The translation of place-names plays a significant part in both translation and the process of communication. The translation of place-names is a cross-cultural communication, especially in the translation of the plac...The translation of place-names plays a significant part in both translation and the process of communication. The translation of place-names is a cross-cultural communication, especially in the translation of the place-names with allusion-oriented meaning. The translators should consider the cultural meaning of the place-names and convey the cultural meaning accurately to the foreigners. This paper is based on some cases that have been searched, illustrating the translation of place-names on allusion-oriented from the perspective of cross-cultural communication consciousness and the strategy of foreignization. It also analyzes the basic guiding principl strategies and specific translation methods on the translation of Chinese place-names, as well as the scope es, of various translation methods, such as literal translation, free translation, combination of both of them, and proposes the guiding principles of this kind of translation which should be ＂literal translation-headed, proper free translation, and appropriate interpretation＂. The other principles are ＂following the pronunciation of the owners of proper names, adopting the established popular translated names, and using the standard pronunciation of the Chinese character＂ etc. Based on it, this paper discusses the translation of the place-names, such as ＂Zhenyuan＇展开更多
The wide application of Chinese and foreign allusions is a big feature of QIAN Zhong-shu＇s only novel and masterpiece Fortress Besieged, which was first published in 1947. The paper makes an attempt to categorize and...The wide application of Chinese and foreign allusions is a big feature of QIAN Zhong-shu＇s only novel and masterpiece Fortress Besieged, which was first published in 1947. The paper makes an attempt to categorize and analyze the strategies in translating allusions adopted by Jeanne Kelly and Nathan K. Mao in the only English version. The strategies include literal translation, literal translation plus endnote, literal translation plus explanation added in the text, interpretation of the implied meaning plus endnote, and interpretation of the implied meaning in the text. In particular, the strategy of literal translation plus endnote is mostly adopted. This is indicative of the translators＇ wish to be as faithful as possible to the source text. What＇s more, the literal translation strategy and use of endnotes is of a big help to communicate the Chinese culture to foreigners展开更多
文摘The translation of place-names plays a significant part in both translation and the process of communication. The translation of place-names is a cross-cultural communication, especially in the translation of the place-names with allusion-oriented meaning. The translators should consider the cultural meaning of the place-names and convey the cultural meaning accurately to the foreigners. This paper is based on some cases that have been searched, illustrating the translation of place-names on allusion-oriented from the perspective of cross-cultural communication consciousness and the strategy of foreignization. It also analyzes the basic guiding principl strategies and specific translation methods on the translation of Chinese place-names, as well as the scope es, of various translation methods, such as literal translation, free translation, combination of both of them, and proposes the guiding principles of this kind of translation which should be ＂literal translation-headed, proper free translation, and appropriate interpretation＂. The other principles are ＂following the pronunciation of the owners of proper names, adopting the established popular translated names, and using the standard pronunciation of the Chinese character＂ etc. Based on it, this paper discusses the translation of the place-names, such as ＂Zhenyuan＇
文摘The wide application of Chinese and foreign allusions is a big feature of QIAN Zhong-shu＇s only novel and masterpiece Fortress Besieged, which was first published in 1947. The paper makes an attempt to categorize and analyze the strategies in translating allusions adopted by Jeanne Kelly and Nathan K. Mao in the only English version. The strategies include literal translation, literal translation plus endnote, literal translation plus explanation added in the text, interpretation of the implied meaning plus endnote, and interpretation of the implied meaning in the text. In particular, the strategy of literal translation plus endnote is mostly adopted. This is indicative of the translators＇ wish to be as faithful as possible to the source text. What＇s more, the literal translation strategy and use of endnotes is of a big help to communicate the Chinese culture to foreigners
