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时间、空间与诗
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作者 沈天鸿 《宿州教育学院学报》 2002年第1期3-5,共3页
中国古代文学美学的时空观,本质上几乎就是艺术的,而且几乎可以说是“现代”的。古典艺术观念虽然不能直接应用于现代诗,但其时空观除了线性时间观外,却是不仿全盘继承的,因为意象并置,意象叠加是根植于将万物空间化这一时空观的技巧,... 中国古代文学美学的时空观,本质上几乎就是艺术的,而且几乎可以说是“现代”的。古典艺术观念虽然不能直接应用于现代诗,但其时空观除了线性时间观外,却是不仿全盘继承的,因为意象并置,意象叠加是根植于将万物空间化这一时空观的技巧,没有空间化,就没有意象并置和意象叠加。 展开更多
关键词 中国古代文学 美学 时空 古典艺术观 意象并置
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The Lack of the Frame and Transformations of the Concept of Art
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作者 TANG Ke-bing 《Sino-US English Teaching》 2015年第7期491-496,共6页
The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, ... The frame should not only be regarded as an external physical framework of artworks, but also the boundary mark of identifying the art and reality. Within classical space contained by the frame, the values of reason, order, and clarity work to achieve a coherent picture space uniting, through the agency of the frame and the space represented with the space occupied by the beholder. The resistance on "frame despotism" and "dismemberment" of picture by avant-garde artist exposes the illusory reality created by perspective and verisimilitude, which deconstructs the false aesthetic relationship of frame and picture. Analysis on frame by modernist art builds its art value 展开更多
关键词 FRAME BOUNDARY linear perspective optical realism modem art artistic autonomy
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