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国民性对中韩视觉设计中色彩运用的不同影响
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作者 张娜 《焦作大学学报》 2010年第2期46-47,共2页
在全球化背景下,现代设计越来越认同本土化,即凸现民族文化内涵。国民性作为民族文化内涵的集中体现,深刻影响着一个国家的色彩观念和用色习惯。色彩作为视觉传达的一种重要手段,在不同的国民性影响下韩国与中国出现了不同的倾向。
关键词 国民 国民色 传统文化
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Nonlinear correlation between RMB internationalization and nonferrous metal prices 被引量:1
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作者 Xue-hong ZHU Zi-tao ZHANG +1 位作者 Hong-wei ZHANG Qiu-fen WANG 《Transactions of Nonferrous Metals Society of China》 SCIE EI CAS CSCD 2020年第7期1991-2000,共10页
The correlation between Renminbi(RMB) internationalization and nonferrous metal prices was studied using the nonlinear Granger causality test and the dynamic conditional correlation-generalized autoregressive conditio... The correlation between Renminbi(RMB) internationalization and nonferrous metal prices was studied using the nonlinear Granger causality test and the dynamic conditional correlation-generalized autoregressive conditional heteroskedastic(DCC-GARCH) model. The results indicate that the relationship between RMB internationalization and nonferrous metal prices reflects a complex nonlinear mechanism. There was no mutual influence between RMB internationalization and nonferrous metal prices prior to the trials of the RMB settlement in the cross-border trade in July 2009. Since then, however, a bidirectional causal relationship between RMB internationalization and the price of copper and a unidirectional causal relationship from the price of aluminum to RMB internationalization were examined. In addition, due to the impact of extreme events, such as economic and financial crises, RMB internationalization and nonferrous metal prices are not always positively correlated but are rather occasionally negatively correlated. 展开更多
关键词 RMB internationalization nonferrous metals nonlinear Granger causality test DCC-GARCH model
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A Lexical Comparative Analysis of the English and Chinese Color Terms in Connotation
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作者 WANG Bei 《Journalism and Mass Communication》 2014年第3期215-223,共9页
The vocabulary is the most active factor in the language, and the meaning of color words in the vocabulary is abundant. The nature is multicolored, so various nationalities have formed each unique color view in precip... The vocabulary is the most active factor in the language, and the meaning of color words in the vocabulary is abundant. The nature is multicolored, so various nationalities have formed each unique color view in precipitated long-term history, refracting gorgeous national culture. Culture has restrained the meaning of the color words from developing, and the cultural meaning of the color words has refracted out abundant cultural intension again. Because of different cultural issues, cultural tradition, and culture psychology, the cultural connotations of the English and Chinese color words differ greatly, as a result, these particular cultural connotation meanings are cast under different environments by different nationalities. There are a lot of similarities and differences on the meaning between English and Chinese color words. This paper analyzing Chinese and English color terms in the angle of lexicology, is guided by the book An Introduction to English Lexicology. After reviewing the research done by some linguists, this paper starts from the definition and origin of color terms, studies the changing and word-formation of color terms, then ends with some researches on the idioms on color terms, which gives a systematically comparison of Chinese and English color terms on their developing progress. 展开更多
关键词 color terms ORIGIN CHANGING WORD-FORMATION IDIOMS
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Exploration of the Spiritual Pursuit of Traditional Chinese Painting Similarity and Dissimilarity
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作者 Yuanpeng Song 《International Journal of Technology Management》 2014年第3期95-97,共3页
Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic ... Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic conception as the soul, melting into poetry, books, paintings as a whole, poetic romance as the connotation, expressing feelings and thoughts. It exhibited virtual static beauty in thinking of Taoist philosophy of nature, becoming a unique Chinese aesthetic art. Artistic spirit is an important part and aesthetic standard of Chinese painting aesthetics, in the "paintings goods recorded," "Lively spirit" is defined as the highest state of painting, artistic spirit is not a very mysterious thing, it was born from the pen and ink. NO pen and ink, no artistic spirit. Pursuing vivid artistic spirit, emphasizing ink skills, giving vent to feelings of oneself for its purpose, Chinese painting has generated a large number of outstanding works of art in thousands of years, constructed a unique cultural spirit, shaped the nation ' s aesthetic temperament and character. 展开更多
关键词 Spiritual Pursuit Traditional Chinese Painting Similarity and Dissimilarity.
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Gray Income in China Is Seriously Underestimated: A Response to Luo Chuliang, Yue Ximing and Li Shi
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《China Economist》 2012年第2期122-127,共6页
This paper responds to criticisms levied at my previous research paper on "gray" household income in China. In 2010, I published a paper estimating the actual income of high-income urban residents in China. Results ... This paper responds to criticisms levied at my previous research paper on "gray" household income in China. In 2010, I published a paper estimating the actual income of high-income urban residents in China. Results indicated that per-capita disposable income for the wealthiest 10 percent of households in 2008 was roughly 139,000 yuan, rather than the 44,000 yuan indicated by official statistics. This suggested an aggregate gray income of 9.3 trillion yuan for China "s urban residents in 2008, mainly dispersed among high income groups. In 2012, Luo Chuliang et al. published a criticism paper, arguing that flawed methodology and analysis exaggerated gray income and household income gaps. This paper both responds to these criticisms and reasserts my original claim that official statistics seriously underestimate both gray income and income inequality in China. 展开更多
关键词 gray income
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The Growth of Intra-party Democracy and Its Implications for China's Democratic Future
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作者 Dingping Guo 《Fudan Journal of the Humanities and Social Sciences》 2014年第1期1-19,共19页
During the past decades, while the Chinese Communist Party (CCP) has continued to consolidate its political leadership and refused to tolerate any opposition parties, intra-party democracy has been emphasized repeat... During the past decades, while the Chinese Communist Party (CCP) has continued to consolidate its political leadership and refused to tolerate any opposition parties, intra-party democracy has been emphasized repeatedly and expanded vigorously by Chinese Communist leaders as an alternative to electoral democracy or liberal democracy characterized by multiparty competition. Various democratic experiments have been conducted and many democratic elements introduced at all levels in the CCP. Although the growth of intra-party democracy is limited, these great efforts and achievements have profound implications for China's democratic future. The growth of intra-party democracy not only reflects the CCP's continuous efforts to institutionalize the rules of elite politics and fight against widespread corruption, but might also provide a good approach for political transition to democracy with Chinese characteristics in the future. 展开更多
关键词 Intra-party democracy Political development DEMOCRATIZATION Party-state CCP
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SPECIAL ISSUE: IMPORTANT ISSUES IN MARXIST PHILOSOPHICAL STUDIES IN CONTEMPORARY CHINA:The issue of style of study in research on Marxist philosophy
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作者 Yuan Guiren 《Social Sciences in China》 2008年第2期109-118,共10页
Style of study is a fundamental prerequisite for studies of Marxist philosophy. A Marxist way of study requires firstly taking up the standpoint of the masses; secondly, an unwavering attitude of emancipating the mind... Style of study is a fundamental prerequisite for studies of Marxist philosophy. A Marxist way of study requires firstly taking up the standpoint of the masses; secondly, an unwavering attitude of emancipating the mind, seeking truth from facts and progressing with the times; and thirdly, consciously espousing the method of joining theory and practice. Building up Chinese-style socialism is the greatest reality in China and is the locus of the fundamental interest of the mass of the people. It is the requirement and actualization of the principle of "emancipating the mind, seeking truth from facts and progressing with the time." It is the historical mission of Marxist philosophical studies to serve the practice of Chinese-style socialism. 展开更多
关键词 Marxist philosophy style of study the masses emancipating the mind socialism withChinese characteristics
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