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中国古代住宅融入自然之意趣与方法浅论 被引量:2
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作者 王晓 《武汉理工大学学报》 EI CAS CSCD 北大核心 2008年第3期103-105,117,共4页
中国古代住宅以"天人合一"为主要思想基础,具有显著的"融入自然"的特征,包含着朴素的生态思想,其所表现出的"天人合一"、畅怀自然的独特意趣,及其具有的独特空间特征与文化价值,包含着中国人的重要居住理... 中国古代住宅以"天人合一"为主要思想基础,具有显著的"融入自然"的特征,包含着朴素的生态思想,其所表现出的"天人合一"、畅怀自然的独特意趣,及其具有的独特空间特征与文化价值,包含着中国人的重要居住理想,对当代中国住宅设计具有可贵的参考价值。 展开更多
关键词 中国古代住宅 天人合一 融入自然 居住理想
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诗意栖居——中国古代住宅建筑风水观念的生态美诉求 被引量:3
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作者 彭松乔 《江汉大学学报(人文科学版)》 2005年第3期42-46,共5页
从人与生态环境之间的审美关系来看,中国古代住宅建筑风水观念中蕴涵着生态美诉求,这可以从气动布局、屈曲流转、和谐生情、浑融自洽等建筑追求上明显地感受到。这种生态美诉求同东方民族特有的审美思维密切相关,是中国古人生态智慧和... 从人与生态环境之间的审美关系来看,中国古代住宅建筑风水观念中蕴涵着生态美诉求,这可以从气动布局、屈曲流转、和谐生情、浑融自洽等建筑追求上明显地感受到。这种生态美诉求同东方民族特有的审美思维密切相关,是中国古人生态智慧和诗性掌握相结合的产物。这些含蕴在“风水”之中的生态美观念对于我们矫正现代住宅建筑中存在的技术片面性,建立人与自然、人与社会和谐发展的新型居住模式具有十分重要的参照意义。 展开更多
关键词 中国古代住宅建筑 风水观念 生态美
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住宅风水与绿化
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作者 林蒲田 《中外建筑》 1998年第4期40-41,共2页
什么是风水?下面是各家的解释: 《辞海》说:“风水,也叫堪舆。旧中国的一种迷信。认为住宅基地或坟地周围的风向水流等形势,能招致住者或葬者一家的祸福。也指相宅、相墓之法。” 《辞源》说:“风水,指宅地或坟地的地势、方向等。旧时... 什么是风水?下面是各家的解释: 《辞海》说:“风水,也叫堪舆。旧中国的一种迷信。认为住宅基地或坟地周围的风向水流等形势,能招致住者或葬者一家的祸福。也指相宅、相墓之法。” 《辞源》说:“风水,指宅地或坟地的地势、方向等。旧时迷信据以附会人事凶吉祸福。” 1990年东南大学出版的《风水探源》一书,潘谷西教授在序中指出:“风水的核心内容是人们对居住环境进行选择和处理的一种学问,其范围包含住宅、宫室、寺观、陵墓、村落、城市诸方面,其中涉及陵墓的称为阴宅。 展开更多
关键词 住宅风水 住宅环境绿化 古代住宅 传统建设
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On the Inheritance of Ancient Architecture Decoration in the Residential Construction of Urbanization
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作者 Shulan WANG Pinfeng TAN Lan LI 《International Journal of Technology Management》 2014年第12期48-50,共3页
Chinese traditional architectural paintings are more drawn to the interior and exterior painting walls, canopies, beams, Fang, stigma, brackets and interior ceilings, caisson, the architectural art of building compone... Chinese traditional architectural paintings are more drawn to the interior and exterior painting walls, canopies, beams, Fang, stigma, brackets and interior ceilings, caisson, the architectural art of building components were processed and formed their rich colors, making the Chinese ancient architecture even more magnificent. It has two kinds of practical effects, one is to decorate building, and the second is to protect the individual masonry wood components and parts them from wind and rain erosion. In other words, functional and aesthetic painting set in one. Most Chinese ancient buildings are wooden structures, for aesthetics and durability wooden structural parts, are generally required to cover color to paint the cover, so the Chinese ancient buildings, whether internal walls, ceiling, doors, windows, roofs, etc. are painted with colors, sculpturing patterns and patterns to enhance the expressive power of art architecture, it can be said that the ancient Chinese architecture buildings are colorized architecture. From afar to go, the overall color of ancient Chinese architecture makes people' s hearts worship must be generated by the primary function of psychological respected. Ancient architectural decoration can be summarized into three categories: gold, color ornaments and carvings, color ornaments which include brush color decoration ornaments, painting and murals are as one of the three categories, the color was given such a high mission in the world, yet there are no countries can be comparable with it, the reason is not just the appearance of color can achieve architectural beauty, but also to show people' s color sustenance and beliefs in a certain extent. Ancient architectural sculpture was created by people in the production practice activities, and it is a product of the interaction between material and spiritual civilization and has a very high social value and artistic value. It carries historical and cultural information, expresses people' s spiritual and cultural pursuits and beliefs and through different art forms, reflects the beauty of different materials, expresses a different artistic content. 展开更多
关键词 ancient architecture DECORATION URBANIZATION INHERITANCE
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