匈牙利农民音乐的采掘者——巴托克

没有多少音乐家象他那样热爱自己的民族，并甘愿为本民族民间音乐的发展付诸一生的坚定与热情，他用整个心灵去歌唱着对祖国、对人民的挚爱。他的音乐中充满着匈牙利民间气息，生动亲切的旋律具有无限蓬勃的生命力，它似乎在向全世界宣告，匈牙利民族绝不会向纳粹屈服。为此他忍受的是一生清苦。迭受政治化的恶意攻击与谩骂，他的正义行为使他成了当政者的眼中钉，最后避居美国。

The study on the beauty of Yulin Tea-picking

Yulin was belong to ＂Hundred Yue＂ in ancient time, the Zhuang and Yao nationality was the indigenous people here. After the Qin and Han Dynasties, the central plains people constantly migrating to the south not only brought the advanced agricultural technology, but also a lot of Hafts customs and folk music, including the ＂picking flower lanterns＂, ＂tea-picking drama＂ and other folk music cultures which combined with the local pristine ＂tea plucking＂ folk songs, and then the ＂tea plucking＂ music culture began to have its own unique artistic features. These characteristics contributed to highlight the beauty of Yulin tea plucking opera. This article mainly discusses Yulin tea-picking Drama＇s rich aesthetic connotation through elaborating its music, lyrics, the theme, dancing, and clothing etc.

巴托克《第一钢琴协奏曲》节奏形态特征分析

巴托克《第一钢琴协奏曲》是其成熟时期的代表作,作品体现了作曲家独特的民族音乐创作个性。本文通过对作品节奏形态特征在民族性和动力性两方面的初探,展示了巴托克将匈牙利民间音乐的节奏特征与固定音型完美结合的创作特征,而源于民族音乐节奏的原始力量和多种变化的节奏形态所形成的动力性节奏,充分表达了作曲家这一时期强烈的不满情绪,这也成为巴托克成熟时期最重要的音乐表现特征之一。