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论小说《蝴蝶梦》时空跳跃写作技巧
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作者 杨雪飞 孙川莲 《文教资料》 2010年第17期19-20,共2页
杜穆里埃是女性哥特式小说家的代表,她在成名作《蝴蝶梦》中运用了时空跳跃的写作技巧,描绘了第二任德温特夫人"我"在曼陀丽山庄的所见、所闻、所感。神秘的人物,怪异的景色,离奇的情节,哥特式的气氛与作者的写作手法相得益彰。
关键词 《蝴蝶梦》 时空跳跃 女性哥特式小说
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Women's repression, rebellion and quest for the "true self": Theyellow wallpaper as the epitome of the female Gothic novel
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作者 YIN Cai-qiao 《Sino-US English Teaching》 2008年第11期49-53,64,共6页
As a genre that expressed women's dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their w... As a genre that expressed women's dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their works. Charlotte Perkins Gilman's The yellow wallpaper is one of the many examples. As the epitome of female gothic, The yellow wallpaper utilized the female gothic conventions--the grotesque symbol of yellow wallpaper, the hysteric narrative format and the archetype image of madwoman, to express women's status of her time--their repression, rebellion and quest for the "true self". 展开更多
关键词 female Gothic REPRESSION REBELLION quest for "true self"
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