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生态视域下动物美学和动物趣味的美学辨析 被引量:3
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作者 黄仲山 《山西师大学报(社会科学版)》 2015年第6期37-41,共5页
一直以来,美学是以人的趣味作为审美尺度,评判各种审美活动和审美现象。从西方启蒙时期开始,一些思想家也开始思考动物的精神性问题及其与人类的联系。随着生态美学的发展,审美主体的概念开始从人类向自然界、向动物推移,出现了动物美... 一直以来,美学是以人的趣味作为审美尺度,评判各种审美活动和审美现象。从西方启蒙时期开始,一些思想家也开始思考动物的精神性问题及其与人类的联系。随着生态美学的发展,审美主体的概念开始从人类向自然界、向动物推移,出现了动物美学和动物趣味的概念。这些概念在美学的框架内是否有意义,需要结合美学的历史和实践,进行深入的辨析和检验。 展开更多
关键词 生态美学 动物美学 动物趣味 趣味尺度 概念矛盾
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论劳伦斯诗歌《蛇》的动物美学与伦理主题 被引量:1
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作者 丁礼明 《青海师范大学学报(哲学社会科学版)》 2018年第4期118-122,共5页
劳伦斯的诗歌《蛇》一直是国内外学界研究的热点。大多数学者较多关注蛇的文化内涵、文学意象或象征意义。哲学家德里达则另辟蹊径,对诗歌《蛇》的赏鉴不仅概括出深刻的动物伦理学思想,也揭示出劳伦斯在诗歌的文字韵律间所传递的现代主... 劳伦斯的诗歌《蛇》一直是国内外学界研究的热点。大多数学者较多关注蛇的文化内涵、文学意象或象征意义。哲学家德里达则另辟蹊径,对诗歌《蛇》的赏鉴不仅概括出深刻的动物伦理学思想,也揭示出劳伦斯在诗歌的文字韵律间所传递的现代主义动物美学思想。劳伦斯与德里达共同的动物"他者"哲思颠覆了自古希腊以来西方人类中心主义的哲学传统,重塑了动物主权形象。 展开更多
关键词 劳伦斯 动物伦理学 动物美学
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国产动画的动物美学 被引量:1
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作者 郭继军 《电影文学》 北大核心 2018年第12期119-121,共3页
人类将动物视为审美对象古已有之,而在动画电影中,动物更是频繁出现,如迪士尼最广为人所知的,具有奠基意义的动画形象便是米老鼠。随着动画制作技术的提高,动物更是不断为动画电影的创作提供着灵感和支撑。在国产动画中,动物也普遍存在... 人类将动物视为审美对象古已有之,而在动画电影中,动物更是频繁出现,如迪士尼最广为人所知的,具有奠基意义的动画形象便是米老鼠。随着动画制作技术的提高,动物更是不断为动画电影的创作提供着灵感和支撑。在国产动画中,动物也普遍存在。最早为国产动画电影赢得世界认可的"中国学派",就曾经凭借着动物故事、动物形象俘虏了大批观众,建立了中国动画的品牌。我们对于国产动画中的动物美学价值是有着解析的必要的。 展开更多
关键词 国产电影 动画电影 动物美学
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属于万物的丰收和喜悦——关于动物美学
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作者 陌桑 《森林与人类》 2003年第1期56-58,共3页
随着岁月的流逝,故事和传说渐渐地失去了它们的创造者,日久年深,让我们心中的疑惑也一日深于一日……
关键词 动物 供品 狼人 动物美学
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The Aesthetics of Nature in Deleuze's Philosophy
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作者 Takuya Kobayashi 《Journal of Philosophy Study》 2013年第9期880-887,共8页
In Critique of Pure Reason (1996), Immanuel Kant says that the term "aesthetic" means "the science of the laws of sensibility" and suggests giving up usage of it to indicate "the critique of taste" which execu... In Critique of Pure Reason (1996), Immanuel Kant says that the term "aesthetic" means "the science of the laws of sensibility" and suggests giving up usage of it to indicate "the critique of taste" which executes the criticism of the beautiful. It is well known that Gilles Deleuze was inspired by all genres of the arts, namely movies, paintings, music, and so on. However, this paper argues that what is more essential for Deleuzian philosophy is aesthetics as a science of sensibility. What motivated Deleuze, especially from the 1950s to the 1960s, seems to have consisted in discovering the weaknesses of the Kantian aesthetic in order to take it apart. In fact, one of the main themes in Difference and Repetition (1994) was to free "sensibility" itself from Kant's philosophical system. This theme subsisted in his writing even after the 1970s, and led him to develop a "natural philosophy" of sorts. This is because the supposition that "the sensibility itself" is independent from any human faculties gave him an opportunity to carefully consider the multiplicity and productivity of Nature itself. Finally, Deleuze created his own "ethology" that would capture the increasingly interrelated movements within Nature produced by heterogeneous elements. This paper describes the process of Deleuzian thought as outlined above, surveying his view of Kantian philosophy and the development of his natural philosophy as "the aesthetics of Nature." 展开更多
关键词 DELEUZE AESTHETICS natural philosophy Kant ETHOLOGY
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Relative bioavailability and pharmacokinetic comparison of two different enteric formulations of omeprazole 被引量:3
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作者 Jian LIU Jian-zhong SHENTU +7 位作者 Li-hua WU Jing DOU Qi-yang XU Hui-li ZHOU Guo-lan WU Ming-zhu HUANG Xing-jiang HU Jun-chun CHEN 《Journal of Zhejiang University-Science B(Biomedicine & Biotechnology)》 SCIE CAS CSCD 2012年第5期348-355,共8页
In order to comply with the requirements for a drug listed in China, the study was developed to compare the pharmacokinetics and relative bioavailability of two different enteric formulations of omeprazole (OPZ) in he... In order to comply with the requirements for a drug listed in China, the study was developed to compare the pharmacokinetics and relative bioavailability of two different enteric formulations of omeprazole (OPZ) in healthy Chinese subjects. A total of 32 volunteers participated in the study. Plasma concentrations were analyzed by non- stereospecific liquid chromatography/tandem mass spectrometric (LC-MS/MS) method. After administration of a single 40-mg dose of the two OPZ formulations, the comparative bioavailability was assessed by calculating individual AUC0-t (the area under the concentration-time curve from time zero to the last measurable concentration), AUC0-∞ (the area under the concentration-time curve extrapolated to infinity), Cmax (the maximum observed concentration), and Tpeak (the time to Cmax) values of OPZ, 5-hydroxyomeprazole (OH-OPZ), and omeprazole sulfone (OPZ-SFN), respectively. The 90% confidence intervals (CIs) of AUC0-t, AUC0-∞, and Cmax were 85.4%-99.0%/88.8%-98.6%/87.6%-99.4%, 85.5%-99.2%/89.0%-98.6%/88.5%-101.3%, and 72.3%-87.6%/79.6%-91.1%/88.4%-99.1% for OPZ/OH-OPZ/ OPZ-SFN, respectively, and Tpeak values did not differ significantly. In this study, the test formulation of OPZ in fasting healthy Chinese male volunteers met the Chinese bioequivalance standard to the reference formulation based on AUC, Cmax, and Tpeak. 展开更多
关键词 OMEPRAZOLE 5-Hydroxyomeprazole Omeprazole sulfone BIOAVAILABILITY Pharmacokinetics Liquid chromatography/tandem mass spectrometry (LC-MS/MS)
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