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后亚文化视域下哥特风洛丽塔服饰发展研究 被引量:1
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作者 方宇 杨春慧 《化纤与纺织技术》 CAS 2023年第8期115-118,共4页
在后亚文化时代背景下,哥特风洛丽塔服饰呈现出风格混杂、流动性强、多变性等发展趋势。新部族的出现使得青年文化成员围绕其生活方式和趣味为中心展开时尚活动。为探索新时代背景下哥特风洛丽塔服饰发展趋势的问题,文章重点关注了后亚... 在后亚文化时代背景下,哥特风洛丽塔服饰呈现出风格混杂、流动性强、多变性等发展趋势。新部族的出现使得青年文化成员围绕其生活方式和趣味为中心展开时尚活动。为探索新时代背景下哥特风洛丽塔服饰发展趋势的问题,文章重点关注了后亚文化视域下哥特风洛丽塔服饰的发展特点,展望了其未来发展趋势,以期为当代哥特风洛丽塔服饰的设计提供新的思路。 展开更多
关键词 后亚文化 哥特风 洛丽塔服饰 新部族
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论19世纪前期英国文学的哥特风
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作者 张艳华 《大观(论坛)》 2018年第8期25-26,共2页
英国文学在18世纪初开始了一种哥特风的文学风格,并占据主流文坛近六十年之久。在哥特风的英国文学之中,大多都是将森林荒野和城堡废墟作为写作的背景,大量的哥特风小说之中还常常会出现一些拥有超能力的鬼怪等形象。在哥特风的文学作... 英国文学在18世纪初开始了一种哥特风的文学风格,并占据主流文坛近六十年之久。在哥特风的英国文学之中,大多都是将森林荒野和城堡废墟作为写作的背景,大量的哥特风小说之中还常常会出现一些拥有超能力的鬼怪等形象。在哥特风的文学作品之中,大多数的作品都是以恐怖和暴力作为整个文学作品的主要感情基调,这种感情的存在也是整个哥特风作品的主要艺术魅力所在。 展开更多
关键词 19世纪前期 英国文学 哥特风
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大眼睛里的魔幻与现实——浅析蒂姆·波顿的电影《大眼睛》
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作者 黄婷 《西部广播电视》 2017年第20期90-91,共2页
蒂姆·波顿是一位对电影发展具有重要影响的创作风格独特的导演,被誉为好莱坞的鬼才怪杰,他坚持哥特风格的影片创作,表现出后现代主义的荒诞和黑色幽默。《大眼睛》是根据真人真事改编的一部现实传记电影,通过最普通的拍摄方式执导... 蒂姆·波顿是一位对电影发展具有重要影响的创作风格独特的导演,被誉为好莱坞的鬼才怪杰,他坚持哥特风格的影片创作,表现出后现代主义的荒诞和黑色幽默。《大眼睛》是根据真人真事改编的一部现实传记电影,通过最普通的拍摄方式执导影片,去掉风格化的电影艺术作品,更能体现其所存在的深远影响与艺术价值。 展开更多
关键词 蒂姆·波顿 哥特风 《大眼睛》
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Technology Management of Capital Assets and Risks in the Service Sharing Economy: Cases of Uberization of Crowdfunding and Transportation in Mexico
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作者 Leonel Corona-Trevino 《Management Studies》 2018年第5期346-357,共12页
Firms such as Airbnb, Uber, Blablacar have platforms for connecting owners of underused assets with clients through, the internet, thus allowing people to rent out their spare rooms, or book relay rides by acting as m... Firms such as Airbnb, Uber, Blablacar have platforms for connecting owners of underused assets with clients through, the internet, thus allowing people to rent out their spare rooms, or book relay rides by acting as matchmakers, allocating resources where they are needed and charging a percentage of the cost in return. This phenomenon could be regarded from the point of view: (1) of Internet technology evolution from a network of computers to a network of people devoted to sharing their knowledge and user experience, coming further, as the Internet of Things (IoT), and (2) as part of the increasing involvement of the user (consumer/client) in production and innovation processes. These approaches allow us to analyze service-user platform firms according to the different kinds of specific assets distribution and risks. The new organization is based on internet platform tools which integrate information, machinery, energy, and science, and costumer collaboration. We conclude that there are large profits for those firms based on platforms, as there are not yet any counterbalances through competition, posing the question about the needed or not of technology management regulation during this phase of service sharing economy. A selection of 17 service platform firms in Mexico involved in transportation and crowdfunding are described on the basis of their business model, the market and the distribution of assets and income 展开更多
关键词 platform firms concentration of income uberization service economy sharing economy CROWDFUNDING Mexico
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