Within the wide distribution of Lenkoran in Iran, populations of the species inhabit variety of habitats. The authors hypothesized that each river may contribute to habitat-specific variation in life history of the fi...Within the wide distribution of Lenkoran in Iran, populations of the species inhabit variety of habitats. The authors hypothesized that each river may contribute to habitat-specific variation in life history of the fish. To test this, a total of 378 specimens of Capoeta capoeta gracilis caught in the Atrak river （northern Iran） from Dec. 2007 to Nov. 2008 were examined for life history attributes. The population has a 5-year life cycle. Weight-length relationship （WLR） was estimated as W = 0.0127TL28981 for males, W = 0.0083TL3998 for females and W = 0.0084TL3942 for the population, being allometric negative for males and positive for females and the population. The VBGF fit to back-calculated size at age data were： Lt = 22.11 （1-e-0.19（t＋135））, Lt = 25.37 （1-e-0.18（t＋125）） and Lt = 24.92 （1-e-018（1＋122）） for males, females and sexes combined respectively. Sex ratio was significant from the parity, females dominated. The reproductive season, evaluated from GSI, extended from Apr. to July, with the highest peak in May for males and in Apr. for females. The absolute fecundity ranged between 458-5,743 eggs with a mean of 1,375.06 eggs. Fecundity relative to total weight fluctuated from 14.90 to 132.58, with a mean value of 48.79 eggs·g-1. The diameter of oocytes ranged from 0.53 to 2.40 mm with a mean value of 1.46. The life history patterns of C. c. gracilis in the considered population imply that the many population characteristics of this species in the river differ markedly from those of other rivers of its range distribution in northern Iran. Probably, respond to environmental characteristics to improve fitness locally is the more suitable choice for differentiated life history strategies of the species in the river.展开更多
The article concerns the commission that was made by the Biennale di Venezia to Stravinsky in the 50s＇ which led to the composition of the Canticum Sacrum. The discovery of the correspondence between the composer, th...The article concerns the commission that was made by the Biennale di Venezia to Stravinsky in the 50s＇ which led to the composition of the Canticum Sacrum. The discovery of the correspondence between the composer, the artistic director Alessandro Piovesan and the organizers of the Venetian Festival allows to reconstruct the events that led Stravinsky to change his initial plans for a Passion selon Saint Marc in favour of a short Canticum. The objections, which concerned above all the limited size of the piece, were repeated several times by Piovesan, but were all disregarded by Stravinsky. In the light of the eight letters deposited in the Archivio Storico delle Arti Contemporanee （ASAC） of Venice （in Appendix）, the circumstances bringing about Stravinsky＇s refusal can be fully understood. The references to recent studies by David H. Smyth, Akane Mori, and Jonathan Kramer regarding the identification of palindromic and proportional structures in the Canticum, offers further proof sustaining Stravinsky＇s declaration that to enlarge the piece would have been impossible. These events confirm the composer＇s unbending determination to undertake a new experimental stylistic direction already tried out in pieces like the Three Songs from William Shakespeare and Agon.展开更多
文摘Within the wide distribution of Lenkoran in Iran, populations of the species inhabit variety of habitats. The authors hypothesized that each river may contribute to habitat-specific variation in life history of the fish. To test this, a total of 378 specimens of Capoeta capoeta gracilis caught in the Atrak river （northern Iran） from Dec. 2007 to Nov. 2008 were examined for life history attributes. The population has a 5-year life cycle. Weight-length relationship （WLR） was estimated as W = 0.0127TL28981 for males, W = 0.0083TL3998 for females and W = 0.0084TL3942 for the population, being allometric negative for males and positive for females and the population. The VBGF fit to back-calculated size at age data were： Lt = 22.11 （1-e-0.19（t＋135））, Lt = 25.37 （1-e-0.18（t＋125）） and Lt = 24.92 （1-e-018（1＋122）） for males, females and sexes combined respectively. Sex ratio was significant from the parity, females dominated. The reproductive season, evaluated from GSI, extended from Apr. to July, with the highest peak in May for males and in Apr. for females. The absolute fecundity ranged between 458-5,743 eggs with a mean of 1,375.06 eggs. Fecundity relative to total weight fluctuated from 14.90 to 132.58, with a mean value of 48.79 eggs·g-1. The diameter of oocytes ranged from 0.53 to 2.40 mm with a mean value of 1.46. The life history patterns of C. c. gracilis in the considered population imply that the many population characteristics of this species in the river differ markedly from those of other rivers of its range distribution in northern Iran. Probably, respond to environmental characteristics to improve fitness locally is the more suitable choice for differentiated life history strategies of the species in the river.
文摘The article concerns the commission that was made by the Biennale di Venezia to Stravinsky in the 50s＇ which led to the composition of the Canticum Sacrum. The discovery of the correspondence between the composer, the artistic director Alessandro Piovesan and the organizers of the Venetian Festival allows to reconstruct the events that led Stravinsky to change his initial plans for a Passion selon Saint Marc in favour of a short Canticum. The objections, which concerned above all the limited size of the piece, were repeated several times by Piovesan, but were all disregarded by Stravinsky. In the light of the eight letters deposited in the Archivio Storico delle Arti Contemporanee （ASAC） of Venice （in Appendix）, the circumstances bringing about Stravinsky＇s refusal can be fully understood. The references to recent studies by David H. Smyth, Akane Mori, and Jonathan Kramer regarding the identification of palindromic and proportional structures in the Canticum, offers further proof sustaining Stravinsky＇s declaration that to enlarge the piece would have been impossible. These events confirm the composer＇s unbending determination to undertake a new experimental stylistic direction already tried out in pieces like the Three Songs from William Shakespeare and Agon.
