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等级居住与宗法礼制──兼析中国古代传统建筑的基本特征 被引量:5
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作者 张宏 《东南大学学报(自然科学版)》 EI CAS CSCD 1998年第6期97-100,共4页
初步总结了等级住居对中国古代城市、聚落和住居的作用方式;初步分析了作为等级居住进一步发展的宗法礼制对中国古代传统建筑某些特征的形成所产生的影响;说明了宗法礼制与建筑的通用性之间的关联性,从一个特殊的角度重新审视了中国... 初步总结了等级住居对中国古代城市、聚落和住居的作用方式;初步分析了作为等级居住进一步发展的宗法礼制对中国古代传统建筑某些特征的形成所产生的影响;说明了宗法礼制与建筑的通用性之间的关联性,从一个特殊的角度重新审视了中国古代城市、聚落和建筑的某些基本特征,有利于理解中国的传统建筑文化. 展开更多
关键词 中国 古代传统建筑 等级居住 宗法礼制 通用式设计 建筑特征 建筑文化
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霍童镇古代传统建筑的保护与利用问题研究 被引量:2
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作者 陈毅锋 《福建建筑》 2008年第7期11-13,共3页
经济社会的发展对霍童镇丰富的古代传统建筑的保护产生了巨大的压力和挑战。本文分析了霍童镇古代传统建筑概况特点及保护利用中存在的问题,提出了霍童镇古代传统建筑保护和利用的几项措施,以期将霍童镇独特的古建筑及历史文化长久的传... 经济社会的发展对霍童镇丰富的古代传统建筑的保护产生了巨大的压力和挑战。本文分析了霍童镇古代传统建筑概况特点及保护利用中存在的问题,提出了霍童镇古代传统建筑保护和利用的几项措施,以期将霍童镇独特的古建筑及历史文化长久的传承下去。 展开更多
关键词 霍童镇 古代传统建筑 保护 利用
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中国建筑画传统
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作者 张征宇 《湖北美术学院学报》 2008年第4期75-76,共2页
中国古代建筑画形成于一个专门科目大约在五代至北宋时期,至今已有千年以上的历史。中国古代建筑形象主要是线的组合,体量也是通过线表现的。故战国以来,就形成以线来描绘建筑的传统。现代建筑画作为一种独立的艺术门类,已形成为一种行... 中国古代建筑画形成于一个专门科目大约在五代至北宋时期,至今已有千年以上的历史。中国古代建筑形象主要是线的组合,体量也是通过线表现的。故战国以来,就形成以线来描绘建筑的传统。现代建筑画作为一种独立的艺术门类,已形成为一种行业,并出现了一种日益专门化和职业化的趋势。 展开更多
关键词 中国古代建筑传统 设计 价值
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On the Inheritance of Ancient Architecture Decoration in the Residential Construction of Urbanization
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作者 Shulan WANG Pinfeng TAN Lan LI 《International Journal of Technology Management》 2014年第12期48-50,共3页
Chinese traditional architectural paintings are more drawn to the interior and exterior painting walls, canopies, beams, Fang, stigma, brackets and interior ceilings, caisson, the architectural art of building compone... Chinese traditional architectural paintings are more drawn to the interior and exterior painting walls, canopies, beams, Fang, stigma, brackets and interior ceilings, caisson, the architectural art of building components were processed and formed their rich colors, making the Chinese ancient architecture even more magnificent. It has two kinds of practical effects, one is to decorate building, and the second is to protect the individual masonry wood components and parts them from wind and rain erosion. In other words, functional and aesthetic painting set in one. Most Chinese ancient buildings are wooden structures, for aesthetics and durability wooden structural parts, are generally required to cover color to paint the cover, so the Chinese ancient buildings, whether internal walls, ceiling, doors, windows, roofs, etc. are painted with colors, sculpturing patterns and patterns to enhance the expressive power of art architecture, it can be said that the ancient Chinese architecture buildings are colorized architecture. From afar to go, the overall color of ancient Chinese architecture makes people' s hearts worship must be generated by the primary function of psychological respected. Ancient architectural decoration can be summarized into three categories: gold, color ornaments and carvings, color ornaments which include brush color decoration ornaments, painting and murals are as one of the three categories, the color was given such a high mission in the world, yet there are no countries can be comparable with it, the reason is not just the appearance of color can achieve architectural beauty, but also to show people' s color sustenance and beliefs in a certain extent. Ancient architectural sculpture was created by people in the production practice activities, and it is a product of the interaction between material and spiritual civilization and has a very high social value and artistic value. It carries historical and cultural information, expresses people' s spiritual and cultural pursuits and beliefs and through different art forms, reflects the beauty of different materials, expresses a different artistic content. 展开更多
关键词 ancient architecture DECORATION URBANIZATION INHERITANCE
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