their own making. What remains out of focus is that in doing so they miss the particular semantic profile and aesthetic character of the work as created by the author--a procedure particularly hurtful in the case of literary works of art. There is hope, however, that this will somewhat change by our moving towards a performance culture
文摘The term geopoetics has a wide interpretation. It is defined as a project of the cultural activity aimed at creating and changing territorial myths and research path, which considers the interaction between literary creativity and geographical space. Defining this term, it is possible to introduce a geopoetical analysis diagram based on three interconnected positions： the writer＇s personality, the universe of an artwork and its characters. The Last Novik--A historical novel by Lazhechnikov analysis example presented on a diagram reveals the relationship between time and space in the literary work, as well as the author＇s interaction with the described events.
基金This work was supported in part by the National Natural Science Foundation of China ( Grant No. 19871081).
文摘Let Un be the unit polydisc of ?n and φ=(φ1, ?, φ n ) a holomorphic self-map of Un. As the main result of the paper, it shows that the composition operator C is compact on the Bloch space β(Un) if and only if for every ε > 0, there exists a δ > 0, such that $$\sum\limits_{k,1 = 1}^n {\left| {\frac{{\partial \phi _l }}{{\partial z_k }}(z)} \right|} \frac{{1 - |z_k |^2 }}{{1 - |\phi _l (z)|^2 }}< \varepsilon ,$$ whenever dist(φ(z), ?U n )<δ.
