In this paper, we conduct research on the accurate computer music composition mode under the basic background of big data. From the perspective of music theory, in terms of micro notes jump within a certain range, wil...In this paper, we conduct research on the accurate computer music composition mode under the basic background of big data. From the perspective of music theory, in terms of micro notes jump within a certain range, will not cause discomfort, notes there are upward at the same time, the downward makes the whole piece will not boring. From the macroscopic, the nature of the chord with internal connection between motivation and motivation as support, at the same time, the whole range can maintain in a certain range, making sound effects is can let a person feel cheerful. Computer science first occupied is music in the music sound production and the propagation of position as it is mainly used for digital audio clips and automated synthesis. But there is a certain distance away from the traditional concept of composition. Therefore, our research proposes the innovative perspective to deal with the issues for achieving the better performance.展开更多
As an audiovisual medium, computer animations require superior image quality and professional soundtrack to lead audiences into their fascinating virtual world. Without sound, the impact of storytelling is reduced or ...As an audiovisual medium, computer animations require superior image quality and professional soundtrack to lead audiences into their fascinating virtual world. Without sound, the impact of storytelling is reduced or the story is even not under- standable. Despite the importance of sound, most animators are unfamiliar with sound editing software. Limited budget projects such as independent or student works have difficulty hiring sound professionals to create tailor-made soundtrack. Therefore, we need a suitable sound tool to express their individual ideas. In this paper, we propose an approach using schematic for both computer animation and sound. Our approach provides (1) physical simulation on sound through animation parameters and (2) a new channel for animators to add aesthetic values in sound through their experience of using schematics in existing animation software. We demonstrate our idea through several examples, such as Doppler shift, obstacle effect, importance, energetic, and sputtering effect.展开更多
文摘In this paper, we conduct research on the accurate computer music composition mode under the basic background of big data. From the perspective of music theory, in terms of micro notes jump within a certain range, will not cause discomfort, notes there are upward at the same time, the downward makes the whole piece will not boring. From the macroscopic, the nature of the chord with internal connection between motivation and motivation as support, at the same time, the whole range can maintain in a certain range, making sound effects is can let a person feel cheerful. Computer science first occupied is music in the music sound production and the propagation of position as it is mainly used for digital audio clips and automated synthesis. But there is a certain distance away from the traditional concept of composition. Therefore, our research proposes the innovative perspective to deal with the issues for achieving the better performance.
文摘As an audiovisual medium, computer animations require superior image quality and professional soundtrack to lead audiences into their fascinating virtual world. Without sound, the impact of storytelling is reduced or the story is even not under- standable. Despite the importance of sound, most animators are unfamiliar with sound editing software. Limited budget projects such as independent or student works have difficulty hiring sound professionals to create tailor-made soundtrack. Therefore, we need a suitable sound tool to express their individual ideas. In this paper, we propose an approach using schematic for both computer animation and sound. Our approach provides (1) physical simulation on sound through animation parameters and (2) a new channel for animators to add aesthetic values in sound through their experience of using schematics in existing animation software. We demonstrate our idea through several examples, such as Doppler shift, obstacle effect, importance, energetic, and sputtering effect.
