十六国及北朝金铜佛“狮子座”特征分析

狮子座是中、印佛教造像台座中的一个重要组成部分,在古印度地区,狮子座主要流行于犍陀罗地区与马图拉地区的佛教造像艺术当中。在狮子座这一造像传统进入中国之后,为中国的佛教造像所吸收,逐渐形成了中国化的狮子座以及独特的组合形式,对后续的佛教造像台座的造型以及布局有着重要的影响。

Analysis of Buddhist sculpture art in Wei, Jin, southern and Northern Dynasties

The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.

秀骨清像与服装意象

意象之美是美学研究中的重要命题,是中国的造型美学观。中国传统文化思想的意象反映在各个艺术领域,换句话说中国传统美术本就具有意象化特征,中国艺术的意象特征正是由具有中国人文意识、民族特色的价值观形成的。秀骨清像是中国美术史对魏晋南北朝时期美学风格的概括,麦积山石窟作为北朝时期石窟寺的重要遗存,具有显著的世俗化特征,这一特征正是来自其造像服饰的衣纹、衣褶意象的刻画,由此呈现出褒衣博带、秀骨清像的艺术风格。