曹雪芹在古典小说《红楼梦》中塑造了诸多女性形象,这些女性形象能否在其译本中准确生动地再现尤为关键。以霍克思的英译本The Story of the Stone中关于丫鬟形象的翻译为例,探究《红楼梦》原作中的女性主义意识是否在霍译本中得到充分...曹雪芹在古典小说《红楼梦》中塑造了诸多女性形象,这些女性形象能否在其译本中准确生动地再现尤为关键。以霍克思的英译本The Story of the Stone中关于丫鬟形象的翻译为例,探究《红楼梦》原作中的女性主义意识是否在霍译本中得到充分关注和体现。展开更多
该文尝试以路易斯·冯·弗拉德(Luise Von Flotow)论述的女性主义翻译策略,即加写前言和脚注、增补以及劫持为指导,通过具体的译例来分析《三体》英译本中是如何体现这三种翻译策略的。研究发现,通过加写前言和脚注以及增补两...该文尝试以路易斯·冯·弗拉德(Luise Von Flotow)论述的女性主义翻译策略,即加写前言和脚注、增补以及劫持为指导,通过具体的译例来分析《三体》英译本中是如何体现这三种翻译策略的。研究发现,通过加写前言和脚注以及增补两种策略,译者使读者注意到其对原著所作的变动,体现了译者的主体性;而劫持策略的运用则删减或消除了带有女性歧视意味的表达,树立了女性角色的正面形象。展开更多
Translation has been regarded as the subordination and complementation of the original discourse in the long history of human society, and the loyalty of the wife to the husband has been the metaphor of the relationsh...Translation has been regarded as the subordination and complementation of the original discourse in the long history of human society, and the loyalty of the wife to the husband has been the metaphor of the relationship between translated version and the original discourse. By using supplementing, prefacing, and hijacking, the feminist translation rewrites the original discourse creatively in order to overwhelming the authority of the original discourse even the male-governed society.展开更多
The paper examines how the British woman writer Angela Carter rewrites Charles Perrault＇s household fairy tale--＂Little Red Riding Hood＂ in her short story--＂The Company of Wolves.＂ This paper attempts to analyze...The paper examines how the British woman writer Angela Carter rewrites Charles Perrault＇s household fairy tale--＂Little Red Riding Hood＂ in her short story--＂The Company of Wolves.＂ This paper attempts to analyze the two distinctive narrative strategies--re-characterization and second-person narration, skillfully deployed by Carter in order to rewrite Perrault＇ s classic tale into a feminist story. In Carter＇s version, Little Red Riding Hood is represented as a witty new woman who embraces her own sexuality and regards herself as a subject rather than an object. Through the transposition between reader and character, Carter＇s tale produces a new subject position for readers, particularly for young female readers.展开更多
文摘该文尝试以路易斯·冯·弗拉德(Luise Von Flotow)论述的女性主义翻译策略,即加写前言和脚注、增补以及劫持为指导,通过具体的译例来分析《三体》英译本中是如何体现这三种翻译策略的。研究发现,通过加写前言和脚注以及增补两种策略,译者使读者注意到其对原著所作的变动,体现了译者的主体性;而劫持策略的运用则删减或消除了带有女性歧视意味的表达,树立了女性角色的正面形象。
文摘Translation has been regarded as the subordination and complementation of the original discourse in the long history of human society, and the loyalty of the wife to the husband has been the metaphor of the relationship between translated version and the original discourse. By using supplementing, prefacing, and hijacking, the feminist translation rewrites the original discourse creatively in order to overwhelming the authority of the original discourse even the male-governed society.
文摘The paper examines how the British woman writer Angela Carter rewrites Charles Perrault＇s household fairy tale--＂Little Red Riding Hood＂ in her short story--＂The Company of Wolves.＂ This paper attempts to analyze the two distinctive narrative strategies--re-characterization and second-person narration, skillfully deployed by Carter in order to rewrite Perrault＇ s classic tale into a feminist story. In Carter＇s version, Little Red Riding Hood is represented as a witty new woman who embraces her own sexuality and regards herself as a subject rather than an object. Through the transposition between reader and character, Carter＇s tale produces a new subject position for readers, particularly for young female readers.
