Happiness, as much a poetic as a philosophical, sociological, and psychological concept, has been, through the ages, at the heart of the needs each individual seeks to fulfil. But today, in a world dominated by techno...Happiness, as much a poetic as a philosophical, sociological, and psychological concept, has been, through the ages, at the heart of the needs each individual seeks to fulfil. But today, in a world dominated by technology, driven by productivity and dictated by efficiency, what about Happiness？ Does it feature in works of fiction in any significant way？ May it not have adopted different guises？ ls that ＂duty of happiness＂ that Pascal Bruckner was talking about present in the French novel of the 20th-21th centuries？ And if it is, has its force strengthened or weakened？ This article will discuss the French Novels （of the 20th-21th centuries） that are devoted to or associated with Happiness in a direct or indirect manner. It will contextualize and analyze the transformation of Happiness, within the context of the historical and social events that influenced that period： the Holocaust, consumerism, postmodernism, structural social changes, the various as yet unarticulated new modes of life they created, and so on. To that end, this article will explore the discursive philosophical concept of happiness and its influence on the formation of the French novel. In so doing it will focus on the explicit discourse behind the motifs, the choices made in the process of writing, and the attitudes taken, considering the theme of happiness. Doing so, a significant discussion will be included regarding the paths of happiness, its agents, and the nature of the motifs and metaphors linked to the theme of happiness. The author will also address the dialectical role of the happiness theme in the constitution of an emerging literary discourse reflected in the French novel. By exploring the manifestation of the dogmas, ideas of the intellectual leaders of the 20th century （e.g., Jean-Paul Sartre, Simone De Beauvoir, Albert Camus） as well as the ones of the 21th century （e.g., Pascal Bruckner, Andr6 Comte-Sponville, Gilles Lipovetsky） new insights concerning the hybrid nature of the supposedly ＂authentic happiness＂ will be revealed. The author intend to inspect the theme of Happiness around four dialectical axes as a relevant ethical basis for delimiting the various fields of research： （1） Love, passion, and conjugality; （2） Ageing; （3） ＂The experience of everydayness＂; and （4） ＂The era of emptiness＂. Focusing on the narratives, the article takes into account their specificity in the four distinct fields, all connected to existential and ethical issues, Finally, this article will attempt to analyse the assumed role of literature as a conduit of cultural awareness.展开更多
This study presents the fact that the relationship between the white colonialists and the black indigenous population threw up a myriad of socio-political cross fertilization in Africa. The way and manner the Whites r...This study presents the fact that the relationship between the white colonialists and the black indigenous population threw up a myriad of socio-political cross fertilization in Africa. The way and manner the Whites related with the Black people, the levels of reactions and response of the black population to the invading socio-political values and standards during the colonial era has been the subject of interesting writings in Africa. Of significance in this class of writing in Kenya is Ngugi Wa Thiong＇O＇s works. His profound sympathy with his people in their weaknesses, their poverty in the socio-political development in Kenya, and particularly his hatred of exploitation, cruelty, and injustice are noteworthy. It is the thrust of this work to critically look at the socio-political change in postcolonial Kenya through the literary eyes of Ngugi in his remarkable and compelling work, Petals of Blood （1977）, with a view to establish the contributions of the work to real socio-political development in Kenya through the approaches of textual criticism, interpretation, and post-colonial theory. Thus, the study examines the socio-political development in postcolonial Kenyan society, the lifestyle of people, and the relationships that exist among Kenyan citizens, especially between the rich and the poor, the government （ruling class）, and the governed （masses）. It also establishes the basis for the continued prevalence of the themes of violence, corruption, injustice, disillusionment, decadence, and disintegration in contemporary Kenyan literature, in spite of the transformation and change in the socio-political setting of the State.展开更多
This paper takes into consideration the doctrinal positions that are taken by Italian accounting in the period between the 19th and the 20th century, and concerns the nature of relationships between accounting and its...This paper takes into consideration the doctrinal positions that are taken by Italian accounting in the period between the 19th and the 20th century, and concerns the nature of relationships between accounting and its most similar sciences, particularly economics. Over those years, the scholars in that field started to show a peculiar epistemological sensitivity. Spurred by the philosophical debate which was raised by positivism and particularly by Comte＇s and Spencer＇s studies, researchers wondered whether the most appropriate place for accounting was in the large field of social sciences. Hence, two different epistemological approaches arose with one succeeding the other in time. Initially, scholars accepted the idea that accounting somehow depended on its related sciences, which included economics. They deemed it convenient to use, also for their own purposes, principles drawn from contiguous doctrines that had already been scientifically recognized, such as economics. That was how Italian accounting happened to be, even though temporarily, in a position of ＂scientific subjection＂ with respect to the mentioned doctrines. At the second stage, due to the awareness of the specific subject and the method of investigation, as well as the purposes, Italian accounting claimed its own scientific autonomy, so scholars went back to the first phase and considered it necessary to develop internal principles and rules as a function of its peculiar needs. By doing so, scholars mapped out a route that would deeply mark the future of the discipline by making it fully independent on other fields of knowledge in a sort of emancipation process. The paper will not only describe the two theoretical positions which are summarized above, but will also adopt an interpretative approach to trace their possible causes and to grasp their effects on the development of the discipline, particularly with regards to the theories of value which is adopted by the Italian accounting over the analyzed period. In the authors＇ opinion, the attention paid by the most authoritative Italian accounting scholars to the epistemological theme of relationships between accounting and its similar sciences can be explained by at least two different causes： the influence which is exercised by the philosophical studies and the aspiration of accounting for scientific and academic recognition.展开更多
文摘Happiness, as much a poetic as a philosophical, sociological, and psychological concept, has been, through the ages, at the heart of the needs each individual seeks to fulfil. But today, in a world dominated by technology, driven by productivity and dictated by efficiency, what about Happiness？ Does it feature in works of fiction in any significant way？ May it not have adopted different guises？ ls that ＂duty of happiness＂ that Pascal Bruckner was talking about present in the French novel of the 20th-21th centuries？ And if it is, has its force strengthened or weakened？ This article will discuss the French Novels （of the 20th-21th centuries） that are devoted to or associated with Happiness in a direct or indirect manner. It will contextualize and analyze the transformation of Happiness, within the context of the historical and social events that influenced that period： the Holocaust, consumerism, postmodernism, structural social changes, the various as yet unarticulated new modes of life they created, and so on. To that end, this article will explore the discursive philosophical concept of happiness and its influence on the formation of the French novel. In so doing it will focus on the explicit discourse behind the motifs, the choices made in the process of writing, and the attitudes taken, considering the theme of happiness. Doing so, a significant discussion will be included regarding the paths of happiness, its agents, and the nature of the motifs and metaphors linked to the theme of happiness. The author will also address the dialectical role of the happiness theme in the constitution of an emerging literary discourse reflected in the French novel. By exploring the manifestation of the dogmas, ideas of the intellectual leaders of the 20th century （e.g., Jean-Paul Sartre, Simone De Beauvoir, Albert Camus） as well as the ones of the 21th century （e.g., Pascal Bruckner, Andr6 Comte-Sponville, Gilles Lipovetsky） new insights concerning the hybrid nature of the supposedly ＂authentic happiness＂ will be revealed. The author intend to inspect the theme of Happiness around four dialectical axes as a relevant ethical basis for delimiting the various fields of research： （1） Love, passion, and conjugality; （2） Ageing; （3） ＂The experience of everydayness＂; and （4） ＂The era of emptiness＂. Focusing on the narratives, the article takes into account their specificity in the four distinct fields, all connected to existential and ethical issues, Finally, this article will attempt to analyse the assumed role of literature as a conduit of cultural awareness.
文摘This study presents the fact that the relationship between the white colonialists and the black indigenous population threw up a myriad of socio-political cross fertilization in Africa. The way and manner the Whites related with the Black people, the levels of reactions and response of the black population to the invading socio-political values and standards during the colonial era has been the subject of interesting writings in Africa. Of significance in this class of writing in Kenya is Ngugi Wa Thiong＇O＇s works. His profound sympathy with his people in their weaknesses, their poverty in the socio-political development in Kenya, and particularly his hatred of exploitation, cruelty, and injustice are noteworthy. It is the thrust of this work to critically look at the socio-political change in postcolonial Kenya through the literary eyes of Ngugi in his remarkable and compelling work, Petals of Blood （1977）, with a view to establish the contributions of the work to real socio-political development in Kenya through the approaches of textual criticism, interpretation, and post-colonial theory. Thus, the study examines the socio-political development in postcolonial Kenyan society, the lifestyle of people, and the relationships that exist among Kenyan citizens, especially between the rich and the poor, the government （ruling class）, and the governed （masses）. It also establishes the basis for the continued prevalence of the themes of violence, corruption, injustice, disillusionment, decadence, and disintegration in contemporary Kenyan literature, in spite of the transformation and change in the socio-political setting of the State.
文摘This paper takes into consideration the doctrinal positions that are taken by Italian accounting in the period between the 19th and the 20th century, and concerns the nature of relationships between accounting and its most similar sciences, particularly economics. Over those years, the scholars in that field started to show a peculiar epistemological sensitivity. Spurred by the philosophical debate which was raised by positivism and particularly by Comte＇s and Spencer＇s studies, researchers wondered whether the most appropriate place for accounting was in the large field of social sciences. Hence, two different epistemological approaches arose with one succeeding the other in time. Initially, scholars accepted the idea that accounting somehow depended on its related sciences, which included economics. They deemed it convenient to use, also for their own purposes, principles drawn from contiguous doctrines that had already been scientifically recognized, such as economics. That was how Italian accounting happened to be, even though temporarily, in a position of ＂scientific subjection＂ with respect to the mentioned doctrines. At the second stage, due to the awareness of the specific subject and the method of investigation, as well as the purposes, Italian accounting claimed its own scientific autonomy, so scholars went back to the first phase and considered it necessary to develop internal principles and rules as a function of its peculiar needs. By doing so, scholars mapped out a route that would deeply mark the future of the discipline by making it fully independent on other fields of knowledge in a sort of emancipation process. The paper will not only describe the two theoretical positions which are summarized above, but will also adopt an interpretative approach to trace their possible causes and to grasp their effects on the development of the discipline, particularly with regards to the theories of value which is adopted by the Italian accounting over the analyzed period. In the authors＇ opinion, the attention paid by the most authoritative Italian accounting scholars to the epistemological theme of relationships between accounting and its similar sciences can be explained by at least two different causes： the influence which is exercised by the philosophical studies and the aspiration of accounting for scientific and academic recognition.
