This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H6...This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.展开更多
Literature about Hemingway＇s writing style has been fully explored in the past 80 years, while his style has not yet been well probed into from the perspective of corpus-based stylistics. This paper focuses on the an...Literature about Hemingway＇s writing style has been fully explored in the past 80 years, while his style has not yet been well probed into from the perspective of corpus-based stylistics. This paper focuses on the analysis of his writing style as a news reporter and as a literary writer in order to investigate whether there exists some links between the two or whether his training as a reporter has any effect on his writing as fiction writer. By employing a corpus-based stylistic approach, the paper analyzes in great details Hemingway＇s early news writing in Kansas City Star （ 1917-1918） and his later fiction writing in the novella The Old Man and the Sea （1952）. The stylistic features at lexical level are explored quantitatively in both writings via statistical data. The paper concludes that Hemingway＇s writing style has his own heritage. The style in his early news articles does find its way into his later fiction writing. There do exist certain similarities in the choices of lexical items and phrasal expressions. It also indicates that a further exploration on their syntactic, rhetorical, and discourse levels is needed ira fuller picture of Hemingway＇s writing style is to be unveiled.展开更多
文摘This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.
文摘Literature about Hemingway＇s writing style has been fully explored in the past 80 years, while his style has not yet been well probed into from the perspective of corpus-based stylistics. This paper focuses on the analysis of his writing style as a news reporter and as a literary writer in order to investigate whether there exists some links between the two or whether his training as a reporter has any effect on his writing as fiction writer. By employing a corpus-based stylistic approach, the paper analyzes in great details Hemingway＇s early news writing in Kansas City Star （ 1917-1918） and his later fiction writing in the novella The Old Man and the Sea （1952）. The stylistic features at lexical level are explored quantitatively in both writings via statistical data. The paper concludes that Hemingway＇s writing style has his own heritage. The style in his early news articles does find its way into his later fiction writing. There do exist certain similarities in the choices of lexical items and phrasal expressions. It also indicates that a further exploration on their syntactic, rhetorical, and discourse levels is needed ira fuller picture of Hemingway＇s writing style is to be unveiled.
