文学创作的继承与开拓——《檀香刑》与《喧哗与骚动》比较研究

当读者把《檀香刑》和《喧哗与骚动》放在一起审视时,总会清晰地感觉到福克纳对于莫言的影响,无论是意识流手法的使用,还是多角度叙事的借鉴,都可以看作向昔日经典的致敬。然而,莫言的借鉴绝不是简单的模仿,他丰富和发展了福式叙事的技巧,并巧妙地将民间文化和魔幻想象融入到文本中,为我们创作出一部既忠于民族文化又张扬想象魔力、既采用西方技巧又凸显本土艺术的优秀作品。

Transborderality,Transmediality,Transdisciplinarity-An Interview with John Pier:Retrospectives and Prospects for Western Narratology

Shortly after the celebration of twenty years of the narratology seminar at the CRAL(CNRS/EHESS)in Paris,Cao Danhong,professor of French language and literature at Nanjing University in China,conducted an interview with John Pier,one of the organizers of the seminar at the CRAL and also one of the most active researchers in narratology.Based on the evolution of the Seminar's work over the past twenty years,John Pier briefly reviewed the achievements of Western narratology since its foundation,suggested reexamining its evolution by dividing it into three"generations",and reaffirmed its fundamental characteristics such as transborderality,transmediality,and transdisciplinarity.Also discussed were paths for the future development of narratology with an emphasis on comparative research,diachronic research,and historiography.

寻中西文化契合之道,求世界文学多元之美——评黄永林《中西通俗小说叙事:比较与阐释》

黄永林《中西通俗小说叙事:比较与阐释》运用叙事学、比较文学和文艺学理论,将研究视点集中在叙事艺术上,采用平行比较研究的方法,在文本细读的基础上深入而又独到地梳理、论述了中西通俗小说在内容、形式、主题、情节、形象、情调、叙事艺术等方面所表现出来的契合与相似之处,并把研究予以有机地纵向贯通和横向联结,在动态中探求两者的演变规律,其比较研究的主旨是寻求中西文化的契合和世界文学的多元。这是中西通俗小说叙事比较研究领域的一部重要之作。