在德国博朗优良设计十项原则的指导下,深入剖析竹编技艺现状与历史遗存,旨在活化当下传统非遗。以乌镇景区为例创新文旅纪念品——设计一款具备地域非遗特色同时满足消费者日常诉求的现代竹编产品。首先以手工艺摆件为研究对象,依据博...在德国博朗优良设计十项原则的指导下,深入剖析竹编技艺现状与历史遗存,旨在活化当下传统非遗。以乌镇景区为例创新文旅纪念品——设计一款具备地域非遗特色同时满足消费者日常诉求的现代竹编产品。首先以手工艺摆件为研究对象,依据博朗优良设计十项原则标准评估当下竹编文旅商品,同时结合乌尔姆设计学院“系统设计”理论挖掘用户潜在需求并构建相应质量功能展开(quality function deployment,QFD)质量屋,将当前手工艺摆件领域困境量化为具体的设计要素;然后结合TRIZ理论(发明问题解决理论)中39个工程参数与40个发明原理完成最终的乌镇竹编文旅摆件设计方案。通过对地域文旅摆件设计的策略创新与流程解析,验证了博朗优良设计十项原则及“系统设计”理论对目前国内文旅产品设计开发仍具有较强的指导作用,在QFD质量屋与TRIZ理论的支持下能有效提升文旅产品的开发效率与设计品质,也为景区文旅产品提供设计多样性。展开更多
Giorgio Vasari （1511-1574）, painter, architect, and writer, was fascinated with the image of Saint Francis because of the association of La Verna with Arezzo, his native town, where the miraculous event of Saint Fra...Giorgio Vasari （1511-1574）, painter, architect, and writer, was fascinated with the image of Saint Francis because of the association of La Verna with Arezzo, his native town, where the miraculous event of Saint Francis＇s stigmatization occurred in 1224. Also in Arezzo, in the church of San Francesco, the beautiful frescoes of Piero della Francesca＇s Legend of the True Cross were commissioned by his wife＇s ancestors, the Bacci family. This study discusses Vasari＇s two types of religious representation of Saint Francis. One type is devotional, as in the paintings of Holy Families, e.g., The Holy Family with Saint Francis of 1541, at the County Museum of Art of Los Angeles, CA. The other is historical, focusing on the miraculous moment of the stigmatization, e.g., Saint Francis Receiving the Stigmata, 1548, in the church of San Francesco in Rimini. Employing mannerist colors to express the spirituality of the event, Vasari created a new conception of piety, where sobriety and humbleness are honored. These paintings reveal the humanness and sanctity of the protagonist, Saint Francis, devoid of any heroic glamour.展开更多
文摘在德国博朗优良设计十项原则的指导下,深入剖析竹编技艺现状与历史遗存,旨在活化当下传统非遗。以乌镇景区为例创新文旅纪念品——设计一款具备地域非遗特色同时满足消费者日常诉求的现代竹编产品。首先以手工艺摆件为研究对象,依据博朗优良设计十项原则标准评估当下竹编文旅商品,同时结合乌尔姆设计学院“系统设计”理论挖掘用户潜在需求并构建相应质量功能展开(quality function deployment,QFD)质量屋,将当前手工艺摆件领域困境量化为具体的设计要素;然后结合TRIZ理论(发明问题解决理论)中39个工程参数与40个发明原理完成最终的乌镇竹编文旅摆件设计方案。通过对地域文旅摆件设计的策略创新与流程解析,验证了博朗优良设计十项原则及“系统设计”理论对目前国内文旅产品设计开发仍具有较强的指导作用,在QFD质量屋与TRIZ理论的支持下能有效提升文旅产品的开发效率与设计品质,也为景区文旅产品提供设计多样性。
基金Das Projekt "Design for Wellbeing" wurde gefordert von der Leitmarkt-Agentur und dem Europaischen Fond für regionale Entwicklung(EFRE-0800005)上海高校知识服务平台-海派时尚设计与价值创造协同创新中心(X11071706)
文摘Giorgio Vasari （1511-1574）, painter, architect, and writer, was fascinated with the image of Saint Francis because of the association of La Verna with Arezzo, his native town, where the miraculous event of Saint Francis＇s stigmatization occurred in 1224. Also in Arezzo, in the church of San Francesco, the beautiful frescoes of Piero della Francesca＇s Legend of the True Cross were commissioned by his wife＇s ancestors, the Bacci family. This study discusses Vasari＇s two types of religious representation of Saint Francis. One type is devotional, as in the paintings of Holy Families, e.g., The Holy Family with Saint Francis of 1541, at the County Museum of Art of Los Angeles, CA. The other is historical, focusing on the miraculous moment of the stigmatization, e.g., Saint Francis Receiving the Stigmata, 1548, in the church of San Francesco in Rimini. Employing mannerist colors to express the spirituality of the event, Vasari created a new conception of piety, where sobriety and humbleness are honored. These paintings reveal the humanness and sanctity of the protagonist, Saint Francis, devoid of any heroic glamour.
