As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, f...As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, from the view of post-colonialism so as to receal American animated films make every effort to set up the image of the Other and to propagate American culture and value. It is American cultural hegemony.展开更多
This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi e...This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details.展开更多
In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing...In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.展开更多
The post-colonialism is a theory proposed by the eastern colonial academist Edward W. Said. With the understanding and the definition of post-colonialism, the paper is to analyze phenomena of the movie 2012 and Avatar...The post-colonialism is a theory proposed by the eastern colonial academist Edward W. Said. With the understanding and the definition of post-colonialism, the paper is to analyze phenomena of the movie 2012 and Avatar from several aspects. Firstly, the ＂other＂ is the first angle to be talked about. In the Westerners＇ perspective, they are the center of the world, and they dominate the world. Their rules are the accepted rules, and people of different origin or different cultures are all called ＂other＂. Secondly, it is the degeneration of eastern culture. In the complex of the degeneration of the culture, the demonization of the under-developed nations, the dominant language of English in the communication with the people around, feminization of the characters in the movies, and the updated colonialism of the colonized countries are to be mentioned.展开更多
The paper argues that a change of the name from multiculturalism to transculturalism will not work magic if the thinking paradigm that dictates trans- culturalism is still the same mindset that dictates multiculturali...The paper argues that a change of the name from multiculturalism to transculturalism will not work magic if the thinking paradigm that dictates trans- culturalism is still the same mindset that dictates multiculturalism, which is basi- cally swayed by postcolonialism, a victim mentality, or what Fanon termed as a colonized mind that conceives the world ahistorically in terms of a false binarism of the West and the non-West, ignoring entirely the complexities of power relations in intercultural and intracultural interactions, and disregarding the simple facts that, as the West is not a colonizing whole, the non-West is not a colonized monolith and that, as there are diversities between cultures in the West and the non-West, there are differences within the Western cultures, within the non-Western cultures, and within each culture. I discuss the failures of multiculturalism, critique the indiscriminate application of postcolonialism, and look into the problems and risks of conceiving power relations in cross-cultural interactions along the postcolonialist binary line, which has reduced the diversified world into the West and the non-West. The transculturalist hypothesis of World Englishes is used as a case in point. My conclusion is that transculturalism can only be meaningful if it adopts ＂a disposition of openness, liberated from the colonized mind or the postcolonialist identity politics.展开更多
Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire（ under the American Esquires copyright） as a case study of indigenous media in the context of the globalization of the mark...Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire（ under the American Esquires copyright） as a case study of indigenous media in the context of the globalization of the market economy, and approaches it with critical theories of political economy of communication, in order to offer insight into the commodification process of the Chinese male and expose its implicit dependent economy model. Thus the author attempts to demonstrate how male fashion media in China are trying to re-construct Chinese males＇ masculinity in a post-socialist state and trying to re-map the spheres of class and commodity, as being manipulated by the international copyright system, in the context of postcolonialism, intending to change traditional gender order and to sustain Western Capitalism＇s planetary expansion.展开更多
文摘As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, from the view of post-colonialism so as to receal American animated films make every effort to set up the image of the Other and to propagate American culture and value. It is American cultural hegemony.
文摘This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details.
文摘In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.
文摘The post-colonialism is a theory proposed by the eastern colonial academist Edward W. Said. With the understanding and the definition of post-colonialism, the paper is to analyze phenomena of the movie 2012 and Avatar from several aspects. Firstly, the ＂other＂ is the first angle to be talked about. In the Westerners＇ perspective, they are the center of the world, and they dominate the world. Their rules are the accepted rules, and people of different origin or different cultures are all called ＂other＂. Secondly, it is the degeneration of eastern culture. In the complex of the degeneration of the culture, the demonization of the under-developed nations, the dominant language of English in the communication with the people around, feminization of the characters in the movies, and the updated colonialism of the colonized countries are to be mentioned.
文摘The paper argues that a change of the name from multiculturalism to transculturalism will not work magic if the thinking paradigm that dictates trans- culturalism is still the same mindset that dictates multiculturalism, which is basi- cally swayed by postcolonialism, a victim mentality, or what Fanon termed as a colonized mind that conceives the world ahistorically in terms of a false binarism of the West and the non-West, ignoring entirely the complexities of power relations in intercultural and intracultural interactions, and disregarding the simple facts that, as the West is not a colonizing whole, the non-West is not a colonized monolith and that, as there are diversities between cultures in the West and the non-West, there are differences within the Western cultures, within the non-Western cultures, and within each culture. I discuss the failures of multiculturalism, critique the indiscriminate application of postcolonialism, and look into the problems and risks of conceiving power relations in cross-cultural interactions along the postcolonialist binary line, which has reduced the diversified world into the West and the non-West. The transculturalist hypothesis of World Englishes is used as a case in point. My conclusion is that transculturalism can only be meaningful if it adopts ＂a disposition of openness, liberated from the colonized mind or the postcolonialist identity politics.
文摘Adopting an approach of ethnography, this article uses the Chinese fashion magazine Esquire（ under the American Esquires copyright） as a case study of indigenous media in the context of the globalization of the market economy, and approaches it with critical theories of political economy of communication, in order to offer insight into the commodification process of the Chinese male and expose its implicit dependent economy model. Thus the author attempts to demonstrate how male fashion media in China are trying to re-construct Chinese males＇ masculinity in a post-socialist state and trying to re-map the spheres of class and commodity, as being manipulated by the international copyright system, in the context of postcolonialism, intending to change traditional gender order and to sustain Western Capitalism＇s planetary expansion.
