论西藏神秘在藏族文学创作中的表现

西藏浓郁的宗教色彩和民族地域特色 ,构成了西藏特有的“神秘” ,这种“神秘”成了西藏作家们取之不竭、用之不完的丰厚的创作资源和素材 ,为西藏作家的创作提供了肥沃的文学土壤。

On the Integrated Model of Music in the Creation and Dissemination of New Media Era

Into the era of new media art, music develops toward a more comprehensive, more novel direction. Music is no longer pure spirit product, and becomes a resource of information society. This paper analyzes the new media era music creation mode change, as a result of this mode of music dissemination of new characteristics were summarized, illustrate the influence of new media tools generated for music culture, find some means of basis for the development of music art in the new environment. With the development of computer and the popularization of the Internet, everyone can become the creator and disseminator of music. At the same time of the concept and the mode of creation have changed, music dissemination way is to find a broader approach. In numerous new media era music works, those who conform to the times and the nature of music works will also become a classic in the information after the bubble.

唐宋间《调笑令》创作研究

《调笑令》的发展历经五代和两宋,南宋时渐趋衰微。《调笑令》创作的兴起与中唐时期宴饮风气盛行有着密切关系,创作体式由齐言向杂言演进并逐渐定型。唐五代《调笑令》作品多是缘题而作,内容方面具有景物描摹、酒筵佐欢的特点;宋代《调笑令》创作以北宋作家居多,表现出更为明显的游戏性质,较多采用联章"转踏"结构,出现了檗括和模仿前人的作品。