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三代传承注心血 且听古韵唱新篇——上昆陈莉《女弹》印象
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作者 殷娇 《艺海》 2019年第7期28-29,共2页
《女弹》出自元杂剧《风雨像生货郎旦》,是北昆蔡瑶铣老师的经典折子戏作品之一,后将其传授于湖南省昆剧团罗艳。上海昆剧团陈莉拜罗艳为师,专学此戏,并成功将其呈现于舞台。笔者对陈莉进行专访,《女弹》需要女主人公说唱一套完整的[九... 《女弹》出自元杂剧《风雨像生货郎旦》,是北昆蔡瑶铣老师的经典折子戏作品之一,后将其传授于湖南省昆剧团罗艳。上海昆剧团陈莉拜罗艳为师,专学此戏,并成功将其呈现于舞台。笔者对陈莉进行专访,《女弹》需要女主人公说唱一套完整的[九转货郎儿]套曲来叙述往事,同时配合动作及砌末道具,将情绪层层推进,这对唱、念、做工的要求很高。陈莉在请教老师的同时保持了尖团字上的个人唱法,学习了琵琶轮指,并提出改装道具折扇的建议。这些努力与思考,赋予《女弹》通俗本色、大巧若拙之美。在排练与演出的过程中,陈莉对传承与创新的问题进行思考。演员发挥自己的能动性去追求艺术的更高质量,在某种意义上可以成为昆剧发展与传承的推动力之一。 展开更多
关键词 女弹 陈莉 传承
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Effect of different stretching strategies on the kinetics of vertical jumping in female volleyball athletes 被引量:2
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作者 Nicholas T. Kruse Marcus W. Barr +2 位作者 Roger M. Gilders Michael R. Kushnick Sharon R. Rana 《Journal of Sport and Health Science》 SCIE 2015年第4期364-370,共7页
Purpose: The present study aimed to examine the effect of static stretching (SS) and a sport-specific dynamic stretching (DS) session at two specific post-stretch time intervals in highly trained female athletes ... Purpose: The present study aimed to examine the effect of static stretching (SS) and a sport-specific dynamic stretching (DS) session at two specific post-stretch time intervals in highly trained female athletes (age 19.90 ± 1.60 years; height 1.80 ±0.06 m; mass 76.87 ± 9.95 kg) on kinetic parameters of peak force, time-to-takeoff, and rate of force development. Methods: The data were collected over 3 days (randomized within subject design with control session). Following each stretch session (SS vs. DS vs. control) of equal duration (7 min total: 30 s per targeted muscle group) participants performed countermovement jumping on a force platform at 1 and 15 rain after stretching. Results: The DS session significantly improved upon kinetic variables of rate of force development, peak force, and time-to-takeoffrelative to SS at 1 min after stretching. No significant effect was found at 15 min. Conclusion: Together these findings suggest that when training and competing to jump quickly and maximally the female athlete should incorporate DS instead of SS as part of their pre-competition warm-up, but conduct performance within 15 min of their warm-up to elicit maximal gains 展开更多
关键词 Dynamic stretching Female athletes Rate of force development Static stretching Time-to-takeoff
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《男弹》的百年承袭与流变
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作者 胡淳艳 王慧 《戏剧艺术》 CSSCI 北大核心 2016年第4期98-107,共10页
洪升《长生殿》传奇第38出《弹词》(《男弹》),在宫调、套数、格律、板式等方面,都直接继承自元佚名杂剧《货郎旦》第4折《女弹》。《女弹》主要以曲的形态流传,而《男弹》则剧坛、曲坛两擅。清中叶至近代,《男弹》笛色渐变,由小工调、... 洪升《长生殿》传奇第38出《弹词》(《男弹》),在宫调、套数、格律、板式等方面,都直接继承自元佚名杂剧《货郎旦》第4折《女弹》。《女弹》主要以曲的形态流传,而《男弹》则剧坛、曲坛两擅。清中叶至近代,《男弹》笛色渐变,由小工调、尺字调降为尺字调、上字调,渐成定式。这是宫调调式意义渐衰、笛色兴盛的体现,也与《男弹》的剧情、行当相关,同时可能受到清末京剧发展的某些影响。 展开更多
关键词 女弹 宫调 笛色
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