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浅议文学作品的隐性含意
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作者 安增喜 《学苑教育》 2011年第5期43-43,共1页
刘勰在《文心雕龙·隐秀》中指出:“文之英,有秀有隐。隐也者,文外之重旨者也。”这种“重旨”就是隐形含意,“使玩之者无穷,味之者不厌矣”。
关键词 深层 言外 情韵 哲理意
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The Global Value ofMencius's Ideas on Moral Feeling and Reason: Reinterpreting the Feeling of Compassion From the Perspective of the Philosophy of Emotion 被引量:5
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作者 Liu Yuedi 《Cultural and Religious Studies》 2016年第6期372-386,共15页
Amid the recent global upsurge of studies on the philosophy of emotion, a reinterpretation of traditional Confucian philosophy, especially Mencius's ideas on the siduan (Four Original Sources) of morality, may shed... Amid the recent global upsurge of studies on the philosophy of emotion, a reinterpretation of traditional Confucian philosophy, especially Mencius's ideas on the siduan (Four Original Sources) of morality, may shed new light on the subject in comparative philosophy. This paper probes the structure of moral feeling and reason described by Mencius's from five perspectives: (1) In view of the relationship between feeling and reason, is it better to use the expression "siduan" or the expression "sixin (Four Heart-minds)"? (2) In view of dispositional feeling, what are the four original sources? (3) In view of moral feeling, what are the structural order of the four sources and the corresponding procedure of reasoning of four heart-minds of Humanity? (4) In view of positive feeling, how does moral feeling grow out of the goodness of human nature? (5) What is the global value of Mencius's ideas on human moral feeling? The author concludes that Mencius's thought on moral feeing has a global value and cross-cultural significance, and that Chinese wisdom is more than regional but universally applicable. The structure of moral feeling and reason that Mencius identified is in accordance with the principles ofzhiliang (grasping the two poles of the beginning and the end) and yongzhong (emloying the middle). The principles ofzhiliang and yongzhong are true universal wisdoms of Confucianism, which should be rekindled today. From a practical point of view, "the Way begins from moral feelings," and Confucius and Yah Hui's seeking the simple, virtuous life is an ideal model of emotional well-being. 展开更多
关键词 philosophy of emotion four original sources COMPASSION structure of moral feeling and reason globalvalue
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Neo-Empiricism and Intentionality
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作者 Steven Gamboa 《Journal of Philosophy Study》 2012年第2期81-91,共11页
A revival of empiricist theories in cognitive psychology, neuropsychology, and philosophy has been led by figures such as Antonio Damasio (1994), Lawrence Barsalou (1999), George Lakoff (1987), and Jesse Prinz ... A revival of empiricist theories in cognitive psychology, neuropsychology, and philosophy has been led by figures such as Antonio Damasio (1994), Lawrence Barsalou (1999), George Lakoff (1987), and Jesse Prinz (2002; 2004). Their work has served to connect familiar empiricist approaches to thought and reason with contemporary cognitive psychology and neuroscience. The work of Prinz is of special philosophical significance since it aims to bring together the work of neo-empirically minded theorists in the cognitive and neuro-sciences with main themes found in contemporary philosophical theories of intentionality and reference. In this paper, I examine Prinz's efforts to synthesize a neo-empiricist theory of concepts with contemporary semantic theories of reference and intentionality. In part one, I analyze Prinz's approach in some depth. In part two, I raise a question concerning the origins of intentionality. Specifically, I am interested in examining the minimum cognitive prerequisites for intentionality within Prinz's theory of perception-based representation. In part three, I raise a problem case for Prinz's account of the requirements for intentionality, and propose an adjustment in Prinz's account to meet the challenge of the objection. 展开更多
关键词 neo-empiricism concepts INTENTIONALITY OBJECTIVITY Jesse Prinz Tyler Burge
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Space, Time, and the Creation of Universe
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作者 Zhi Gang Sha Rulin Xiu 《Journal of Philosophy Study》 2017年第2期66-74,共9页
The understanding about the creation of our universe is explored in many philosophies, natural sciences, religions, ideologies, traditions, and disciplines. Current natural science cannot answer this question at the f... The understanding about the creation of our universe is explored in many philosophies, natural sciences, religions, ideologies, traditions, and disciplines. Current natural science cannot answer this question at the fundamental level. In this work, we combine the ancient Chinese Tao wisdom about the creation with quantum physics. We propose that everything comes from the emptiness. Our universe is manifested from the emptiness through two pairs of duality measurements: space and time duality pair and inclusion and exclusion duality pair. From this understanding, we are able to derive one mathematic formula describing our universe. It also yields a new metaphysical approach to derive and interpret string theory as well as produce more testable predictions from string theory. This work gives a new way to understand and mathematically describe how our universe is created and evolved. It provides another way to comprehend the meaning and function of space and time. It indicates that our universe is manifested from the emptiness through human actions. Space and time is a pair of duality action and codes that help manifest our universe. It provides answer to an important philosophical question about whether and why we can understand and mathematically describe our universe. 展开更多
关键词 SPACE TIME creation of universe string theory Tao wisdom quantum physics measurement theory duality MANIFESTATION grand unification theory
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Roberto Rossellini's Compassion as Social Evaluation
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作者 Simonetta Milfi Konewko 《Journal of Literature and Art Studies》 2012年第7期683-690,共8页
Emotions have long been considered by philosophers as a fundamental element to understand human thought and existence in general. This present study examines how Roberto Rossellini's early neorealist films, Rome, Ope... Emotions have long been considered by philosophers as a fundamental element to understand human thought and existence in general. This present study examines how Roberto Rossellini's early neorealist films, Rome, Open City (1945) and Paisan (1946), utilize the emotion of compassion to examine the social and historical significance of women in the postwar Italy. Furthermore, it also focuses on the role of the female protagonists and the compassionate responses they suggest to clarify their position in society. In fact, by depicting the female protagonists as modest dissenter that attempt to perform traditional domestic roles, the director proposes a unique perspective on the conditions and social involvement of women in Italy during that time. Additionally, this study will propose interesting observations on the emotion of compassion itself, and its mechanisms that produce an image of idealized womanhood. 展开更多
关键词 NEOREALISM Second World War COMPASSION theory of emotions
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