The paper examines thoroughly how utilizing the latest technology, such as a PC （personal computer）, an iPad, or an iPhone, can entertain many people and allow them to learn about the archaeological findings that ha...The paper examines thoroughly how utilizing the latest technology, such as a PC （personal computer）, an iPad, or an iPhone, can entertain many people and allow them to learn about the archaeological findings that have become broadly available through the application of new technology. The paper assesses web usage through the difference in availability and convenience of PC and compact devices by connection to 3D augmented reality applications. Modem technology has allowed access to this information to become radically altered, whereas historical records and remains are dwindling. However, the development of 3D technology means that the general public can experientially pursue the dignity of historical buildings. It also becomes easier through the use of the latest technology to decipher the effectiveness of people＇s interaction with inclusive descriptions of the documentation. This research aims at verifying the visualization of Fort Frontenac by the use of a chronological renovation process. This paper is composed of five elements： an introduction, the historical records about the necessity of 3D modeling, heritage visualization by means of 3D modeling, web design, and iPad and iPhone usage, a comparison of the architectural change that occurred in the展开更多
Building explicit links between historical memory and place attachment, this paper investigates the intertwined relationship between globalization, urban revitalization, and neighborhood gentrification in post-reform ...Building explicit links between historical memory and place attachment, this paper investigates the intertwined relationship between globalization, urban revitalization, and neighborhood gentrification in post-reform Shanghai. Based on field research conducted intermittently between 1999 and 2007, it probes the local grounding of the ongoing place-making processes in terms of the ＂lower/higher quarter＂ dichotomy reminiscent of Shanghai＇s semi--colonial past and the apparent contradictions in the politics of planning. By way of mapping ＂Shanghai nostalgia＂ in time and space, attempts are made to locate the cultural symbols in actual sites so that upper quarters and lower quarters as imagined communities come to be attached to imagined places. From the intimate perspectives provided by ethnographic fieldwork, the author explores the significance of locality power embedded in the dichotomy-the ways in which it is exploited, the memories to which it is linked, and more importantly, the explanations it provides for present-day reconfigurations of social space and redistributions of cultural resource in China＇s most cosmopolitan city.展开更多
文摘The paper examines thoroughly how utilizing the latest technology, such as a PC （personal computer）, an iPad, or an iPhone, can entertain many people and allow them to learn about the archaeological findings that have become broadly available through the application of new technology. The paper assesses web usage through the difference in availability and convenience of PC and compact devices by connection to 3D augmented reality applications. Modem technology has allowed access to this information to become radically altered, whereas historical records and remains are dwindling. However, the development of 3D technology means that the general public can experientially pursue the dignity of historical buildings. It also becomes easier through the use of the latest technology to decipher the effectiveness of people＇s interaction with inclusive descriptions of the documentation. This research aims at verifying the visualization of Fort Frontenac by the use of a chronological renovation process. This paper is composed of five elements： an introduction, the historical records about the necessity of 3D modeling, heritage visualization by means of 3D modeling, web design, and iPad and iPhone usage, a comparison of the architectural change that occurred in the
文摘Building explicit links between historical memory and place attachment, this paper investigates the intertwined relationship between globalization, urban revitalization, and neighborhood gentrification in post-reform Shanghai. Based on field research conducted intermittently between 1999 and 2007, it probes the local grounding of the ongoing place-making processes in terms of the ＂lower/higher quarter＂ dichotomy reminiscent of Shanghai＇s semi--colonial past and the apparent contradictions in the politics of planning. By way of mapping ＂Shanghai nostalgia＂ in time and space, attempts are made to locate the cultural symbols in actual sites so that upper quarters and lower quarters as imagined communities come to be attached to imagined places. From the intimate perspectives provided by ethnographic fieldwork, the author explores the significance of locality power embedded in the dichotomy-the ways in which it is exploited, the memories to which it is linked, and more importantly, the explanations it provides for present-day reconfigurations of social space and redistributions of cultural resource in China＇s most cosmopolitan city.
