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哥特小说《献给艾米丽的一朵玫瑰花》中“家”的解读 被引量:1
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作者 孙小静 《赤峰学院学报(哲学社会科学版)》 2016年第9期179-180,共2页
威廉·福克纳是美国当代文学的顶尖人物,他在1930年发表的短篇小说《献给艾米丽的一朵玫瑰》,是部引起无数评论家和读者深思的作品。福克纳运用出色的哥特式的写作手法,赋予其丰富的想象力,给我们讲述了女主人公艾米丽·格里尔... 威廉·福克纳是美国当代文学的顶尖人物,他在1930年发表的短篇小说《献给艾米丽的一朵玫瑰》,是部引起无数评论家和读者深思的作品。福克纳运用出色的哥特式的写作手法,赋予其丰富的想象力,给我们讲述了女主人公艾米丽·格里尔生(Emily Grison)的悲剧一生。《献给艾米丽的一朵玫瑰》运用时序颠倒的表现手法,用五个相互分割,又紧密相连的五个部分,展示了哥特手法的运用,揭示了女性在父权社会中的生活状态。"家"是本篇小说中反复出现却被陌生化的空间,也常常是传统特哥小说中故事的发生地。本文试图从女性主义角度入手,解读该短篇小说中被陌生化的"家"的意义。 展开更多
关键词 威廉·福克纳 《献给艾米丽的一朵玫瑰》 女性特哥 封闭空间
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Women's repression, rebellion and quest for the "true self": Theyellow wallpaper as the epitome of the female Gothic novel
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作者 YIN Cai-qiao 《Sino-US English Teaching》 2008年第11期49-53,64,共6页
As a genre that expressed women's dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their w... As a genre that expressed women's dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their works. Charlotte Perkins Gilman's The yellow wallpaper is one of the many examples. As the epitome of female gothic, The yellow wallpaper utilized the female gothic conventions--the grotesque symbol of yellow wallpaper, the hysteric narrative format and the archetype image of madwoman, to express women's status of her time--their repression, rebellion and quest for the "true self". 展开更多
关键词 female Gothic REPRESSION REBELLION quest for "true self"
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