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“雍正耕织图”之耕图中古典空间的表现方法及其营造思想 被引量:2
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作者 张昭希 吴国源 《西安建筑科技大学学报(社会科学版)》 2017年第5期61-71,共11页
在历代"耕织图"中的"耕图"的描绘中,绘者不仅刻画"耕作活动"和"人物活动",对其相应的自然及建筑环境也给予了富有"场所意义"的图像表现,其中包含丰富深刻的古典空间内涵。用图像学... 在历代"耕织图"中的"耕图"的描绘中,绘者不仅刻画"耕作活动"和"人物活动",对其相应的自然及建筑环境也给予了富有"场所意义"的图像表现,其中包含丰富深刻的古典空间内涵。用图像学的方法,以雍正御制《耕织图》中"耕图"为例,对画面空间结构进行层层分析,阐释绘者是如何艺术性地表达空间关系并安排人物活动的。探讨绘者营造场景与情境的表达方式,从而进一步揭示作者创造意图背后的营造思想。 展开更多
关键词 古典空间关系 空间限定及方式 人物行为活动 古典环境营造观
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The Lack of the Frame and Transformations of the Concept of Art
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作者 TANG Ke-bing 《Sino-US English Teaching》 2015年第7期491-496,共6页
The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, ... The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, order, and clarity work to achieve a coherent picture space uniting, through the agency of the frame and the space represented with the space occupied by the beholder. The resistance on "frame despotism" and "dismemberment" of picture by avant-garde artist exposes the illusory reality created by perspective and verisimilitude, which deconstructs the false aesthetic relationship of frame and picture. Analysis on frame by modernist art builds its art value 展开更多
关键词 FRAME BOUNDARY linear perspective optical realism modem art artistic autonomy
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