Comparative analysis of domestic and professional women image in modem literature in the impression of Chinese classical poetry that women are always given the weak, meek attitude. Virtuous, dignified and elegant is t...Comparative analysis of domestic and professional women image in modem literature in the impression of Chinese classical poetry that women are always given the weak, meek attitude. Virtuous, dignified and elegant is the good to requirements right woman, whether going shyly and sniffing the plum, or the lady laughing as if daring according to water lines and being. When faced with love, women in classical literature mostly appeared as the role of attachment or victims, their character sketched vain traces as a faint smudge of ink.展开更多
In the 1930s and 1940s,foreign writers gathered in Yan’an drew the curtain back on recognition of China’s international image through their writings on the“red Mecca.”The international perspective on the image of ...In the 1930s and 1940s,foreign writers gathered in Yan’an drew the curtain back on recognition of China’s international image through their writings on the“red Mecca.”The international perspective on the image of Yan’an was shaped by the combined efforts of Yan’an writings by foreign writers and journalists in the interlocking cultural context of history and society.With revolutionary individual consciousness and high artistic creativity,the Yan’an narration of foreign writers had striking shared characteristics:a real sense of presence and a realistic significance beyond their times.Their discovery of the revolutionary power generated by the Chinese people and their calling for and shaping of“heroes of the masses”and their pursuit of“the character of the people”represented the spiritual dimension of their Yan’an writings,a dimension that was distinct from that of local writers.The foreign writers’creative practice and the creative experience of local writers refracted off each other,juxtaposing mirror images of Yan’an at home and abroad and promoting the modernity and cosmopolitanism of Yan’an literature in the intertextuality between reality and literature.Together with local writers,writers from abroad participated in the creation of Chinese revolutionary history and culture,bringing their personal discourse into the discourse of China’s new era and completing the restatement of their cultural identity.The global identity of Yan’an went through a difficult process of historical self-creation,breaking through the limitations of its international image and realizing the self-proving nature of modern Chinese history.展开更多
文摘Comparative analysis of domestic and professional women image in modem literature in the impression of Chinese classical poetry that women are always given the weak, meek attitude. Virtuous, dignified and elegant is the good to requirements right woman, whether going shyly and sniffing the plum, or the lady laughing as if daring according to water lines and being. When faced with love, women in classical literature mostly appeared as the role of attachment or victims, their character sketched vain traces as a faint smudge of ink.
基金This paper is a phased achievement sponsored on a rolling basis by the key project“Yan’an Literature and Art and the Study of Chinese Literature in the 20th Century,”(Grants No.11&ZD113)of the National Social Science Fund of China.
文摘In the 1930s and 1940s,foreign writers gathered in Yan’an drew the curtain back on recognition of China’s international image through their writings on the“red Mecca.”The international perspective on the image of Yan’an was shaped by the combined efforts of Yan’an writings by foreign writers and journalists in the interlocking cultural context of history and society.With revolutionary individual consciousness and high artistic creativity,the Yan’an narration of foreign writers had striking shared characteristics:a real sense of presence and a realistic significance beyond their times.Their discovery of the revolutionary power generated by the Chinese people and their calling for and shaping of“heroes of the masses”and their pursuit of“the character of the people”represented the spiritual dimension of their Yan’an writings,a dimension that was distinct from that of local writers.The foreign writers’creative practice and the creative experience of local writers refracted off each other,juxtaposing mirror images of Yan’an at home and abroad and promoting the modernity and cosmopolitanism of Yan’an literature in the intertextuality between reality and literature.Together with local writers,writers from abroad participated in the creation of Chinese revolutionary history and culture,bringing their personal discourse into the discourse of China’s new era and completing the restatement of their cultural identity.The global identity of Yan’an went through a difficult process of historical self-creation,breaking through the limitations of its international image and realizing the self-proving nature of modern Chinese history.
