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对推广DTS电影制式的思考
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作者 王占魁 《影视技术》 2001年第11期41-42,共2页
关键词 数码立体声制式 DTS 电影制式 解码器 电影立体声
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Aristotle and Hollywood: Dramatic Structure From Ancient Greece to Avatar & Beyond
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作者 Andrew Horton 《Journalism and Mass Communication》 2015年第8期428-433,共6页
It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar (2009), the basic structure and development closely "follows" the guidelines for ... It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar (2009), the basic structure and development closely "follows" the guidelines for drama and storytelling laid out by Aristotle in his The Poetics, written several thousand years ago. We are specifically speaking of three act (beginning, middle, and ending) structure, focusing more on plot than character, and the need for a final resolution (catharsis). But throughout literary and cinematic history, not everyone has followed these rules. Ironically, we take a close look at the award-winning Greek director Theo Angelopoulos' Ulysse's Gaze (1995) staring Harvey Keitel, as an example of a very non-Aristotelian approach to filmmaking and storytelling. Angelopoulos' film is character rather than plot centered on the Harvey Keitel figure and the journey of the narrative can be broken down to between 8-10 acts, depending how you describe them. We discuss many of the standard American "how to write screenplay book" authors such as Syd Field, while bringing a variety of authors such as Lajos Egri (The Art of Dramatic Writing) who criticize both Aristotle's Poetics and the way it has been interpreted for centuries especially in Hollywood. We conclude that there is a middle ground as well, for while Casablanca (1942) has a clear three act structure, it does not give us a happy romantic "Hollywood" ending/resolution as Rick insists that Lisa leave with her husband. 展开更多
关键词 Aristotle's Poetics HOLLYWOOD narrative structure plot vs character
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宏大历史叙事的银幕书写——论电影导演李前宽 被引量:1
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作者 丁亚平 《电影艺术》 CSSCI 北大核心 2021年第5期95-101,共7页
在李前宽创作中起关键作用的基本关切和主题是再现历史、彰显信仰和意识形态的力量,他的创作代表了社会主流价值观,同时呈现不俗的审美意识。李前宽融合重大主题与想象力的电影,努力拆除制式电影模式,韫有新中国电影和新时期电影中几个... 在李前宽创作中起关键作用的基本关切和主题是再现历史、彰显信仰和意识形态的力量,他的创作代表了社会主流价值观,同时呈现不俗的审美意识。李前宽融合重大主题与想象力的电影,努力拆除制式电影模式,韫有新中国电影和新时期电影中几个关键时刻。文章依时间序及逻辑线,聚焦李前宽的生平、创作、活动、人文类型及"第二空间"的特点,涉指一种制式电影、两种再现秩序和三种人文类型也即当代电影的三个方向的思考,对李前宽的创作和中国电影的发展给出学术评价。 展开更多
关键词 电影姻缘 后见之明 制式电影 再现秩序 人文类型
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On the Chinese Elements in Hollywood Movies from Kung fu Panda
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作者 Sun Hui 《International Journal of Technology Management》 2013年第7期10-12,共3页
With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream ... With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream works, sets off a new upsurge of the Chinese style. It not only gives a chance for the audiences in western countries to enjoy the traditional Chinese culture, but also for the Chinese to enjoy this visual feast. This article will illustrate the implicit and explicit Chinese elements in Kung fu Panda, in hope of finding out the extensive use of Chinese elements in today's Hollywood movies. According to the collection of media data concluded, the film production team undertook detailed investigation and studies in the traditional Chinese culture so that today's Hollywood movies can successfully interpret Chinese elements. Thus, the international cultural communications are found hiding behind the widely used of Chinese elements. With the analysis of this article, Chinese reader can know further about how important the diffusion of Chinese traditional culture is. Thereby, it can remind Chinese people of the responsibility to carry on and broadcast the splendid traditional Chinese culture. 展开更多
关键词 Chinese elements Hollywood movies traditional Chinese culture
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