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来一场喜气洋洋的秀
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作者 周郁 深蓝 《半岛新生活》 2004年第15期9-9,共1页
婚庆司仪史乐说:婚礼就是三个人演戏,新郎、新娘是主角,我也是主角,但又是导演,而来宾是特殊的互动观众,三人就是要秀出来,秀一场喜气洋洋难大家看。
关键词 婚庆司仪 婚礼 婚姻 爱情 职业 中国 史乐
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From the History of Formation Uzbek Oral-Professional Music
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作者 Elnora Mamadjanova 《Journal of Literature and Art Studies》 2016年第2期166-169,共4页
First features of formation of oral-professional genres in the territory of Uzbekistan were known from ancient time. Examples of preserving wall painting, small statues with musicians images evidence that professional... First features of formation of oral-professional genres in the territory of Uzbekistan were known from ancient time. Examples of preserving wall painting, small statues with musicians images evidence that professionalism was taken place in the early of 1 st millennium. Dastan, Katta Ashula, Makom are the main oral-professional genres of the Uzbeks. History facts are in the paper. 展开更多
关键词 ORAL PROFESSIONAL GENRE Dastan Katta Ashula Makom feature ustoz-shogird music instruments dombra kobuz Avesta Barbad Farabi Ibn-Sina
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The Deficiency and Embarrassment of Chinese Music History
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作者 Wang Huan Wang Ji 《International Journal of Technology Management》 2014年第2期128-129,共2页
Chinese music history is a rigorous discipline of analyzing, studying and describing Chinese music development and evolution process, which has typical historical factors. Chinese music covers a wide range, which incl... Chinese music history is a rigorous discipline of analyzing, studying and describing Chinese music development and evolution process, which has typical historical factors. Chinese music covers a wide range, which includes China traditional opera, minority drama, local and regional opera, and the song and dance drama and music with the sense of the times.However, in the music history research and teaching in our country currently, because the current art education of the old system and the traditional mechanical reasons, study on the history of music lacks of effective view in the breadth and depth.Because of these reasons, there is a lack of the object of study and research methods, so in the course of study on the China music history, it has some deficiency and embarrassing phenomenon.In this paper, it takes the analysis on deletion and embarrassing situations in our country at present on the history of music, and finds out the corresponding solutions for it. 展开更多
关键词 Chinese music history DEFICIENCY EMBARRASSMENT
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Music in Prehistoric Armenia
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作者 Ani Petrosyan Arsen Bobokhyan 《Journal of Literature and Art Studies》 2015年第4期259-265,共7页
Within the syncretic world view of prehistoric people, there was an inseparable link between word, song, and dance Hence it is not easy for the modern researcher to outline the border between these spheres. Using inte... Within the syncretic world view of prehistoric people, there was an inseparable link between word, song, and dance Hence it is not easy for the modern researcher to outline the border between these spheres. Using interdisciplinary methods, present paper touches the case of Armenian monodic music. Through analysis of song types (concerning labour, funeral, wedding, belief, worship, magic, mythology, epic, and dance), music representatives, music performance places, and musical instruments, an attempt is made to consider the phenomenon within certain temporal borders. It turns out that the folk and folk-professional realistic music is simple and static in its essence and includes the invariant component of local culture, going back to the period of formation of early farming communities. Meanwhile with emerging social complexity since the Bronze Age, new and various forms of musical performance come to existence. 展开更多
关键词 early music ethno-historical approach ARMENIA
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Analysis of Debussy Piano Music "fireworks" Performance
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作者 Junzhong ZHANG 《International Journal of Technology Management》 2014年第12期15-17,共3页
Debussy is one of the famous composers in music history, and he not only created a lot of innovative music, but also created a musical impressionist era, it is a landmark composers having. "Fireworks" is one of the ... Debussy is one of the famous composers in music history, and he not only created a lot of innovative music, but also created a musical impressionist era, it is a landmark composers having. "Fireworks" is one of the important works of Debussy, which was the last song he composed 24 piano preludes, and this work fully reflects all his creative ideas, creative approach and creative style, as well as their patriotism inner world monologue. This paper focuses on the piano Debussy' s 24 Preludes a brief introduction, analyze the reasons for the formation of its style and structure of the work through, music image, sound system and playing tips and other aspects of "fireworks" . 展开更多
关键词 DEBUSSY Piano Preludes performance analysis fireworks Impressionism
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An Imaginary Taiwan From a Composer in China A Case Study of Taiwan Bangzi Opera
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作者 Ming-Hui Ma 《Journal of Literature and Art Studies》 2016年第1期65-73,共9页
Taiwan Bangzi Opera is a branch of Henan Bangzi Opera in Henan, which was transmitted from China to Taiwan within the armies under a political and historical circumstance around 1947. As the trend of localisation in t... Taiwan Bangzi Opera is a branch of Henan Bangzi Opera in Henan, which was transmitted from China to Taiwan within the armies under a political and historical circumstance around 1947. As the trend of localisation in these ten years becomes obvious, several localised performances are created; however, the composers in China do not understand the music culture in Taiwan, so some interesting phenomenon can be found between an imaginary Taiwan from their viewpoints and the real culture in Taiwan. The Sorceress Bride is a performance which adapted so-called the aboriginal tune in 2012, and it arises several issues for further discussion. 展开更多
关键词 Taiwan Bangzi Opera Sorceress Bride LOCALISATION Evergreen Mountains Dancing to the Moon
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Some Remarks Regarding Originality and Historical Transformations of Chopin's Mazurkas, as Based on the Mathematical Systematic Method of the Tonal Structure Analysis
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作者 Miroslaw Majchrzak 《Journal of Literature and Art Studies》 2014年第1期34-45,共12页
Musical analysis enables us to study the various elements of a musical work, for example texture, m dynamics, or harmony (including tonality). Thanks to musical analysis we are able to trace the compos technique, or... Musical analysis enables us to study the various elements of a musical work, for example texture, m dynamics, or harmony (including tonality). Thanks to musical analysis we are able to trace the compos technique, or assess the artistic value of given work. In addition to traditional, descriptive methods of e it ody, onal music analysis, we can observe in 20th century the development of methods based on science (mathematics, otherwise statistics). Such methodologies allow us to obtain a strict understanding of the structure of musical pieces Applying mathematical methods for musical analysis seems very reasonable in relation to the output of Frederic Chopin, due to large originality of the elements of musical pieces of this composer. Present paper was written as a result of research related to the applying of numerical method of analysis for exploring the tonal structure of Chopin's works. The author's research method enables a strict analysis of the chord's domination that can be classified under given key (range)--taking into consideration the harmonic functions. By the method of analysis we can get charts that depict whole diatonic vertical music material of the given piece. The main objective of the present study is to describe observations on the high uniqueness in the tonal construction of selected Chopin's mazurkas, especially, when compared to the miniatures of other composers of the first half of the 19th century and previously analyzed Chopin's pieces: etudes, preludes, and songs. 展开更多
关键词 computational musicology music analysis Chopin's mazurkas TONALITY
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周代史官的“类诗家”功能与《诗经》早期传述状态初探 被引量:1
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作者 孙世洋 《中国诗歌研究》 CSSCI 2014年第1期53-63,共11页
清华简文献群的陆续发布,不仅为《诗经》研究提供了新的信息,也令传世文献中的有关资料呈现出了新的意义。清华简《耆夜》《周公之琴舞》《芮良夫毖》等与歌诗有关的史官文献,能够联合相关传世记载,共同为我们提供新的研究视野,呈现出... 清华简文献群的陆续发布,不仅为《诗经》研究提供了新的信息,也令传世文献中的有关资料呈现出了新的意义。清华简《耆夜》《周公之琴舞》《芮良夫毖》等与歌诗有关的史官文献,能够联合相关传世记载,共同为我们提供新的研究视野,呈现出周代史官近似'诗家'的独特功能亦即'类诗家'特点,以及《诗经》在史官渠道中的特殊传述状态。'瞽史(工史)'的史、乐跨界特点,使之成为周代与《诗经》关系最为密切的一类史官,由其主掌的《诗》《世》之学,对《诗》家之学以及春秋引诗风气的形成有直接影响。 展开更多
关键词 史官 “类诗家” 瞽史 史乐跨界
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The Many Sounds of Civilization
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作者 Emad El-Din Aysha 《Beijing Review》 2015年第32期48-48,共1页
British-American historian Bernard Lewis famously condemned Arab and Islamic civilization for not having a polyphonic sense of music,even accusing them of accepting totalitarian ideologies and regimes because of their... British-American historian Bernard Lewis famously condemned Arab and Islamic civilization for not having a polyphonic sense of music,even accusing them of accepting totalitarian ideologies and regimes because of their taste for"monophonic"music.That is,having one single singer with all the music following the ups and downs of his or her voice.Polyphonic music,by contrast,is when a piece of music has two or more independent melodies in it.As for the related notion of counterpoint,this is from many voices present in the chorus of a classical Greek drama and a reference to the coordination evident in choir singing. 展开更多
关键词 music downs taste drama singer evident notion civilization piece Greek
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