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《世说新语》的特质及其文学史地位 被引量:6
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作者 吴功正 《金陵职业大学学报》 2002年第2期1-5,共5页
诞生于六朝时期的志人小说《世说新语》是以人为主体对象的小说集 ,是魏晋风度的艺术记录和赞歌 ,它的实录性质产生了震撼人心的力量。在记录人物品行时 ,运用了品藻的方法 ,使对象特征和小说作者的描述方法得到了统一。它的伤逝之感的... 诞生于六朝时期的志人小说《世说新语》是以人为主体对象的小说集 ,是魏晋风度的艺术记录和赞歌 ,它的实录性质产生了震撼人心的力量。在记录人物品行时 ,运用了品藻的方法 ,使对象特征和小说作者的描述方法得到了统一。它的伤逝之感的凄婉情调正是六朝人的精神主题。它使得小说文体样式具备了现实性的审美品格 ,发展了残丛小语的原初形态 ,形成由人物形象、情节结构、主体情感所构合的小说形态 。 展开更多
关键词 文学史地位 《世说新语》 主体对象 魏晋风度 滥觞 原初意义 声人小说 六朝时期
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Anthropomorphising the Inanimate in a Christmas Novella The Chimes by Charles Dickens
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作者 Bozena Depa 《Sino-US English Teaching》 2013年第7期560-566,共7页
Dickensian prose is known for its picturesque and haunting style in setting depiction unveiling the oneiric and uncanny quality of the city of London. One of the most underrated Christmas Books, The Chimes (1844), p... Dickensian prose is known for its picturesque and haunting style in setting depiction unveiling the oneiric and uncanny quality of the city of London. One of the most underrated Christmas Books, The Chimes (1844), proves to be an excellent example of a new fairy tale portraying the pervasion of two spheres: the realm of fantasy and the truth. The narrator exposes the correlation between the disturbing vision of the animated metropolis and the protagonist's hallucinatory fancy caused by his inner unrest and agitation, questioning the boundary between the dream and reality and the limits of perception. Despite the technical restraints of the seasonal miniature's construction, Dickens succeeded in capturing the hero's psychology and the spirit of the city through the medium of anthropomorphising the inanimate, employing the supernatural, and implementing powerful, semantically loaded images of London corresponding well with the protagonist's inner dilemmas. The narrative strategy balancing on the edge of dream and reality employed in the carol does not only expose the creative skills of the novelist, but also the potential of The Chimes as an embryonic novel 展开更多
关键词 ANTHROPOMORPHISM CAROL The Chimes DICKENS
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