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国画传统艺术对中等职业教育的作用分析 被引量:1
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作者 吕亚鹤 《才智》 2015年第20期241-,共1页
国画在传统艺术教育中占有举足轻重的地位,开展国画艺术教育对于中等职业院校平衡专业教育和艺术教育起到非常关键的作用。本文探讨了国画传统艺术在中等职业教育的作用,并提出了有效教学的举措,以期为日后中等职业院校中有效的开展国... 国画在传统艺术教育中占有举足轻重的地位,开展国画艺术教育对于中等职业院校平衡专业教育和艺术教育起到非常关键的作用。本文探讨了国画传统艺术在中等职业教育的作用,并提出了有效教学的举措,以期为日后中等职业院校中有效的开展国画艺术教育提供参考意见。 展开更多
关键词 国画传统艺术 中等职业教育 现状 作用
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当代水墨人物语言的价值导向
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作者 张梦伟 《新疆艺术(汉文)》 2023年第4期51-54,共4页
近代以来,中国水墨人物画经过了百年的变革,从具象到抽象,从表达群体性的现实主义到艺术家走向对个体的情感关注,水墨人物画在近代以来的中国绘画进程中不断演进和发展。到了当代,水墨人物画活跃在中国画坛,成为中国当代绘画中不可或缺... 近代以来,中国水墨人物画经过了百年的变革,从具象到抽象,从表达群体性的现实主义到艺术家走向对个体的情感关注,水墨人物画在近代以来的中国绘画进程中不断演进和发展。到了当代,水墨人物画活跃在中国画坛,成为中国当代绘画中不可或缺的组成部分,甚至逐渐和世界艺术产生交融。当代水墨人物是基于近现代以来的中国人物画发展应运而生的一种新的艺术语汇,水墨一词本身所具有的材料性开拓了中国画家们的艺术实践道路,同时水墨又兼具着深厚的中国画传统艺术的审美价值,当代水墨人物画的发展,正是因为在这二者之间找到了平衡,使得中国人物画具有了迈向世界的普世价值。 展开更多
关键词 中国人物画 水墨人物画 国画 中国当代绘画 国画传统艺术 情感关注 普世价值 实践道路
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Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong's "Theory of Southern and Northern Schools"
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作者 Anqi GUO 《International Journal of Technology Management》 2013年第10期16-17,共2页
Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an inc... Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of "pre-Dong" and the theory of "post-Dong" . In this paper, by starting from Qichang Dong' s "theory of southern and northern schoots" , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation. 展开更多
关键词 Qichang Dong the Theory of Southern and Northern Schools Traditional Music and Painting Arts Homogeneities
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Exploration of the Spiritual Pursuit of Traditional Chinese Painting Similarity and Dissimilarity
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作者 Yuanpeng Song 《International Journal of Technology Management》 2014年第3期95-97,共3页
Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic ... Chinese painting has a long history and distinctive national characteristics, self-contained in the field of world art. It is unique and become the mainstream of oriental art. Traditional Chinese painting is artistic conception as the soul, melting into poetry, books, paintings as a whole, poetic romance as the connotation, expressing feelings and thoughts. It exhibited virtual static beauty in thinking of Taoist philosophy of nature, becoming a unique Chinese aesthetic art. Artistic spirit is an important part and aesthetic standard of Chinese painting aesthetics, in the "paintings goods recorded," "Lively spirit" is defined as the highest state of painting, artistic spirit is not a very mysterious thing, it was born from the pen and ink. NO pen and ink, no artistic spirit. Pursuing vivid artistic spirit, emphasizing ink skills, giving vent to feelings of oneself for its purpose, Chinese painting has generated a large number of outstanding works of art in thousands of years, constructed a unique cultural spirit, shaped the nation ' s aesthetic temperament and character. 展开更多
关键词 Spiritual Pursuit Traditional Chinese Painting Similarity and Dissimilarity.
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