nForce芯片组从发布到现在有很长时间了,但在市场上却很少能看到使用这款芯片组的主板。不过近期业界最有影响力的主板制造商华硕向市场上推出了她第一款采用nForce芯片组的主板。nForce分为4个版本,分别是nForce220、nForce220D和nForc...nForce芯片组从发布到现在有很长时间了,但在市场上却很少能看到使用这款芯片组的主板。不过近期业界最有影响力的主板制造商华硕向市场上推出了她第一款采用nForce芯片组的主板。nForce分为4个版本,分别是nForce220、nForce220D和nForce420,420D。nForce 220(D)和nForce420(D)最大区别就在于前者是64位内存架构,而后者是128位。另外芯片型号后加“D”表示该芯片组支持Dolby Digital 5.1。展开更多
As an audiovisual medium, computer animations require superior image quality and professional soundtrack to lead audiences into their fascinating virtual world. Without sound, the impact of storytelling is reduced or ...As an audiovisual medium, computer animations require superior image quality and professional soundtrack to lead audiences into their fascinating virtual world. Without sound, the impact of storytelling is reduced or the story is even not under- standable. Despite the importance of sound, most animators are unfamiliar with sound editing software. Limited budget projects such as independent or student works have difficulty hiring sound professionals to create tailor-made soundtrack. Therefore, we need a suitable sound tool to express their individual ideas. In this paper, we propose an approach using schematic for both computer animation and sound. Our approach provides (1) physical simulation on sound through animation parameters and (2) a new channel for animators to add aesthetic values in sound through their experience of using schematics in existing animation software. We demonstrate our idea through several examples, such as Doppler shift, obstacle effect, importance, energetic, and sputtering effect.展开更多
文摘nForce芯片组从发布到现在有很长时间了,但在市场上却很少能看到使用这款芯片组的主板。不过近期业界最有影响力的主板制造商华硕向市场上推出了她第一款采用nForce芯片组的主板。nForce分为4个版本,分别是nForce220、nForce220D和nForce420,420D。nForce 220(D)和nForce420(D)最大区别就在于前者是64位内存架构,而后者是128位。另外芯片型号后加“D”表示该芯片组支持Dolby Digital 5.1。
文摘As an audiovisual medium, computer animations require superior image quality and professional soundtrack to lead audiences into their fascinating virtual world. Without sound, the impact of storytelling is reduced or the story is even not under- standable. Despite the importance of sound, most animators are unfamiliar with sound editing software. Limited budget projects such as independent or student works have difficulty hiring sound professionals to create tailor-made soundtrack. Therefore, we need a suitable sound tool to express their individual ideas. In this paper, we propose an approach using schematic for both computer animation and sound. Our approach provides (1) physical simulation on sound through animation parameters and (2) a new channel for animators to add aesthetic values in sound through their experience of using schematics in existing animation software. We demonstrate our idea through several examples, such as Doppler shift, obstacle effect, importance, energetic, and sputtering effect.
