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拉康:朝向原乐的伦理学 被引量:13
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作者 吴琼 《清华大学学报(哲学社会科学版)》 CSSCI 北大核心 2011年第3期113-122,共10页
Jouissance(原乐)是法国精神分析学家拉康的欲望理论的一个核心概念,而伦理学向度是他的这个概念的关键所在。在拉康看来,原乐不是一般意义上的快感满足,而是欲望主体对快感满足之外的极乐的一种追求,是对不可满足的欲望过程的一种享受... Jouissance(原乐)是法国精神分析学家拉康的欲望理论的一个核心概念,而伦理学向度是他的这个概念的关键所在。在拉康看来,原乐不是一般意义上的快感满足,而是欲望主体对快感满足之外的极乐的一种追求,是对不可满足的欲望过程的一种享受。原乐的产生源自法对主体的阉割,但它本身却是主体对法的僭越,是主体对被阉割的、处在实在界的原质之物的欲望坚执,故而原乐作为一种求极度享乐的意志是与死亡驱力联系在一起的,拉康称之为原乐的悖论,这一悖论表明现代主体作为分裂的主体,其对不可能实现的欲望满足的追求必将导致他孤注一掷,欲以一种伦理意义上的生命僭越完成朝向死亡的原乐式享受。 展开更多
关键词 原乐 欲望 快感原则 僭越
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法罪辩证及其超越——齐泽克论弗洛伊德的“三个神话” 被引量:3
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作者 陈剑 《内蒙古大学学报(哲学社会科学版)》 2016年第1期52-58,共7页
在精神分析学中,法罪辩证及其超越的原型体现在弗洛伊德的三个弑父神话中。借助齐泽克的解读,我们可以一层层推进对法罪关系的认识:首先,俄狄浦斯神话揭示了在父法权威及超我道德下被压抑的无意识欲望,这是法罪对立的逻辑;其次,谋杀原... 在精神分析学中,法罪辩证及其超越的原型体现在弗洛伊德的三个弑父神话中。借助齐泽克的解读,我们可以一层层推进对法罪关系的认识:首先,俄狄浦斯神话揭示了在父法权威及超我道德下被压抑的无意识欲望,这是法罪对立的逻辑;其次,谋杀原始父亲的神话进一步揭示弑父原罪和文明秩序的依存关系、禁忌和逾越难解的循环,这是法罪互生的逻辑;最后,谋杀摩西的神话揭示了更高层面的弑父罪恶,那是跳出逻各斯体系、反抗超我、拒绝原乐的自由意志,是齐泽克笔下的死亡驱力和恶魔之恶。而只有第三种弑父才可以推翻父法,开拓新世界,成就犹太-基督教创建之神话。 展开更多
关键词 齐泽克 俄狄浦斯 摩西 超我 原乐
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希斯克厉夫的爱情悲剧解析 被引量:1
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作者 陈玲 《安顺学院学报》 2013年第6期4-5,10,共3页
《呼啸山庄》是英国作家艾米丽·勃朗特一生所写的唯一一部小说,小说中希斯克里夫和凯瑟琳那跌宕起伏的爱情悲剧无时不在撞击着人们的心灵。问世以来一直受到学术界的关注和争论。论文以雅克·拉康的原乐伦理学为理论依据,以僭... 《呼啸山庄》是英国作家艾米丽·勃朗特一生所写的唯一一部小说,小说中希斯克里夫和凯瑟琳那跌宕起伏的爱情悲剧无时不在撞击着人们的心灵。问世以来一直受到学术界的关注和争论。论文以雅克·拉康的原乐伦理学为理论依据,以僭越理论为切入点,进而探讨希斯克里夫的爱情悲剧。 展开更多
关键词 呼啸山庄 希斯克厉夫 雅克·拉康 原乐僭越理论 悲剧
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Memory of Familiar Melodies: Comparison Between Original and Transposed Keys
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作者 Sumi Shigeno 《Journal of Literature and Art Studies》 2014年第12期1044-1052,共9页
The long-term memory for musical keys of familiar melodies was investigated. An experiment was conducted focusing on memory strength, music familiarity, and key transposition using musical pieces. Participants were ei... The long-term memory for musical keys of familiar melodies was investigated. An experiment was conducted focusing on memory strength, music familiarity, and key transposition using musical pieces. Participants were eighty-one Japanese undergraduate and graduate students. Eight were absolute pitch (AP) possessors and seventy-three were non-AP possessors. Two pieces of well-known classical music were selected as stimuli. These pieces were played in seven different keys: One was an original key and the other six were transposed keys in which the linear distance and harmonic distance were varied. Participants rated their strength of long-term memory for a particular segment of well-known music by comparing it with their memory of this piece. Importantly they were not required to identify the musical key of the melody. Results indicated that the strength of memory for these musical segments depended mainly on the pitch range associated with the transposed piece and partially on its key. We discussed participants' memory of melodies in the light of linear distance between original and transposed keys, harmonic distance between these factors, and the possibility of absolute tonality. 展开更多
关键词 musical key memory of melodies absolute tonality TRANSPOSITION long-term memory
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Some Remarks Regarding Originality and Historical Transformations of Chopin's Mazurkas, as Based on the Mathematical Systematic Method of the Tonal Structure Analysis
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作者 Miroslaw Majchrzak 《Journal of Literature and Art Studies》 2014年第1期34-45,共12页
Musical analysis enables us to study the various elements of a musical work, for example texture, m dynamics, or harmony (including tonality). Thanks to musical analysis we are able to trace the compos technique, or... Musical analysis enables us to study the various elements of a musical work, for example texture, m dynamics, or harmony (including tonality). Thanks to musical analysis we are able to trace the compos technique, or assess the artistic value of given work. In addition to traditional, descriptive methods of e it ody, onal music analysis, we can observe in 20th century the development of methods based on science (mathematics, otherwise statistics). Such methodologies allow us to obtain a strict understanding of the structure of musical pieces Applying mathematical methods for musical analysis seems very reasonable in relation to the output of Frederic Chopin, due to large originality of the elements of musical pieces of this composer. Present paper was written as a result of research related to the applying of numerical method of analysis for exploring the tonal structure of Chopin's works. The author's research method enables a strict analysis of the chord's domination that can be classified under given key (range)--taking into consideration the harmonic functions. By the method of analysis we can get charts that depict whole diatonic vertical music material of the given piece. The main objective of the present study is to describe observations on the high uniqueness in the tonal construction of selected Chopin's mazurkas, especially, when compared to the miniatures of other composers of the first half of the 19th century and previously analyzed Chopin's pieces: etudes, preludes, and songs. 展开更多
关键词 computational musicology music analysis Chopin's mazurkas TONALITY
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Archetypal Themes in Jude the Obscure
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作者 LI Juan 《International English Education Research》 2016年第1期22-25,共4页
In consideration of the great influence of the Bible and the Greek culture on Hardy, and the truth that Jude the Obscure has rarely been studied by employing the archetypal theory, the writer of this thesis tries to e... In consideration of the great influence of the Bible and the Greek culture on Hardy, and the truth that Jude the Obscure has rarely been studied by employing the archetypal theory, the writer of this thesis tries to explore this novel from archetypal perspective. This thesis focuses on the archetypal themes "paradise lost" and "redemption" contained in this novel. Specifically speaking, through the comparison of the characters and the processes of losing paradise between this novel and the Bible, and the deep analysis of the physical and the mental ordeals in Jude, this thesis profoundly uncovers the inhumanity and hypocrisy of the religion and marriage in Victoria. 展开更多
关键词 Thomas Hardy Jude the Obscure archetypal criticism
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The analysis of structural complexity of Piano Pieces "dedicated to Alice"
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作者 Junzhong ZHANG 《International Journal of Technology Management》 2014年第11期57-59,共3页
Beethoven is a famous German pianist, composer, and conductor, and he set the culmination of Western classical, created a romantic music camp precedent. The size of his music in general is very ambitious, mostly conce... Beethoven is a famous German pianist, composer, and conductor, and he set the culmination of Western classical, created a romantic music camp precedent. The size of his music in general is very ambitious, mostly concertos, symphonies, operas and other large works, technical approach and structure used is quite complex, people are left with a deep impression. But it works, while small piano pieces, also has music research value, "dedicated to Alice" is one of the few Beethoven piano pieces. This paper focuses on creative background "dedicated to Alice," this elaborate piano works by the complexity of the analysis of the structure of this work is that it reflects the author' s ideological soul to explore their musical value. 展开更多
关键词 BEETHOVEN Piano Pieces "dedicated to Alice" complex structures
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Reasons for Charles de Gaulle Airport Collapse
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作者 Toomas Kaljas 《Journal of Civil Engineering and Architecture》 2017年第5期411-419,共9页
In the early morning hours of May 23, 2004, passengers in Terminal 2E at the Charles de Gaulle Airport in Paris partially collapsed resulting in several fatalities. Structural failure was caused by multiple reasons, a... In the early morning hours of May 23, 2004, passengers in Terminal 2E at the Charles de Gaulle Airport in Paris partially collapsed resulting in several fatalities. Structural failure was caused by multiple reasons, all contributing to failure. Similar structures have been successfully erected and built around the world. One famous and comparable structure is the Berlin Main Railway Station. After investigations, it becomes clear that Charles de Gaulle Airport lacks suitable and effective geometry, which is present in Berlin Railway Station. 展开更多
关键词 Charles de Gaulle airport collapse structural failure inadequate external reinforcement geometry.
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The Deficiency and Embarrassment of Chinese Music History
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作者 Wang Huan Wang Ji 《International Journal of Technology Management》 2014年第2期128-129,共2页
Chinese music history is a rigorous discipline of analyzing, studying and describing Chinese music development and evolution process, which has typical historical factors. Chinese music covers a wide range, which incl... Chinese music history is a rigorous discipline of analyzing, studying and describing Chinese music development and evolution process, which has typical historical factors. Chinese music covers a wide range, which includes China traditional opera, minority drama, local and regional opera, and the song and dance drama and music with the sense of the times.However, in the music history research and teaching in our country currently, because the current art education of the old system and the traditional mechanical reasons, study on the history of music lacks of effective view in the breadth and depth.Because of these reasons, there is a lack of the object of study and research methods, so in the course of study on the China music history, it has some deficiency and embarrassing phenomenon.In this paper, it takes the analysis on deletion and embarrassing situations in our country at present on the history of music, and finds out the corresponding solutions for it. 展开更多
关键词 Chinese music history DEFICIENCY EMBARRASSMENT
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JOKA AND HIS FLYING SYMPHONY CRUISING OVER THE QINGHAI-TIBET PLATEAU
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作者 Cheng Yunjie Tang Zhaoming 《China's Tibet》 2017年第5期21-26,共6页
Forty-five years ago,Joka was just a herder grazing animals on Damxung Grassland in the Tibet Autonomous Region.At that time,the concept of music class did not exist in the curriculum of local elementary schools,so th... Forty-five years ago,Joka was just a herder grazing animals on Damxung Grassland in the Tibet Autonomous Region.At that time,the concept of music class did not exist in the curriculum of local elementary schools,so the boy's musical talent originated from the traditional pastoral songs and dances characteristic of his hometown.Nowadays,53-year-old Joka has become the first post-doctoral candidate for professional music composition in China as well as the first Tibetan musicology master and doctor. 展开更多
关键词 musical Tibetan curriculum professional grazing doctor schools originated elementary creative
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文本的零度:纪念罗兰·巴尔特诞辰一百周年 被引量:1
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作者 吴琼 《中国人民大学学报》 CSSCI 北大核心 2015年第4期1-9,共9页
罗兰·巴尔特一生涉猎过众多图像,包括绘画、电影、商业广告、新闻图片、杂志封面等,但他最为痴迷的还是摄影。巴尔特似乎按照图片的运用把它分为两大类:公共的和私人的。由此他也采用了不同的阅读技术:对于公共领域的图片,他... 罗兰·巴尔特一生涉猎过众多图像,包括绘画、电影、商业广告、新闻图片、杂志封面等,但他最为痴迷的还是摄影。巴尔特似乎按照图片的运用把它分为两大类:公共的和私人的。由此他也采用了不同的阅读技术:对于公共领域的图片,他通常采用符号学的方法和马克思主义的意识形态理论,对图片神话学的意涵做祛魅化的处理;对于私人性的照片,尤其是他自己的私人照,他更喜欢运用精神分析学的逻辑,将自身置于看或被看的位置做欲望化的投注。在这两种图像阅读中,我们可以看到巴尔特内心世界的某些症候。 展开更多
关键词 罗兰·巴尔特 符号学 文本 原乐 图像 零度
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李商隐《乐游原》“只是近黄昏”的“只是” 被引量:3
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作者 孙玉文 《语言研究》 CSSCI 北大核心 2021年第1期70-76,共7页
李商隐《乐游原》"只是近黄昏"中"只是"的理解对于此诗的解读具有决定性作用,但目前的释读有分歧;"只"读音古今不同,基本上没有引起人们关注。文章就这两个问题展开讨论,论证:(1)"只是近黄昏"... 李商隐《乐游原》"只是近黄昏"中"只是"的理解对于此诗的解读具有决定性作用,但目前的释读有分歧;"只"读音古今不同,基本上没有引起人们关注。文章就这两个问题展开讨论,论证:(1)"只是近黄昏"的"只是"不能理解为正是,只能理解为只不过,但只是。(2)"只"跟"祗、秖"记录的是同一个词,原来读平声;这个词跟"止"本是两个不同的词,"止"读上声,跟"只"是同义词。后来"止"占上风,人们将"只"读成"止",是一种训读现象,于是"只是近黄昏"的"只"读成了上声。 展开更多
关键词 李商隐 《乐游原》 “只”的读音 “只是”的训释
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精神分析视域下的电视文化类节目 被引量:1
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作者 邓永强 《北方传媒研究》 2018年第2期32-35,共4页
"原乐原则"和"现实原则"是人类心理活动的两大原则,研究和掌握"原乐原则"对电视节目的定位与操作相当重要。电视文化类节目在当前阶段,多用综艺形式有诸多合理性,传播则要走"矩阵传播"模式,要... "原乐原则"和"现实原则"是人类心理活动的两大原则,研究和掌握"原乐原则"对电视节目的定位与操作相当重要。电视文化类节目在当前阶段,多用综艺形式有诸多合理性,传播则要走"矩阵传播"模式,要以落地为终点。文化类节目应该艺术地体现文明的"父性声音",新时代下的法治类、礼俗类、汉字类、创新主题文化节目将大有可为。 展开更多
关键词 精神分析 原乐原则 文化类节目 文化
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The theoretical studies of piezoresistive effect in diamond films 被引量:1
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作者 孔春阳 廖克俊 +3 位作者 方亮 马勇 王万录 王蜀霞 《Science China Mathematics》 SCIE 2002年第1期107-114,共8页
Based on the Fuchs and Sondheimer thin film theory (F-S film theory) and a revised valence band split-off model, considering a mixed scattering by lattice vibrations, ionized impurities and surfaces, a theoretical des... Based on the Fuchs and Sondheimer thin film theory (F-S film theory) and a revised valence band split-off model, considering a mixed scattering by lattice vibrations, ionized impurities and surfaces, a theoretical description of the piezoresistive effect (PR effect) in p-type heteroepitaxial diamond films was presented by solving the Boltzmann transport equation in the relaxation time approximation and using the parallel connection resistance model. A calculating expression of the PR effect was given. The main characteristics that were identical with the experiment were obtained by theoretical calculation. Giving out a model to show that the energy level interval between the split-off band and the heavy-hole band was changed by strain, a reasonable explanation was presented for the error between experimental results and theoretical values of saturated PR effect under big strain. 展开更多
关键词 diamond films HETEROEPITAXIAL PR effect valence band split-off model
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