This paper explores the critical regionalism which could play a role in the continued development of global era Polish architecture, and the advancements achieved by those few contemporary Polish architects who have s...This paper explores the critical regionalism which could play a role in the continued development of global era Polish architecture, and the advancements achieved by those few contemporary Polish architects who have sought to combine modern tastes and techniques with culturally meaningful designs. The new culture of Poland is very much reflected in the design of many of its new buildings that have been completed since the political and economic changes in 1989. The architecture of Poland appears to have lurched from an inappropriate socialist modernism that was so horridly imposed during the communist era to an equally inappropriate post modernist hegemony in the new enterprise culture. In accordance with Poland, now is rejection of the centrally imposed system of building and architecture, and with the greater emphasis on individual initiative in the new culture, it seems a pity that the country should automatically adopt western modes of architectural expression. This paper suggests that with its newly founded freedom, Poland should be careful that it does not suffer a loss of identity and that, in its architecture, it should seek a way forward through a critical regionalism.展开更多
在管理学上,有一个概念叫做"走动式管理",大体意思是领导别老坐着瞎指挥,要起来多多走动。走动式管理概念起源于全球最著名的管理学大师之一,后现代企业之父汤姆·彼得斯(Thomas J. Peters)和罗伯特·沃特曼(Robert H...在管理学上,有一个概念叫做"走动式管理",大体意思是领导别老坐着瞎指挥,要起来多多走动。走动式管理概念起源于全球最著名的管理学大师之一,后现代企业之父汤姆·彼得斯(Thomas J. Peters)和罗伯特·沃特曼(Robert H. Waterman)在1982年出版的著作《追求卓越》一书中。展开更多
文摘This paper explores the critical regionalism which could play a role in the continued development of global era Polish architecture, and the advancements achieved by those few contemporary Polish architects who have sought to combine modern tastes and techniques with culturally meaningful designs. The new culture of Poland is very much reflected in the design of many of its new buildings that have been completed since the political and economic changes in 1989. The architecture of Poland appears to have lurched from an inappropriate socialist modernism that was so horridly imposed during the communist era to an equally inappropriate post modernist hegemony in the new enterprise culture. In accordance with Poland, now is rejection of the centrally imposed system of building and architecture, and with the greater emphasis on individual initiative in the new culture, it seems a pity that the country should automatically adopt western modes of architectural expression. This paper suggests that with its newly founded freedom, Poland should be careful that it does not suffer a loss of identity and that, in its architecture, it should seek a way forward through a critical regionalism.
