以Web of Science中的SSCI数据库为情报源,对近10年SSCI收录的3种国际编辑出版类期刊Journal of Scholarly Publishing(JSP)、Learned Publishing(LP)、Serials Review(SR)发表的1200篇文献进行分析,从文献的年代与类型、国家/地区、机...以Web of Science中的SSCI数据库为情报源,对近10年SSCI收录的3种国际编辑出版类期刊Journal of Scholarly Publishing(JSP)、Learned Publishing(LP)、Serials Review(SR)发表的1200篇文献进行分析,从文献的年代与类型、国家/地区、机构、作者分布等方面全面分析了国际编辑出版类期刊发表文献的现状,并提出相关建议。研究发现,近10年来,国际范围内编辑出版领域文献发文量和影响力总体呈现逐年增长的趋势;美、英在编辑出版学领域的研究占有明显优势,其相关研究机构、作者群体均具有较强的研究能力;而中国在编辑出版学领域的研究水平有增长的趋势,但和美、英有很大差距。中国应加强与欧美发达国家和地区编辑出版学术机构的合作与交流。展开更多
The Second Chinese Theatre Festival took place in the winter of 2005 in Paris, France. The event, organized by China Cultural Center in Paris, has seen six local opera troupes from Hebei, Jiangsu, Jilin, Fujian and Gu...The Second Chinese Theatre Festival took place in the winter of 2005 in Paris, France. The event, organized by China Cultural Center in Paris, has seen six local opera troupes from Hebei, Jiangsu, Jilin, Fujian and Guangdong provinces, showing to Parisians scores of traditional programs of Chinese operas. Chinese theatric art is not novel to French people. Over past decades in the history of modern China, Chinese opera masters, in particular, Peking opera singers, visited Paris many times and made traditional Chinese opera known to French people. For example, when visiting Paris half the century ago, master Cheng Yanqiu gave lectures on Peking opera, the first Chinese opera genre that was introduced to French people.展开更多
文摘以Web of Science中的SSCI数据库为情报源,对近10年SSCI收录的3种国际编辑出版类期刊Journal of Scholarly Publishing(JSP)、Learned Publishing(LP)、Serials Review(SR)发表的1200篇文献进行分析,从文献的年代与类型、国家/地区、机构、作者分布等方面全面分析了国际编辑出版类期刊发表文献的现状,并提出相关建议。研究发现,近10年来,国际范围内编辑出版领域文献发文量和影响力总体呈现逐年增长的趋势;美、英在编辑出版学领域的研究占有明显优势,其相关研究机构、作者群体均具有较强的研究能力;而中国在编辑出版学领域的研究水平有增长的趋势,但和美、英有很大差距。中国应加强与欧美发达国家和地区编辑出版学术机构的合作与交流。
文摘The Second Chinese Theatre Festival took place in the winter of 2005 in Paris, France. The event, organized by China Cultural Center in Paris, has seen six local opera troupes from Hebei, Jiangsu, Jilin, Fujian and Guangdong provinces, showing to Parisians scores of traditional programs of Chinese operas. Chinese theatric art is not novel to French people. Over past decades in the history of modern China, Chinese opera masters, in particular, Peking opera singers, visited Paris many times and made traditional Chinese opera known to French people. For example, when visiting Paris half the century ago, master Cheng Yanqiu gave lectures on Peking opera, the first Chinese opera genre that was introduced to French people.
