In this paper, we conduct the theoretical research on the effect of traditional culture for the ideological and political education of post-90s university students. The purpose of ideological and political education, ...In this paper, we conduct the theoretical research on the effect of traditional culture for the ideological and political education of post-90s university students. The purpose of ideological and political education, and reflects the dynamic characteristics and the development requirements of the people. Fundamental characteristics of people different from animals, is a person with subjective initiative, or initiative. The purpose of man＇ s subjective initiative is the activities of man. Traditional culture will effectively influence the students＇ attitude toward the classes. Therefore, it is more than necessary to combine the ideological and political education with traditional culture.展开更多
During the long history of cultural development, etiquette education is an important module in China traditional education. The etiquette education as a starting point in college students＇ ideological education, it i...During the long history of cultural development, etiquette education is an important module in China traditional education. The etiquette education as a starting point in college students＇ ideological education, it is one of the important content of college students＇ student lives. Cultural knowledge learning is equally important. This article through study on contemporary college students of civilization etiquette education problems, elaborated some of the problems existing in the contemporary college students＇ etiquette education, and put forward opinions and suggestions how to improve college students＇ etiquette education in the future.展开更多
The effects of two culture systems, conventional and no-till combined the previous crop （lentil and wheat） on soil properties were studied in the experimental site of the station Technical Institute for Field Crops ...The effects of two culture systems, conventional and no-till combined the previous crop （lentil and wheat） on soil properties were studied in the experimental site of the station Technical Institute for Field Crops （ITGC） Setif （Algeria） during the crop year 2011/2012. The results indicate that the no-till system affects positively the variables of soil properties and the organic matter has a rate of 2.89% compared to 2.44% in conventional tillage. If the conventional system has an infiltration of moisture relatively higher than that observed for no-till throughout the cycle, the no-tillage is distinguished by a higher storage of moisture at the end of cycle wheat cultivation. The results also indicate that the density （1.44 g/cm）, permeability （22.79 cm/h） and soil compaction （12.51 kg/cm） in no-till were significantly higher compared to conventional tillage 1.35 g/cm, 14.13 cm/h, 7.40 kg/cm, respectively.展开更多
Long span of megalithic culture development in Indonesia can be seen from its materials remain. It does appear on the sacred and on the profane form. The aim of this article is trying to describe about the megalithic ...Long span of megalithic culture development in Indonesia can be seen from its materials remain. It does appear on the sacred and on the profane form. The aim of this article is trying to describe about the megalithic visualization. Some of megalithic aspects such as shape, size, and its material had been applied. Megalithic culture in Indonesia is generally found on small size, while the large size is only found in certain locations. It can be concluded the visualization of megalithic culture in Indonesia is no longer in accordance with its etymology as cultural that uses large stone, because small stone and wood are also used as source.展开更多
Hip-hop dance originated in the Black neighborhood of New York popular global youth cultures in an unprecedented fashion. As in the 1970s and developed as one of the most a global youth culture, it was introduced to C...Hip-hop dance originated in the Black neighborhood of New York popular global youth cultures in an unprecedented fashion. As in the 1970s and developed as one of the most a global youth culture, it was introduced to China's Mainland 30 years ago, underwent a series of rises and falls, and gradually transformed into a local scene under the influence of neighboring countries and regions. As hip-hop dance localizes in China, it has incorporated local ingredients such as Chinese traditional culture. Meanwhile, its function such as bodybuilding is also strengthened but the features such as competitiveness are weakened. The localization of hip-hop dance in China's Mainland reflects the globalization of the youth culture, which is featured by local hybridity, multicultural interactions, and conflicting interdependence with public media and commerce. This trend endows the global youth culture with a richer and more complex style and also shows that youth play an active part in generating the new forms and new styles of youth culture.展开更多
In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese dia...In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu＇s appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting.展开更多
文摘In this paper, we conduct the theoretical research on the effect of traditional culture for the ideological and political education of post-90s university students. The purpose of ideological and political education, and reflects the dynamic characteristics and the development requirements of the people. Fundamental characteristics of people different from animals, is a person with subjective initiative, or initiative. The purpose of man＇ s subjective initiative is the activities of man. Traditional culture will effectively influence the students＇ attitude toward the classes. Therefore, it is more than necessary to combine the ideological and political education with traditional culture.
文摘During the long history of cultural development, etiquette education is an important module in China traditional education. The etiquette education as a starting point in college students＇ ideological education, it is one of the important content of college students＇ student lives. Cultural knowledge learning is equally important. This article through study on contemporary college students of civilization etiquette education problems, elaborated some of the problems existing in the contemporary college students＇ etiquette education, and put forward opinions and suggestions how to improve college students＇ etiquette education in the future.
文摘The effects of two culture systems, conventional and no-till combined the previous crop （lentil and wheat） on soil properties were studied in the experimental site of the station Technical Institute for Field Crops （ITGC） Setif （Algeria） during the crop year 2011/2012. The results indicate that the no-till system affects positively the variables of soil properties and the organic matter has a rate of 2.89% compared to 2.44% in conventional tillage. If the conventional system has an infiltration of moisture relatively higher than that observed for no-till throughout the cycle, the no-tillage is distinguished by a higher storage of moisture at the end of cycle wheat cultivation. The results also indicate that the density （1.44 g/cm）, permeability （22.79 cm/h） and soil compaction （12.51 kg/cm） in no-till were significantly higher compared to conventional tillage 1.35 g/cm, 14.13 cm/h, 7.40 kg/cm, respectively.
文摘Long span of megalithic culture development in Indonesia can be seen from its materials remain. It does appear on the sacred and on the profane form. The aim of this article is trying to describe about the megalithic visualization. Some of megalithic aspects such as shape, size, and its material had been applied. Megalithic culture in Indonesia is generally found on small size, while the large size is only found in certain locations. It can be concluded the visualization of megalithic culture in Indonesia is no longer in accordance with its etymology as cultural that uses large stone, because small stone and wood are also used as source.
文摘Hip-hop dance originated in the Black neighborhood of New York popular global youth cultures in an unprecedented fashion. As in the 1970s and developed as one of the most a global youth culture, it was introduced to China's Mainland 30 years ago, underwent a series of rises and falls, and gradually transformed into a local scene under the influence of neighboring countries and regions. As hip-hop dance localizes in China, it has incorporated local ingredients such as Chinese traditional culture. Meanwhile, its function such as bodybuilding is also strengthened but the features such as competitiveness are weakened. The localization of hip-hop dance in China's Mainland reflects the globalization of the youth culture, which is featured by local hybridity, multicultural interactions, and conflicting interdependence with public media and commerce. This trend endows the global youth culture with a richer and more complex style and also shows that youth play an active part in generating the new forms and new styles of youth culture.
文摘In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu＇s appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting.
