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浅析女性意识形态在观念摄影中的表现
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作者 温非 《美术大观》 2013年第11期83-83,共1页
视觉媒介因其自身敏锐的、透明的、广角式的展现力,更善于捕捉与表达"女性"这一被传统权力架构忽略排斥或刻板印象化的边缘主题,其中观念摄影最具表现力及震撼力。
关键词 女性意识形态视觉表现
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女权社会主义视域中的现代女性解放问题探论 被引量:2
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作者 徐蕊 张学军 《石家庄铁道大学学报(社会科学版)》 2016年第1期86-91,共6页
女权社会主义是当代女权主义流派之一,也是西方社会思潮中具有影响力的一支思潮。本文拟通过探究女权社会主义的兴起,解读女权社会主义理论的逻辑过程,分析女权社会主义的基本主张,借鉴女性解放的途径来考察现代女性解放问题,进而更深... 女权社会主义是当代女权主义流派之一,也是西方社会思潮中具有影响力的一支思潮。本文拟通过探究女权社会主义的兴起,解读女权社会主义理论的逻辑过程,分析女权社会主义的基本主张,借鉴女性解放的途径来考察现代女性解放问题,进而更深刻了解当代妇女运动及相关社会思潮的走向,为当代女性解放事业提供多维度分析路径,推动当代女性解放事业的发展。 展开更多
关键词 女权社会主义 女性意识形态 女性解放
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试析《傲慢与偏见》和《长恨歌》的女性叙事方式 被引量:1
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作者 季宇绮 《黑龙江史志》 2008年第3X期44-45,共2页
女性主义意识形态是女性作家文本中经常出现的主题思想,而女性叙事方式是女性意识形态在文本中的具体呈现。英国十九世纪女作家简.奥斯汀的《傲慢与偏见》和中国二十世纪现代女作家王安忆的《长恨歌》,这两部创作于不同年代,有着不同民... 女性主义意识形态是女性作家文本中经常出现的主题思想,而女性叙事方式是女性意识形态在文本中的具体呈现。英国十九世纪女作家简.奥斯汀的《傲慢与偏见》和中国二十世纪现代女作家王安忆的《长恨歌》,这两部创作于不同年代,有着不同民族文化和审美背景的作品,却有着相似的女性叙事方式,折射出女性作家相通的女性主义思想。文章试从两部作品文本的女性叙事方式入手,探讨女性作家不同于经典叙事文本的女性叙事特点,发掘其文本在女性主义思想方面的共通之处,以利于女性文本意识形态的解读。 展开更多
关键词 女性主义意识形态 女性文本 女性叙事方式
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对莎菲与克拉丽莎形象的女权主义批评
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作者 李迎霞 祁晓冰 《牡丹江大学学报》 2015年第9期78-80,共3页
五四运动之后,西方女权主义思潮对中国女性作家产生了很大的影响。丁玲,作为中国新一代的女性作家,对伍尔夫的女权主义批评有很大程度的接受与吸收。伍尔夫笔下的克拉丽莎,以独特的女性视角展现了资产阶级上层人物的生活。丁玲作品中的... 五四运动之后,西方女权主义思潮对中国女性作家产生了很大的影响。丁玲,作为中国新一代的女性作家,对伍尔夫的女权主义批评有很大程度的接受与吸收。伍尔夫笔下的克拉丽莎,以独特的女性视角展现了资产阶级上层人物的生活。丁玲作品中的莎菲,也颠覆了传统的女性意识形态,展现出独特的反叛特征。这两位鲜明的人物形象将女权主义阐释得极其深刻,且具有一定的对比研究价值。因此,本研究从女权主义角度出发,对比解析莎菲与克拉丽莎的女性意识形态。 展开更多
关键词 莎菲 克拉丽莎 女性意识形态 父权制
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Culture, Violence, and the Female Body: The Practice of Nholowemwizana Custom as a Form of Cultural Violence Amongst the Kalanga Women of Mpalawali Area in Zimbabwe
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作者 Dube Thembani 《History Research》 2013年第4期290-298,共9页
This paper is based on the interviews that the author carried out between 2005 and 2006 on the Nholowemwizana custom in Plumtree, Zimbabwe. Here the author deploys the concept of cultural violence following the peace ... This paper is based on the interviews that the author carried out between 2005 and 2006 on the Nholowemwizana custom in Plumtree, Zimbabwe. Here the author deploys the concept of cultural violence following the peace researcher Johan Galtung, who suggested speaking of cultural violence as aspects of culture that can be used to justify or legitimize direct or structural violence, and may be exemplified by religion and ideology, language and art, empirical science and formal science (Galtung, 1969, pp. 167-191). Using the example of the Nholowemwizana custom among the Kalanga people, the paper will highlight the extent to which women in this society have been exposed to cultural, gender based violence and direct sexual violence. However literature on Nholowemwizana is scarce in Zimbabwe. As such the paper will borrow from literature on cultural violence in general. The paper also acknowledges the fact that not all culture is violent, and that in some certain aspects of culture that permit gender based violence especially in African societies. The starting point for this paper is the question of what role cultural arguments have played in the abuse of women through the Nholowemwizana custom. 展开更多
关键词 Nholowemwizana custom CULTURE VIOLENCE WOMEN Kalanga
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Women Forbidden From "Climbing Tall Trees": Insecurity and Biological Asymmetry in Urhobo Sex Proverbs
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作者 Emeka C. Ifesieh Moses E. Darah 《Sino-US English Teaching》 2013年第7期573-582,共10页
Insecurity and asymmetry in all their ramifications are ideological. They are also inherently communicative processes that are largely constructed and enacted through language in various institutional discourses. In U... Insecurity and asymmetry in all their ramifications are ideological. They are also inherently communicative processes that are largely constructed and enacted through language in various institutional discourses. In Urhobo, sex proverbs copiously couch the ideological conceptualizations of the male-female biological asymmetry. Studies on Urhobo proverbs dwell largely on functional applications and documentations of the proverbs, thereby overlooking their ideological underpinnings. Therefore, in this paper, efforts are geared toward investigating and unravelling ideologies that have been habitualized in the semantic and pragmatic structures of the Urhobo sex proverbs. The intention is to throw open the patterns of relationship between the male and female participants in the society in relation to sex matters and power. Twenty-six Urhobo indigenes (six males and 20 females), who are competent in the socioculture and language were successfully interviewed to elicit Urhobo sex proverbs. Proverbs that contain the following lexical items: penis, virgina, to make love, or to have sex are purposively selected and subjected to CDA (critical discourse analysis). The main assumption of CDA is that language is both the site and the stake in the struggle for power and domination. Findings show that in the Urhobo sex proverbs, there is asymmetry in access to sexual relations between the male and female. Although the sex proverbs do not always refer to copulation, they are often employed as powerful instruments to dominate and instil fear in the female participant. Consequently, patriarchal discourses are further entrenched in the society 展开更多
关键词 biological asymmetry semantic and pragmatic structures PENIS virgina CDA (critical discourseanalysis)
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Empresses and Buddhism in Japan in VI-VIII cc
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作者 Elena Lepekhova 《Cultural and Religious Studies》 2016年第1期53-59,共7页
The basic problem of given paper is a role of women-empresses in the process of spreading Buddhism in Japan during VI-VIII cc. There are many evidences that during the process of spreading Buddhism in the Far East and... The basic problem of given paper is a role of women-empresses in the process of spreading Buddhism in Japan during VI-VIII cc. There are many evidences that during the process of spreading Buddhism in the Far East and South-East Asia, the principles of Buddhist doctrine became a part of the state ideology in many cases due to the patronage of the powerful laywomen. In Japan, thanks to the activity of empresses Suiko (597-628), Jito (645-703) and Koken (718-770). Buddhism could integrate into the system of traditional religion Shinto, developing further into Shinto-Buddhist syncretism. During the reign of Suiko about a hundred of the Buddhists, temples have been constructed through all the country and a system of religious bureaucracy "Sogo" was founded. Empress Jito took part in religious reforms during the second half of VII century and sent Buddhist missionaries to the local aborigines haya to and emishi. Empress Koken after the death of her father-emperor Shomu continued his policy to constructing the state ideology on the basis of Buddhism and was the first ruler in the history of early-medieval Japan, who permitted Buddhists to take part in the Shinto ceremonies. Therefore, the study of the role of empresses in spreading of Buddhism in Japan is important for understanding the history of religious and cultural traditions in Japan. 展开更多
关键词 BUDDHISM JAPAN Suiko Jito Koken "Sogo" hayato emishi Shomu SHINTO
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Images of Women in Nigerian Home Videos: An Impact Assessment
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作者 Uchenna Patricia Ekwugha Allen Nnanwuba Adum Uche Victor Ebeze 《Journalism and Mass Communication》 2015年第7期309-323,共15页
This research is about the relationship between Nigerian home videos production, women and cultural ideologies. It is general agreed that there is a sexist problem which has dominated the entire mass media. The study ... This research is about the relationship between Nigerian home videos production, women and cultural ideologies. It is general agreed that there is a sexist problem which has dominated the entire mass media. The study researches that an impact assessment of the images of women in Nigerian home videos is designed to examine the sway Nigerian home videos portrayal of women have on women's position and status in the society. The study also investigates the influence of home videos on women's and girl's perception of themselves and its effect on their development potentials. With 300 respondents drawn from a select range of home videos viewers, a survey research was designed using Awka-urban, Capital of Anambra State, Nigeria as the research area and finds a negative perception of women as regards their image portrayal in the home videos by the viewers. However, this image portrayal has a negative effect on the development potentials of women and that of girl child and as well reflects on how women are seen and treated in Nigerian society. 展开更多
关键词 IMAGES Nigerian home videos PORTRAYAL
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Feminism and Gender Identity in Feminist Translation
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作者 Wang Diqiu Hu Shanshan Pang Wenfang 《International English Education Research》 2014年第12期29-31,共3页
Bringing the aspect of "gender" into translation studies, feminism gave fresh impetus to the "Cultural Turn" for translation studies in 1990s. Feminist translation theory puts forward its viewpoints on the role of... Bringing the aspect of "gender" into translation studies, feminism gave fresh impetus to the "Cultural Turn" for translation studies in 1990s. Feminist translation theory puts forward its viewpoints on the role of gender and approves of translators' gender role in the interpretation of the original text. It seems that gender is of no more importance than other factors, such as nationality, class, and ideology of translators. Translation and women have been long associated with each other for they both occupy peripheral positions. The conventional view holding sway is that a translation is considered a secondary work dependent on, and subservient to, the original text, just as women are assigned dependent functions under patriarchal power. Unsatisfied with the notion that translator, translation and women are all relegated to the inferior class, feminist translators do their utmost to cast away the conventional sexism ideas in translation studies and social ideology. The core of feminist translation theory is: "identify and critique the tangle of concepts which relegates both women and translation to the bottom of the social and literary ladder" (Simon 1996:1). In order to realize the dream to overthrow patriarchal domination and make themselves visible, feminist translators seek to emphasize their identity and ideological stance in the translation project. Feminist translators are no longer invisible. They have the right to revise, manipulate and occupy the source text. Feminist translation is nothing but the translators' creative treason from the perspective of feminism. The thesis first systematically summarizes the present feminist translation theories, followed by a detailed analysis of some gender-related translation issues, especially the relationship between language and gender. After the analysis of some cases from the feminist translators, different translation approaches adopted are explored to show the peculiar characteristics of feminist translation. 展开更多
关键词 feminist translation gender language gender identity translation strategies
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