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中国神话中传统反叛精神的新书写--以电影《新神榜:哪吒重生》为例
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作者 张牧洋 《戏剧之家》 2022年第15期144-146,共3页
2021年上映的《新神榜:哪吒重生》是追光动画“新封神”系列的首部作品,影片以颇受少年儿童喜爱的神话故事“哪吒闹海”为原型,讲述了中国神话中少年英雄哪吒“逆天改命”的故事,展现了一种全新的“反叛精神”。与之前同主题的经典文本... 2021年上映的《新神榜:哪吒重生》是追光动画“新封神”系列的首部作品,影片以颇受少年儿童喜爱的神话故事“哪吒闹海”为原型,讲述了中国神话中少年英雄哪吒“逆天改命”的故事,展现了一种全新的“反叛精神”。与之前同主题的经典文本《哪吒闹海》《哪吒传奇》《哪吒之魔童降世》等相比,《新神榜:哪吒重生》以全新的影像叙事,对中国神话中传统的反叛精神进行创新表达,并对反叛精神的内涵进行更新,完成了对中国神话中传统反叛精神的全新书写。 展开更多
关键词 《新神榜:哪吒重生》 反叛精神 视听语言 文化内涵 创新书写
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Through the Works of Gabrielle Roy and R6gine Robin" Innovations in Women's Writings
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作者 Marie-Dominique Boyce 《Journal of Literature and Art Studies》 2014年第3期201-207,共7页
The purpose of this paper is to show that autobiographical works like Gabrielle Roy's Enchantment and Sorrow (1988) and R6gine Robin's La Qudbdcoite (1983), do not succeed in anchoring the self and eliminating p... The purpose of this paper is to show that autobiographical works like Gabrielle Roy's Enchantment and Sorrow (1988) and R6gine Robin's La Qudbdcoite (1983), do not succeed in anchoring the self and eliminating past traumatic experiences. These writers realize that they cannot reincarnate their former 'T' as time has passed and their lives have changed. The self does not let itself be reduced to a definite being but on the contrary mirrors itsef in all its surroundings. Writing the fragmentation of the self makes these authobiographies appear on one hand, fictional as the "I" always eludes itself. But on the other hand, they best describe the postmodern 'T' who is conscious of the permeability of one's own self as well inwards by the influences, the collages of others on the Self as outwards by the projection of the self onto others, like rhizome connecting to others and forming a web of exchanges like in cyberspace 展开更多
关键词 non-coincidence of the self dissolution of the self mirroring of the self fictitious self crumblingdown of the self connection of the self with others like in-between rhizomes cyber migrances POSTMODERNISM
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