Communities and the Poetic Imaginary：A Folklore Essay on the Poetry of the Wild Project

Poetry of the Wild is an ongoing artistic and literary project that according to originator Ana Flores＇ conception, invites the public ＂out for a walk＂ to freshly experience their world through word, sound, and image. Inspired by birdhouse design, these unique configurations of ＂poetry boxes＂, combining art and poetry are located in various communal open spaces. Each new project solicits a public response from us all to become catalysts for exploring our environs and questioning how a sense of place informs our consciousness. A folkloristic perspective shapes this discussion about the many variations of this collaborative and public project of poetry boxes, installed on trails, in parks, along rivers, and in library stacks over the past ten years. The primary concerns of folklore interpretation such as tradition, identity, cultural creativity, performance, and narrative analysis, are just a few of the dynamics that can be teased out from investigating a project with such interesting cultural parameters. In this context, cultural sustainability and poetic sensibility deepen our understanding of sense of place, environmental aesthetics, shrine markers, and the scope of individual and communal creative action.

论苏轼作品在生前的传播形式及其特点

苏轼是文学史上成就高、作品数量大的重要作家,其诗文词集在后世先后结集,且注家纷出:诗歌方面,最早有南宋王十朋的《集注分类东坡先生诗》[1],施元之、顾禧的《注东坡先生诗》[2],清代注本尤多,先后有查慎行的《苏诗补注》[3],冯应榴的《苏文忠诗合注》[4],王文诰的《苏文忠公诗编注集成》[5];文集方面,最早有南宋郎晔注释的《经进东坡文集事略》[6],后有明代茅维编的《苏文忠公全集》,今通行的《苏轼文集》[7]即以此为底本;词作方面,南宋傅幹最早为之作注[8],之后沉寂近千年后,20 世纪集中涌现了几部注本,先后有龙榆生的《东坡乐府笺》[9],曹树铭的《东坡词编年校注及其研究》[10],石声淮、唐玲玲的《东坡乐府编年笺注》[11],薛瑞生的《东坡词编年笺证》[12],以及邹同庆、王宗堂的《苏轼词编年校注》[13]。

苏文二篇作时新考

研究苏轼之文,首先当确定其写作时间。在这方面,清代王文诰《苏文忠公诗编注集成总案》(下称《苏诗总案》)用力甚勤,贡献颇大,但仍有失考、误考之处。今人吴雪涛补苴罅漏,历时十载,著《苏文系年考略》(下称《苏文考略》),不乏精彩之笔。