Rapidly emerged creative industries receive increasing attention from a variety of disciplines. However, the space features of creative industries and its association with local socio-cultural contexts have not been f...Rapidly emerged creative industries receive increasing attention from a variety of disciplines. However, the space features of creative industries and its association with local socio-cultural contexts have not been fully understood, especially at a micro-city level. This study attempts to understand the agglomeration of creative industries in Shanghai from the sociology perspective. For this study, this paper utilizes primarily a questionnaire survey to explain the space features of creative industries in Shanghai. The results indicate an extensive socio-cultural embeddedness of the agglomeration of creative industries in Shanghai. First, strong emphasis on face-to-face contacts by creative professionals makes geographical agglomeration necessary for creative industries. Second, the reason why inner city of Shanghai is popular among creative professionals and enterprises lies in the diversity of cultures and special environment of the former colonial zones of Shanghai. Additionally, highly concentrated dining and entertainment facilities in the central city of Shanghai offer creative workers social networking places and nightlife venues. Third, as the educational attainment of local citizens and the protection of intellectual property are highly stressed by creative professionals, research and design specialized creative industries are more likely located near universities and research institutes.展开更多
Thanks to the distinctive technological development of the Western world and to the development of the urbanization phenomenon （the 75% of the European population lives in urban centers）, an epochal change emerged a...Thanks to the distinctive technological development of the Western world and to the development of the urbanization phenomenon （the 75% of the European population lives in urban centers）, an epochal change emerged as regards the perception and meaning of forests for the society during the last decades. This change has involved citizens from every aspect and level of social and public life： from politics to science, education and training. This change has of course affected all of the rural system as well. We lives in a new dimension with which forest culture must confront itself, in a moment in which one is quickly passing towards a metropolitan widespread culture, strongly characterized not by real experience with the forest environment but by a specific urban culture. This paper highlighted how necessary a complex and evolving reality like the present one is to promote adequate forms of participation and sharing in the choices concerning the territory （＂the future of all of us＂） and most of all the development of a new cultural identity and sense of territorial belonging that integrates the values of the rural system into the perception of a society that is becoming ever more urban.展开更多
文摘Rapidly emerged creative industries receive increasing attention from a variety of disciplines. However, the space features of creative industries and its association with local socio-cultural contexts have not been fully understood, especially at a micro-city level. This study attempts to understand the agglomeration of creative industries in Shanghai from the sociology perspective. For this study, this paper utilizes primarily a questionnaire survey to explain the space features of creative industries in Shanghai. The results indicate an extensive socio-cultural embeddedness of the agglomeration of creative industries in Shanghai. First, strong emphasis on face-to-face contacts by creative professionals makes geographical agglomeration necessary for creative industries. Second, the reason why inner city of Shanghai is popular among creative professionals and enterprises lies in the diversity of cultures and special environment of the former colonial zones of Shanghai. Additionally, highly concentrated dining and entertainment facilities in the central city of Shanghai offer creative workers social networking places and nightlife venues. Third, as the educational attainment of local citizens and the protection of intellectual property are highly stressed by creative professionals, research and design specialized creative industries are more likely located near universities and research institutes.
文摘Thanks to the distinctive technological development of the Western world and to the development of the urbanization phenomenon （the 75% of the European population lives in urban centers）, an epochal change emerged as regards the perception and meaning of forests for the society during the last decades. This change has involved citizens from every aspect and level of social and public life： from politics to science, education and training. This change has of course affected all of the rural system as well. We lives in a new dimension with which forest culture must confront itself, in a moment in which one is quickly passing towards a metropolitan widespread culture, strongly characterized not by real experience with the forest environment but by a specific urban culture. This paper highlighted how necessary a complex and evolving reality like the present one is to promote adequate forms of participation and sharing in the choices concerning the territory （＂the future of all of us＂） and most of all the development of a new cultural identity and sense of territorial belonging that integrates the values of the rural system into the perception of a society that is becoming ever more urban.
