徽州传统民居天井空间的地域性传承

天井作为徽州传统民居中唯一与大自然联系的空间,在实际功用和艺术欣赏层面都占据特殊的地位.从天井的构成要素、空间艺术两个层面进行剖析,结合相关实例说明天井空间在地域建筑实践中的设计方法,继而提出天井空间在徽州地域建筑设计中应遵循的原则.作为徽州传统民居的独特构成要素,天井空间的传承与发展对徽州地域建筑的发展起着积极作用.

Reading ＂A Dream in Red Mansions＂and Seeing the Holographic Image of Chinese Classical Furniture Art

The furniture world of ＂A Dream in Red Mansions＂ is a microcosm of Qing Dynasty aristocraticc furniture. Its material, shape and decoration are very elegant,which is not only to meet the needs of life,but also meet the pursuit of aesthetic contentment. On different occasions, coordinated with different furniture, it can form a hamaonious picture with the enviromnent. At the same time, their display range and combination mode also strictly follow different etiquette systems. In the red mansions, it shows the artistic beauty and is in the feudal shadow, and there is no exception in the furniture world. For ＂A Dream in Red Mansions＂ , it is how beautiful and how sad it is!

中国古典园林水声景的空间营造手法探析

【目的】从声景角度为中国古典园林水景的研究提供新的视角,借助探讨水声景的空间营造手法,为园林声景理论与实践提供可借鉴的建议,为营造出更有特色的水声景点奠定良好基础。【方法】结合中国古典园林中的水声景实例探究水声景点的空间营造手法,以满足古典园林声景的3个基本要素为标准,筛选出34个水声景点,分析蕴含声景要素的空间营造要点。【结果】水声景点常借助地形高差、山石堆叠或者天然山泉产生声音,分为流水、跌水、泉水3种类型。声源分布类型包括点状、线状和面状分布。空间环境上,常采用植物、山石、墙体、水体等要素对水声景点进行不同程度的围合,包括整个声景点被围合、声源处被围合、接收点被围合等方式。接收点上,亭是被采用最多的建筑形式。【结论】中国古典园林水声景的营造手法主要以流水为乐声,借山石地势以围合空间,设亭以欣赏水声。