“方法-目的链”理论视角下的女性遗产价值传递和寻求研究——以秋瑾故居为例

作为遗产的重要组成部分,女性遗产需要更多的关注。红色旅游情境中,对女性遗产价值传递问题的研究仍有待推进。研究以秋瑾故居为例,基于“方法-目的链”理论研究女性遗产的价值传递及价值寻求问题。研究发现,秋瑾故居的价值传递过程是游客从属性认知到获取遗产体验结果再到价值汲取的过程,其主要价值体现在:满足休闲需求的放松和享受、作为红色旅游的历史与家国情怀培植、女性遗产独有的女性激励作用,其中后二者是游客寻求的核心价值所在。研究厘清了女性遗产价值传递的具体路径,丰富了女性遗产价值及其传递过程的认识,并明确其独特性,为女性遗产的实践改善提供了参考意见。

＂They Are Married to kunqu＂ ——Cultural Studies Inspired by a Chinese Traditional Theatre

In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu＇s appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting.