The double moral hazard of ＂company ＋ farmer＂ and the time preference cost of company and farmer was analyzed. According to static game model, it re-vealed that the reason for low compliance rate of ＂company ＋ fa...The double moral hazard of ＂company ＋ farmer＂ and the time preference cost of company and farmer was analyzed. According to static game model, it re-vealed that the reason for low compliance rate of ＂company ＋ farmer＂ model was the existence of market risk, namely, the fluctuation of market price, and the stable market price in contracts was actualy a kind of interval, instead of a specific value. Furthermore, the effect of default penalty, market transaction cost and time prefer-ence cost on the stability of contract was studied. The results showed that default penalty, market transaction cost and time preference cost had positive influence on the price interval range of a contract.展开更多
It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar （2009）, the basic structure and development closely ＂follows＂ the guidelines for ...It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar （2009）, the basic structure and development closely ＂follows＂ the guidelines for drama and storytelling laid out by Aristotle in his The Poetics, written several thousand years ago. We are specifically speaking of three act （beginning, middle, and ending） structure, focusing more on plot than character, and the need for a final resolution （catharsis）. But throughout literary and cinematic history, not everyone has followed these rules. Ironically, we take a close look at the award-winning Greek director Theo Angelopoulos＇ Ulysse＇s Gaze （1995） staring Harvey Keitel, as an example of a very non-Aristotelian approach to filmmaking and storytelling. Angelopoulos＇ film is character rather than plot centered on the Harvey Keitel figure and the journey of the narrative can be broken down to between 8-10 acts, depending how you describe them. We discuss many of the standard American ＂how to write screenplay book＂ authors such as Syd Field, while bringing a variety of authors such as Lajos Egri （The Art of Dramatic Writing） who criticize both Aristotle＇s Poetics and the way it has been interpreted for centuries especially in Hollywood. We conclude that there is a middle ground as well, for while Casablanca （1942） has a clear three act structure, it does not give us a happy romantic ＂Hollywood＂ ending/resolution as Rick insists that Lisa leave with her husband.展开更多
One of cinematic science fiction＇s most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron＇s Avatar turns the tables on that premise. Humans attack a peaceful, less tec...One of cinematic science fiction＇s most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron＇s Avatar turns the tables on that premise. Humans attack a peaceful, less technologically sophisticated race in order to exploit their natural resources. Driving the assault is a mining company hell-bent on improving its bottom line. The villain of Avatar is not a person, but those people who seek profit. To put it starkly, business is evil. But why has the entertainment business cast business as a heavy？ Hollywood has now made Immanuel Kant as the director of moral sentiment. Not, of course, directly, but rather the ghostwriter of Hollywood＇s ideas about morality. The works of Kant are not discussed or debated in the public arena, but their principles have influenced the way people think about what is just and good. The ideas of Kant have filtered into the contemporary discourse and are one of the key ingredients in the national dialogue over what it means to be moral. The categorical imperative holds that an action is moral only if it is free from calculation of reward or gain. To be truly, moral people must abandon all practical considerations of need or desire; they must be directed by pure good will alone. Business people can never measure up to Kant＇s standard. They always make choices based on cost and benefit. Their businesses would quickly go bankrupt, if they made decisions on good will rather than interest. Kant＇s principles have raised the moral standard so high that even the common inclination to seek one＇s own benefit is looked on with some mistrust. In Kantian-influenced movies, business people have come to play the evil antagonist; they seek gain instead of the good. How would Adam Smith, the father of economic rationality, respond to popularized Kantian morality？展开更多
One of the threats to the modem men today is the quick change in seasons and unusual fluctuations in temperature Contemporary life is marked with various conditions that make life comparatively different and for that ...One of the threats to the modem men today is the quick change in seasons and unusual fluctuations in temperature Contemporary life is marked with various conditions that make life comparatively different and for that matter difficult for everyone. Amongst many worldly things, like materialism, struggle to survive in the highly competitive urban settings, people tend to consider the merits of cosmopolitanism more than anything else Curiously enough, Sir Philip Sidney＇s sonnets, though written in the 16th century and become milestones of the sonnet tradition in the English Renaissance which are applicable to today＇s global concern of environmentalism. When considered in the light of ecocriticism, Sidney＇s sonnets provide a suitable ground for the modem readers to reevaluate the current situation of the world we live in and the nature that we inherit from our ancestors. This paper aims to analyze some of Sidney＇s selected sonnets from Astrophil and Stella in the light of ecocritical approach to literary works.展开更多
基金Supported by Humanities and Social Sciences of Ministry of Education(12YJC630050)Soft Science Bidding Project of Ministry of Agriculture(20140203)+1 种基金Jiangxi Soft Science Fund(20141BBA10065)Jiangxi’s Jiangxi Provincial Education Department(GJJ13727)~~
文摘The double moral hazard of ＂company ＋ farmer＂ and the time preference cost of company and farmer was analyzed. According to static game model, it re-vealed that the reason for low compliance rate of ＂company ＋ farmer＂ model was the existence of market risk, namely, the fluctuation of market price, and the stable market price in contracts was actualy a kind of interval, instead of a specific value. Furthermore, the effect of default penalty, market transaction cost and time prefer-ence cost on the stability of contract was studied. The results showed that default penalty, market transaction cost and time preference cost had positive influence on the price interval range of a contract.
文摘It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar （2009）, the basic structure and development closely ＂follows＂ the guidelines for drama and storytelling laid out by Aristotle in his The Poetics, written several thousand years ago. We are specifically speaking of three act （beginning, middle, and ending） structure, focusing more on plot than character, and the need for a final resolution （catharsis）. But throughout literary and cinematic history, not everyone has followed these rules. Ironically, we take a close look at the award-winning Greek director Theo Angelopoulos＇ Ulysse＇s Gaze （1995） staring Harvey Keitel, as an example of a very non-Aristotelian approach to filmmaking and storytelling. Angelopoulos＇ film is character rather than plot centered on the Harvey Keitel figure and the journey of the narrative can be broken down to between 8-10 acts, depending how you describe them. We discuss many of the standard American ＂how to write screenplay book＂ authors such as Syd Field, while bringing a variety of authors such as Lajos Egri （The Art of Dramatic Writing） who criticize both Aristotle＇s Poetics and the way it has been interpreted for centuries especially in Hollywood. We conclude that there is a middle ground as well, for while Casablanca （1942） has a clear three act structure, it does not give us a happy romantic ＂Hollywood＂ ending/resolution as Rick insists that Lisa leave with her husband.
文摘One of cinematic science fiction＇s most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron＇s Avatar turns the tables on that premise. Humans attack a peaceful, less technologically sophisticated race in order to exploit their natural resources. Driving the assault is a mining company hell-bent on improving its bottom line. The villain of Avatar is not a person, but those people who seek profit. To put it starkly, business is evil. But why has the entertainment business cast business as a heavy？ Hollywood has now made Immanuel Kant as the director of moral sentiment. Not, of course, directly, but rather the ghostwriter of Hollywood＇s ideas about morality. The works of Kant are not discussed or debated in the public arena, but their principles have influenced the way people think about what is just and good. The ideas of Kant have filtered into the contemporary discourse and are one of the key ingredients in the national dialogue over what it means to be moral. The categorical imperative holds that an action is moral only if it is free from calculation of reward or gain. To be truly, moral people must abandon all practical considerations of need or desire; they must be directed by pure good will alone. Business people can never measure up to Kant＇s standard. They always make choices based on cost and benefit. Their businesses would quickly go bankrupt, if they made decisions on good will rather than interest. Kant＇s principles have raised the moral standard so high that even the common inclination to seek one＇s own benefit is looked on with some mistrust. In Kantian-influenced movies, business people have come to play the evil antagonist; they seek gain instead of the good. How would Adam Smith, the father of economic rationality, respond to popularized Kantian morality？
文摘One of the threats to the modem men today is the quick change in seasons and unusual fluctuations in temperature Contemporary life is marked with various conditions that make life comparatively different and for that matter difficult for everyone. Amongst many worldly things, like materialism, struggle to survive in the highly competitive urban settings, people tend to consider the merits of cosmopolitanism more than anything else Curiously enough, Sir Philip Sidney＇s sonnets, though written in the 16th century and become milestones of the sonnet tradition in the English Renaissance which are applicable to today＇s global concern of environmentalism. When considered in the light of ecocriticism, Sidney＇s sonnets provide a suitable ground for the modem readers to reevaluate the current situation of the world we live in and the nature that we inherit from our ancestors. This paper aims to analyze some of Sidney＇s selected sonnets from Astrophil and Stella in the light of ecocritical approach to literary works.
