传播法理抑或发现故事:对法治节目选择性的省思

将新闻故事化,讲述一个好故事是当下媒体所追求的叙事方式,其强调发掘事件中的悬念、冲突和矛盾等结构性力量。法治节目是以司法活动为关注对象,通过案件报道为社会公众提供间接的法律经验,承载着普及法律知识、培育法治理念的社会教育责任。然而在实践中,一些法治节目往往刻意制造悬念与噱头而选择性忽视论理与释法,出现只见"故事"不见"法"的现象,这与其对故事化的极致追求所引发的选择性报道密切相关。法治节目中的选择性报道极易引发新闻报道与司法权的碰撞,对此应进行审慎的反思。

做一个会讲故事的电视新闻记者

2015年,不管是中央媒体还是地方媒体,非常流行一句话,"讲好中国故事",这是习近平总书记在十八届四中全会上提出的要求,也是我们当代中国新闻工作者最重要的责任。讲好中国故事、弘扬中国精神、传播中国声音,听起来就非常的高大上,作为一名地方电视台的记者,要想做到这一点,必须沉下身子,带着感情、带着问题走基层,多采写接地气、有筋骨、有道德、有温度的好新闻,做一个会讲故事的电视新闻记者。

优势为本:教育新常态下优质学校建设的路径转换

学校在治校办学过程中，除了“发现问题———分析问题———解决问题”这一学校建设的常用路径外，还可以转换一种新的建设路径，即从“解决问题”到“发现故事”，发现校园本身潜藏的力量。秉着优势为本这一教育新常态下学校管理价值的新取向，从人性角度欣赏每一个人的闪光点，以此进行学校管理，将会有意想不到的收获。

Similarity criteria and coal-like material in coal and gas outburst physical simulation

Coal and gas outburst is one of the main gas hazards in coal mines. However, due to the risks of the coal and gas outburst, the field test is difficult to complete. Therefore, an effective approach to studying the mechanism and development of outburst is to conduct the similar physical simulation. However, the similarity criteria and similar materials in outburst are the key factors which restrict the development of physical simulation. To solve those problems, this paper has established similarity criteria base on mechanics model, solid-fluid coupling model and energy model, and presented high similar materials. Combining with three groups of similar number, and considering similar mechanical parameters and deformation and failure regularity, the similarity criteria of outburst is determined on the basis of the energy model. According to those criteria, we put forward a similar material consists of pulverized coal, cement, sand, activated carbon, and water. The similar material has high compressive strength and the accordant characteristics with the raw coal, include density, porosity, adsorption, desorption. The new research is promising for preventing and controlling gas hazards in the future.

腾挪跌宕 曲径通幽——让“故事”在记叙文中“拔节”

无论生活多么平淡和枯燥，只要我们有一颗敏感的心、热爱生活的心，就会发现属于自己的故事。其实，我们就是故事，每个人都有自己的故事，每个人都是有故事的人。故事情节的展开，应尽可能地呈现出“叙事弧线”，而非线性的、平直的；应尽可能地节外生枝，朝着一个新方向发展，或柳暗花明，或命运多舛。因为故事自身的逻辑也告诉我们：它一定是曲线的、弧线的。