Under the background of the Digital Age, This article proposes suggestions on the training mode of the innovative professional photography personnel. We should rest on the good foundations of the demand pattern of ＇D...Under the background of the Digital Age, This article proposes suggestions on the training mode of the innovative professional photography personnel. We should rest on the good foundations of the demand pattern of ＇Double art talent＇ and take advantage of the advanced special services of Art Design. We should persist in the principle of Artistic Innovation first. We should establish an optimal training scheme of ＇photography creative talents＇ . A highly innovative photography subject system will train talents for ＇Design of photography＇ . We should change our opinions on traditional teaching, and to suggest improvements or comment on the practicability of the innovation and reform of Professional photography.展开更多
This paper presents a three-stage hypothesis on the development of creative industrial clusters, which includes stages of agglomeration, interfacing, and network development. In the first stage, micro-entities concent...This paper presents a three-stage hypothesis on the development of creative industrial clusters, which includes stages of agglomeration, interfacing, and network development. In the first stage, micro-entities concentrate geographically in a creative industrial cluster in search of resources. The second stage reflects the need for building identity. Finally, the third stage is the outcome of multi-dimensional expansion. As a creative industrial cluster develops, its focus moves from geographic concentration to division of labor and the creation of novel systems. Using this three-stage framework, this paper conducts an empirical study on Beijing＇s 798 District （＂798＂）. Our study finds that the ＂self-destruction ＂phenomenon （which appeared after 798 had reached the stage of network development in a low-level capacity） is essentially the product of a squeezing effect of commercial prosperity on art production. Our study further examines four models of art-commerce integration and explains the ways in which creative industrial clusters are different from conventional industrial clusters： a creative cluster is a platform of integration for culture, commerce, and technology. Its course of development is characterized by novelty, emergence of identity through interfacing, and network cooperation.展开更多
文摘Under the background of the Digital Age, This article proposes suggestions on the training mode of the innovative professional photography personnel. We should rest on the good foundations of the demand pattern of ＇Double art talent＇ and take advantage of the advanced special services of Art Design. We should persist in the principle of Artistic Innovation first. We should establish an optimal training scheme of ＇photography creative talents＇ . A highly innovative photography subject system will train talents for ＇Design of photography＇ . We should change our opinions on traditional teaching, and to suggest improvements or comment on the practicability of the innovation and reform of Professional photography.
文摘This paper presents a three-stage hypothesis on the development of creative industrial clusters, which includes stages of agglomeration, interfacing, and network development. In the first stage, micro-entities concentrate geographically in a creative industrial cluster in search of resources. The second stage reflects the need for building identity. Finally, the third stage is the outcome of multi-dimensional expansion. As a creative industrial cluster develops, its focus moves from geographic concentration to division of labor and the creation of novel systems. Using this three-stage framework, this paper conducts an empirical study on Beijing＇s 798 District （＂798＂）. Our study finds that the ＂self-destruction ＂phenomenon （which appeared after 798 had reached the stage of network development in a low-level capacity） is essentially the product of a squeezing effect of commercial prosperity on art production. Our study further examines four models of art-commerce integration and explains the ways in which creative industrial clusters are different from conventional industrial clusters： a creative cluster is a platform of integration for culture, commerce, and technology. Its course of development is characterized by novelty, emergence of identity through interfacing, and network cooperation.
