HUNAN’S“king of mask changing” is the 70-year-old Zeng Jingui. He spent most of his working life in Chinese opera,and has brought this passion into his retirement. The 70-year-old operates an opera mask workshop fr...HUNAN’S“king of mask changing” is the 70-year-old Zeng Jingui. He spent most of his working life in Chinese opera,and has brought this passion into his retirement. The 70-year-old operates an opera mask workshop from his two-room apartment. It is crammed with thousands of different-sized facemasks seen in traditional Chinese operas.展开更多
Avant-garde director seeks to interpret Western plays from a traditional Chinese perspective In a desolate wasteland,sits a small mound overhung with boughs.The stage is set for a Chinese version of Waiting for Godot,...Avant-garde director seeks to interpret Western plays from a traditional Chinese perspective In a desolate wasteland,sits a small mound overhung with boughs.The stage is set for a Chinese version of Waiting for Godot,presented by the Contemporary Legend Theater from Taiwan at the Tianqiao Performing Arts Center in Beijing on May 15.展开更多
文摘HUNAN’S“king of mask changing” is the 70-year-old Zeng Jingui. He spent most of his working life in Chinese opera,and has brought this passion into his retirement. The 70-year-old operates an opera mask workshop from his two-room apartment. It is crammed with thousands of different-sized facemasks seen in traditional Chinese operas.
文摘Avant-garde director seeks to interpret Western plays from a traditional Chinese perspective In a desolate wasteland,sits a small mound overhung with boughs.The stage is set for a Chinese version of Waiting for Godot,presented by the Contemporary Legend Theater from Taiwan at the Tianqiao Performing Arts Center in Beijing on May 15.
